From the #1 New York Times bestselling author Scott Westerfeld comes a “masterful” (Cory Doctorow) novel-within-a-novel that you won’t be able to put down.
Darcy Patel has put college on hold to publish her teen novel, Afterworlds. With a contract in hand, she arrives in New York City with no apartment, no friends, and all the wrong clothes. But lucky for Darcy, she’s taken under the wings of other seasoned and fledgling writers who help her navigate the city and the world of writing and publishing. Over the course of a year, Darcy finishes her book, faces critique, and falls in love.
Woven into Darcy’s personal story is her novel, Afterworlds, a suspenseful thriller about a teen who slips into the “Afterworld” to survive a terrorist attack. The Afterworld is a place between the living and the dead, and where many unsolved—and terrifying—stories need to be reconciled. Like Darcy, Lizzie too falls in love…until a new threat resurfaces, and her special gifts may not be enough to protect those she cares about most.
Scott Westerfeld is the author of the Leviathan series, the first book of which was the winner of the 2010 Locus Award for Best Young Adult Fiction. His other novels include the New York Times bestseller Afterworlds, the worldwide bestselling Uglies series, The Last Days, Peeps, So Yesterday, and the Midnighters trilogy. Visit him at ScottWesterfeld.com or follow him on Twitter at @ScottWesterfeld.
Read an Excerpt
Afterworlds THE MOST IMPORTANT EMAIL THAT Darcy Patel ever wrote was three paragraphs long.
The first was about Darcy herself. It skipped the trifling details, her dyed blue-black hair and the slim gold ring in her left nostril, and began instead with a grim secret that her parents had never told her. When Darcy’s mother was eleven years old, her best friend was murdered by a stranger. This discovery, chanced upon during an idle web search, both shocked Darcy and made certain things about her mother clearer. It also inspired her to write.
The second paragraph of the email was about the novel Darcy had just finished. She didn’t mention, of course, that all sixty thousand words of Afterworlds had been written in thirty days. The Underbridge Literary Agency hardly needed to know that. Instead, this paragraph described a terrorist attack, a girl who wills herself to die, and the bewitching boy she meets in the afterworld. It promised skulking ghosts and the traumas that haunt families, and little sisters who are more clever than they appear. Using the present tense and short sentences, Darcy set the scene, thumbnailed the characters and their motivations, and teased the conclusion. This was the best of the three paragraphs, she was later told.
The third paragraph was pure flattery, because Darcy wanted very much for the Underbridge Literary Agency to say yes to her. She praised the breadth of their vision and paid tribute to their clients’ genius, even while daring to compare herself to those illustrious names. She explained how her novel was different from the other paranormals of the last few years (none of which had a smoldering Vedic psychopomp as its love interest).
This email was not a perfect query letter. But it did its job. Seventeen days after pressing Send, Darcy was signed to Underbridge, a flourishing and respected literary agency, and not long after that she had a two-book deal for an astonishing amount of money.
Only a handful of challenges remained—high school graduation, a perilous decision, and parental approval—before Darcy Patel would be packing her bags for New York City.
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