Publishers Weekly
★ 10/16/2023
Translator Habib examines global travel and the inequalities that underpin it in her trenchant debut. Mixing memoir and history, she recalls how her own trips (and challenges with an expiring student visa) made her realize “how intrepid you are as a traveler depends, at least partly, on how entitled you feel to travel.” For example, she contrasts a white friend’s “easy charm with strangers” and “ability to condense entire countries into crisp little sentences,” with the way “Brown people... did not fit the stereotype of the tourist. We were supposed to be the local color.” From there, Habib goes on to describe passport discrimination (both globally and within “Third World” countries) as “akin to a caste system with multiple stratas” and delve into the fascinating 19th-century roots of modern guidebooks. Elsewhere, she traces the often-invisible influences on the desire to travel, noting, for example, that a Thai government program encouraged the proliferation of Thai restaurants worldwide on the “astute calculation” that their dishes would inspire tourism. (Habib realized firsthand just how well that bet paid off when she found herself in a Thai eatery while abroad in Barcelona: “The epiphany was that I was a cliché..... How bracing it is to catch a glimpse of the software that is running me and hundreds of thousands of others... beneath the surface of our wanderlust.”) With a perceptive eye and in fluid, intimate prose, Habib nimbly demonstrates how “the more we dig into the history of modern tourism, the more the pickax hits the underground cable connection with colonialism.” Jet-setters will be captivated and challenged. (Dec.)
From the Publisher
Longlisted for the Andrew Carnegie Medals of Excellence
Amazon, A Best Biographies & Memoirs of the Month
Debutiful, A Most Anticipated Book of 2023
"Now lands Airplane Mode, by Shahnaz Habib, a lively and, yes, wide-ranging book that interrogates some of the pastime’s conventions and most prominent chroniclers . . . Habib [is a] ruthlessly honest and funny observer." —Alexandra Jacobs, The New York Times
"Should be required reading." —Bethanne Patrick, Los Angeles Times
"The frequent fliers in your life are likely to be enlightened and entertained by United Nations consultant Habib’s witty look at travel and tourism." —Michael Schaub, The OC Register
"Insightful, funny, moving, politically astute . . . Habib’s book is rich and her narrative voice analytic, historically informed, and passionate . . . Habib compels us to engage in the politics of travel." —Nalini Iyer, International Examiner
"Thoughtful and thought-provoking . . . It’s both a welcome addition to the existing library of literature on travel and a resonant critique of much of it—and it may well leave you thinking more about your own experiences making your way across the globe." —Tobias Carroll, InsideHook
"Habib is great at establishing a sense of place and crafting damn good sentences." —Robyn Smith, Bust
"Airplane Mode can make anyone’s imagination take flight." —Caroline Leavitt, The Ethel (AARP)
"An enlightening and entertaining debut essay collection." —Lauren Kiniry, Smithsonian Magazine
"A memorable and unique travelogue that explores what it means to explore the world through the lens of colonialism, capitalism, and climate change." —Adam Vitcavage, Debutiful, A Most Anticipated Book of 2023
"Airplane Mode, brimming with curious travel facts filtered through Habib's witty, conversational style, is an insightful literary companion for explorers of all stripes." —Shahina Piyarali, Shelf Awareness
"With a perceptive eye and in fluid, intimate prose, Habib nimbly demonstrates how 'the more we dig into the history of modern tourism, the more the pickax hits the underground cable connection with colonialism.' Jet-setters will be captivated and challenged." —Publishers Weekly (starred review)
"Habib’s analytical tour of travel’s history invites readers to engage more thoughtfully with their journeys and to consider who is and is not able to take part in these adventures." —Carla Jean Whitley, BookPage
"A timely reframing of what it means to travel." —Alan Moores, Booklist
"A wide-ranging, politically acute inquiry into the history of travel and tourism . . . Enlightening and entertaining." —Kirkus Reviews
"This work shows that militourism, colonialism, capitalism, and climate change shape how and where people travel. With a sharp wit, the book unearths travel truths with a humorous bent that delivers several laugh out loud moments . . . Fans of travel writing, history, and travel writing itself will find this quick read a delightful, eye-opening one that fuels more insatiable wanderlust." —Holly Hebert, Library Journal
"Shahnaz Habib has written a travel book like few others, weaving her strong opinions about tourism’s consumerism, environmental degradation and condescension into a memoir of her own travels. Alternately jolting and insightful, Airplane Mode raises many critical questions about how and why we travel." —Elizabeth Becker, author of Overbooked: The Exploding Business of Travel and Tourism
"I read Airplane Mode while traveling for work and was thrilled to find it reignited my love for travel memoirs. In interweaving the personal and political stakes of traveling as a migrant, Habib gives us an urgently needed reimagining of the genre." —Jessica J. Lee, author of Two Trees Make a Forest
