Aion

Aion

4.7 4
by Dead Can Dance
     
 

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Their reputation growing by leaps and bounds, including a huge underground following in the U.S. -- they were able to tour there even without one domestic release available, while at one point Dead Can Dance was the biggest selling band in 4AD's history -- Perry and Gerrard once again did

Overview

Their reputation growing by leaps and bounds, including a huge underground following in the U.S. -- they were able to tour there even without one domestic release available, while at one point Dead Can Dance was the biggest selling band in 4AD's history -- Perry and Gerrard once again did the business with Aion. Its cover taken from Bosch, Aion's medievalism was worn more openly than ever before, with songs adapted from centuries-old material. The beautiful, entrancing "Saltarello," with lead performance by what sounds like an old wind instrument, comes from an Italian dance of the 14th century, while the mysterious moods of "The Song of the Sibyl" derive from 16th-century Catalonia. The group's command of not merely recording possibilities -- witness the exquisite layering of vocals on the opening "The Arrival and the Reunion" -- but of musical traditions, instruments, and more from around the world was arguably never stronger. Gerrard's vocals in particular have an even stronger, richer feeling than before, not merely able to command with its power but softly calm and seduce. Perry, meanwhile, is no less compelling, his ever-strong, wonderful voice perfectly suited to his choice of material. The standout track is "Fortune Presents Gifts Not According to the Book" with lyrics from a Spanish poet. The musical combination of softly plucked guitar and buried organ drone is striking enough, swathed in reverb, but when Perry steps in with his vocals, matched by more sparkling keyboards, the result is yet another high point for a band laden with them. Guest performers once again assist throughout, including Perry's brother Robert on haunting, quite non-clichéd bagpipes for "As the Bell Rings the Maypole Spins" and singer David Navarro Sust, returning again to contribute some fine backing work.

Product Details

Release Date:
11/18/2008
Label:
4ad / Ada
UPC:
0652637271027
catalogNumber:
72710
Rank:
84269

Tracks

Album Credits

Performance Credits

Dead Can Dance   Primary Artist
Lisa Gerrard   Vocals,Voices,Various,Musician
Brendan Perry   Vocals,Various,Musician
Andrew Robinson   Violin,Bass Viol,Violin (Bass)
John Bonnar   Keyboards
Robert C. Perry   Bagpipes
Anne Robinson   Violin,Bass Viol,Violin (Bass)
David Navarro Sust   Vocals
Anne Robinson   Violin (Bass)
Honor Carmody   Tenor Violin
Robert Perry   Bagpipes
Lucy Robinson   Tenor Violin
Andrew Robinson   Violin (Bass)

Technical Credits

Dead Can Dance   Producer,Audio Production
Lisa Gerrard   Composer,Instrumentation
Brendan Perry   Composer,Cover Design,Instrumentation
John Bonnar   Arranger

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Aion 4.8 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
Dead Can Dance had been labelled Goth, but the term is far from accurate in the description of their music. They've embraced everything from world music to medieval scores. This album is a highlight of the latter, with wonderful surprises like the jaunty segue 'Garden of Zephirus' to the near woeful 'Promised Womb.' My personal favorite takes a slightly different turn -'Black Sun'with its incredible prosaic lyrics -'Like Prometheus we are bound, chained to this rock of a brave new world, our God-forsaken lot.' And it goes on. Truly, this is an album not to be taken lightly! Highly recommended.
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