Alan Cole starts out as a coward but doesn’t end as one in this harrowing but inspiring debut...The intensity of the family relationships is so effectively rendered that this book has the potential to appeal to older teens as well as a middle school audience.” — Kirkus Reviews
“With its well-developed characters, juxtaposition of supportive adult educators and aggressive parents, and message of hope, this novel feels like a contemporary version of Gary D. Schmidt’s The Wednesday Wars and Okay for Now. A strong debut.” — School Library Journal
“This book is the Labors of Hercules for the middle-school set, complete with underwear jokes. Bell has written a compelling story that examines homophobic fathers and families and still manages to show Alan a way to see himself as a valuable member of a community—as an artist, even a brave artist.” — Horn Book Magazine
“There are books in this world that show us why it matters that we become our truest selves. This is one of them.” — Gary D. Schmidt, Newbery Honor and Printz Honor author of Lizzie Bright and the Buckminster Boy and The Wednesday Wars
“No funny bone will go untickled, no heartstring untugged. Alan Cole and his band of misfits from the Unstable Table are coming for both, with a story that’s as important as it is entertaining, as thought-provoking as it is heartwarming, and as courageous as it is hilarious.” — Brooks Benjamin, author of My Seventh-Grade Life in Tights
“An alluring setup and deft portrayal of middle school friendships are highlights of this impressive debut. Alan Cole is a complex character under pressure; we want to discover his fate!” — Leslie Connor, author of Waiting for Normal, Crunch, and All Rise for the Honorable Perry T. Cook
No funny bone will go untickled, no heartstring untugged. Alan Cole and his band of misfits from the Unstable Table are coming for both, with a story that’s as important as it is entertaining, as thought-provoking as it is heartwarming, and as courageous as it is hilarious.
An alluring setup and deft portrayal of middle school friendships are highlights of this impressive debut. Alan Cole is a complex character under pressure; we want to discover his fate!
This book is the Labors of Hercules for the middle-school set, complete with underwear jokes. Bell has written a compelling story that examines homophobic fathers and families and still manages to show Alan a way to see himself as a valuable member of a community—as an artist, even a brave artist.
There are books in this world that show us why it matters that we become our truest selves. This is one of them.
2017-05-24
Alan Cole starts out as a coward but doesn't end as one in this harrowing but inspiring debut. White seventh-grader Alan's home life has taught him that it's best to stay out of the way. He conceals his crush on Connor Garcia. He doesn't want friends but eats lunch at the Unstable Table with Madison Truman, who's bullied about his weight, and Zack Kimble, who cheerfully lives by his own rules. He tries to avoid abuse from his father and violence from his brother Nathan. His mother is a largely passive figure, though she does shed some (unsatisfying) light on the source of their familial trauma. Nathan, who is both sympathetic and frightening as a victim and perpetrator of abuse, wants to crush his brother once and for all in an ongoing contest Nathan calls Cole vs. Cole. As the brothers struggle through their list of tasks for this particularly trying game of CvC—from getting kissed to standing up to their father—Alan realizes his own potential for strength, the value of friendship, and the warped reasoning behind his father's rage. Alan's burgeoning gay identity is only a small part of his larger angst, and his slow but steady growth from cowed endurance to self-assured advocacy makes for a rewarding, if at times difficult, read. The intensity of the family relationships is so effectively rendered that this book has the potential to appeal to older teens as well as a middle school audience. The potential horrors of white, middle-class, suburban public school are well-documented and creatively managed here, though readers could easily come away either contented or depressed. (Fiction. 11-16)
