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The Age of Movies: Selected Writings of Pauline Kael
     

The Age of Movies: Selected Writings of Pauline Kael

by Pauline Kael, Sanford Schwartz (Editor)
 

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"Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation, enthralling readers with her gift for capturing,

Overview

"Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation, enthralling readers with her gift for capturing, with force and fluency, the essence of an actor's gesture or the full implication of a cinematic image. Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville-along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.

Editorial Reviews

Frank Rich
…[Kael's] work, both at its extraordinary best and at its most egregious, [is] unlike anything else in the modern history of cultural criticism. If you want to understand what it was like to be in the audience during America's thrilling, now vanished age of movies, you must begin with Kael.
—The New York Times Book Review
From the Publisher
"Pauline Kael was not only one of our greatest film critics, but one of our best nonfiction prose writers. Her range is on brilliant display in this thrilling collection, reminding us what all the excitement was and still is about." — Phillip Lopate

Product Details

ISBN-13:
9781598531091
Publisher:
Library of America
Publication date:
10/27/2011
Pages:
750
Product dimensions:
6.00(w) x 9.40(h) x 1.50(d)
Age Range:
18 Years

Meet the Author

Sanford Schwartz, editor, writes for The New York Review of Books. His essays and reviews have been collected in Art Presence and Artists and Writers, and he is the author of critical biographies of the nineteenth-century Danish painter Christen Købke and the twentieth-century English artist William Nicholson.

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