Thrilling, bewildering, campy, shrewd, mortifying, scary, devastating, and deep…nothing less than a spiritual portrait of Black American life right now, with all its terrors, hopes, and contradictions.
—Jesse Green, New York Times
At its best and wildest, Ain’t No Mo’ spirals into the kind of absurdism that, in frighteningly absurd times, feels like a mirror up to nature: It’s dead funny, but it’s no joke…Ain’t No Mo’ digs in its heels and its teeth, balancing explosive playfulness with focused attack, fierce lament with equally fierce celebration.
—Sara Holdren, Vulture
Ain’t No Mo’, a blast of a Black Broadway show, doesn’t so much occupy the space between sketch comedy and old-school play as smash a hole in whatever barrier has been assumed to divide them…Theatrical, funny, and deeply moving.
—Chris Jones, Chicago Tribune
Ain’t No Mo’ is a dazzling cascade of ideas—sometimes hilarious, sometimes shocking, always edged with risk…Jordan E. Cooper has come to Broadway to make a little noise.
—Adam Feldman, Time Out
Ain’t No Mo’ wrangles rhetorical fantasy into a rolicking, high-concept sitcom, mining dark comedy from the horrors of racism and the particulars of Black life. Explosive as a hand grenade of laughing gas, it’s heady and hysterical and fearlessly provocative. Its keen observations about race as both social construction and lived reality crackle like a lit fuse.
—Naveen Kumar, Variety
Searingly satirical tragicomedy…Cooper’s script speaks to the moment in ways both pointed and unanticipated.
—Thomas Floyd, Washington Post
Scathing in comic outlook and shameless in its frank language…Ain’t No Mo’ is a sharply satirical study in Black manners and matters.
—Michael Sommers, New York Stage Review
Cooper, a fearless, equal-opportunity satirist, enables audiences of all racial compositions to swallow the despair and suffering inside Ain’t No Mo’ with generous spoonfuls of hilarity and irony: two extremes and the truth. And the medicine goes down.
—Mary Lincer, Broadway World
Ain’t No Mo’, a badass sketch comedy about the Black experience in America and a mythical airline flight in response to it, is a theatrical excursion…fanged, ferocious, and funny.
—Joe Dziemianowicz, New York Theatre Guide
Ain’t No Mo’ is about Blackness in America. That is not a small thing. As the show points out, that involves a complicated history, a deep impact on American culture, and a continued fight to be seen as equal. But it is also people—funny, sad, wounded, loving, fed-up, and holding it together. As they always have.
—Nicole Serratore, Exeunt
Hilarious yet sobering…an ingenious way to dig into some of the nasty truths about this country’'s equally absurd failure to come to terms with the legacy of slavery.
—Pete Hempstead, TheaterMania
An explosive volcano of a play…Unfolding over a series of eight vignettes, the mixture of side-splitting comedy as well as stomach churning pain, eventually lead to its powerful conclusion…Jordan E. Cooper meets the moment.
—Ron Fassler, Theater Pizzazz
Ain’t No Mo’ is at its core a satire built upon the Black American experience…Amid its grandiosity and camp aesthetics, the show gives an incredible amount of care to the stories and messages it delivers, using humor effectively to shed a light on reality.
—Ajani Jones, DC Theater Arts
It’s difficult for a show to take on the weight of 400 years of history and also be laugh-out-loud funny, but that’s exactly what playwright Jordan E. Cooper accomplishes with Ain’t No Mo’…the rare satirical work that feels as affirming as it does biting, as joyful as it is discomforting.
—Nathan Pugh, Theatrely