"Airplane Mode is a captivating and comprehensive history of travel. Part cultural study and part personal account, it engages with the troubling legacy of colonialism and the particular experiences of brown and Black people traveling. I know of no other book like it, a thrilling read that feels like a whole education in the history of why and how bodies moved across this not-so-lonely planet." —Kazim Ali, author of Northern Light
"Nuanced and thought-provoking, Airplane Mode is an exemplary piece of work that asks important questions about our current concept of 'travel writing.' Shahnaz Habib expertly blends personal anecdotes with external research to interrogate typically romanticized ideas of travel and immigration, and how our personal definitions of those subjects change depending on, amongst other factors, the passports we are born holding. I will be recommending this book to anyone I know who's ever set foot on a plane, in another country, or has dreamt of a life of 'traveling'—so essentially, everybody." —Pyae Moe Thet War, author of You've Changed
"Shahnaz Habib’s Airplane Mode incisively explores, and exposes, the assumptions and prejudices that underpin so much of documentary and travel writing. This elegantly written, erudite collection acts not only as a much-needed corrective but as an exemplar of what the travel essay can truly accomplish." —Hasanthika Sirisena, author of Dark Tourist
"A fascinating, wide-ranging and insightful travelogue that poses some of the biggest questions of all: who gets to travel and what is it that makes us so keen to travel in the first place?" —Annabel Abbs, author of Windswept
Library Journal
09/01/2023
Writer and translator Habib's first book is an insightful travelogue filled with her own stories of travel as a woman of color from a third-world country—a term she doesn't shy away from. Growing up in the South Indian state of Kerala, the author discovered an early taste for travel writing in the stories of the Queen of Sheba and other ancient explorers whose curiosity led them to new adventures. This book highlights the inherent inequities in privileges between those who can easily globetrot versus others who frequently encounter difficulties while traveling. This work shows that militourism, colonialism, capitalism, and climate change shape how and where people travel. With a sharp wit, the book unearths travel truths with a humorous bent that delivers several laugh out loud moments. From a history of guidebooks to the obscure history of carousels, there are compelling stories and insights that will expand and alter most readers' view of the world. Sprinkled throughout the chapters are references to works in which one can further investigate some of the book's briefly mentioned topics. VERDICT Fans of travel writing, history, and travel writing itself will find this quick read a delightful, eye-opening one that fuels more insatiable wanderlust.—Holly Hebert
APRIL 2024 - AudioFile
Deepa Samuel reads crisply and does well with the various languages in this globe-spanning audiobook. Her carefully articulated style makes this history/memoir with travel stories vivid. The author, a Muslim Indian woman now living in Brooklyn, brings a unique point of view to this "irreverent history of travel." As a woman of color, she has experienced what she describes as distinctly inferior treatment as compared to her white-skinned husband. She writes convincingly about travel history and includes previously ignored historical travel from Asia and Africa. Her mini histories of Baedeker, Lonely Planet, and Cook's guides are excellent. Her reflection on carousels, originally war machines in Turkey, is whimsical. She argues we are no longer travelers but, rather, tourists with iPhone cameras. A.D.M. © AudioFile 2024, Portland, Maine
Kirkus Reviews
2023-09-19
A wide-ranging, politically acute inquiry into the history of travel and tourism, as seen by a south Indian writer and translator.
Attending a lecture by a travel videographer on "the travel habits of different demographics," Habib heard him proclaim, “Europeans travel in August” and “cruises are for retired Americans.” Then came the kicker: “People from the Third World do not travel; they immigrate.” Born in Kerala, India, now living in Brooklyn, the author is a traveler and an immigrant, sometimes a tourist, as well. All these perspectives play a role in this collection of essays. Habib opens by contrasting her experience as a traveler with that of a white woman she met in Turkey, segueing into a history of guidebooks and an interrogation of the association between travel and privilege. “But what if," she wonders, "instead of being a hole in the self, [lack of privilege] is more akin to a window? A crack through which the light gets in, a third eye that reveals the magic-mushroom hybridity of the world we live in?" Another essay describes her months as a new mother in Brooklyn, finding solace in aimlessly riding buses; Brooklyn, she proclaims, is "a flaneur's paradise." Most essays combine the history and historiography of travel with engaging personal narratives—e.g., her white American husband getting foiled in his plan for a romantic trip to Paris because his brown wife cannot get the paperwork in time. Habib includes funny stories about craving Thai food in Barcelona and her biophobia (fear of nature). A wonderful afterword explains "Why I Use ‘Third World In This Book.’ ” Although some find the term derogatory, she argues, “To speak of the Third World is to bring it into being…It’s not offensive to me. Its nasty women, bad hombres, and shitholes are dear to me.
Enlightening and entertaining.
