Albert and the Whale: Albrecht Dürer and How Art Imagines Our World

by Philip Hoare

Overview

The Whale.

In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning.

But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition.

Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life.

But his art captured more than the physical world, he also captured states of mind.

Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip’s experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.

Product Details

ISBN-13:	9781643139470
Publisher:	Pegasus Books
Publication date:	02/08/2022
Pages:	304
Product dimensions:	5.50(w) x 8.25(h) x 0.90(d)

About the Author

Philip Hoare is the author of ten works of narrative nonfiction including The Whale, which won the 2009 Ballie Gifford Prize for nonfiction, and Albert & the Whale, also available from Pegasus Books. He lives in Southampton, England, and swims every day in the sea.

Editorial Reviews

"This idiosyncratic account of the life, work, and afterlife of the Renaissance artist Albrecht Dürer considers how art imagines our world. Hoare shows Dürer’s responsiveness to his times, and places his subject in a surprising lineage of artists including William Blake, Marianne Moore, Thomas Mann, and Andy Warhol. These comparisons elucidate Dürer’s radicalism, and establish him as a revolutionary and thoroughly modern artist. Hoare writes, 'Before Dürer, dragons existed; after him, they did not.'"

The New Yorker

"Marvelous, unaccountable. Its strange charisma, the book’s fluidity, the unpredictability of which disrupts everything, transmuting whatever is steeped in it into something rich and strange."

Literary Review - Kathryn Murphy

"A masterpiece, a riot, a meditation, an illumination, and most definitely for reasons that will be apparent when you live inside its pages, a day at the beach."

Simon Schama

"From Dürer to David Bowie, a delightfully eclectic study of the natural world and art."

The Sunday Times - Michael Prodger

I loved this new book by Philip Hoare. It’s a rare adventure in reading, drawing us into a swirl of narratives that mingle and resonate. The author is always there, as art critic, historian of culture, naturalist, biographer, and memoirist. His supple voice grounds the stories, with images and refractions of Albrecht Dürer rarely far from view. The rhythms of the prose are deft, seductive. What a fine achievement!

Jay Parini

"Although it centers on Dürer's life and work, Hoare summons up numerous other figures - from Luther and Shakespeare to David Bowie - and somehow makes them relevant to the Renaissance painter. A book of dazzling insight and liquid beauty, Albert and the Whale is Hoare's greatest work yet."

The Week

"A magnificent new book. Hoare summons [historical figures] like Prospero, his writing the animating magic that brings the people of the past directly into our present and unleashes spectacular visions along the way."

The Guardian - Laura Cumming

"If Albert and the Whale were a room, it would be an alchemist’s laboratory with a stuffed crocodile suspended from the ceiling, full of freaks and fascinations, reef-encrusted in time. Hoare’s lush imaginings sweep you through 500 years on a sea of connections."

New Statesman - Sue Prideaux

"More slippery than a straight biography, the book instead swoops cormorant-like into Dürer’s life and times. Albert and the Whale glitters with arresting details."

The Economist

"I doubt that any other writer has grasped so deeply the feral, sensual undercurrent of Dürer’s art or has felt so acutely the artist’s attunement to the fierce animals that live in his works: the bony, narrow-headed dogs; the hirsute walrus, seemingly as ancient as the world itself; the armored rhino, as big as a house, menacing in its hardened, ornamented glory. Albert and the Whale is full of such unexpected insights into Dürer’s art, expressed with epigrammatic force and clarity. It is perhaps Dürer’s greatest achievement (and now also Mr. Hoare’s) to have shown us that this fantastical world is not so strange after all, that, in its fearsome splendor, it must be ours too."

Wall Street Journal - Christoph Irmscher

"A visionary, encyclopedic, erudite and poetic book."

Colin Eisler

"This idiosyncratic account of the life, work, and afterlife of the Renaissance artist Albrecht Dürer considers how art imagines our world. Hoare shows Dürer’s responsiveness to his times, and places his subject in a surprising lineage of artists including William Blake, Marianne Moore, Thomas Mann, and Andy Warhol. These comparisons elucidate Dürer’s radicalism, and establish him as a revolutionary and thoroughly modern artist. Hoare writes, 'Before Dürer, dragons existed; after him, they did not.'"

The New Yorker

"In Albert and the Whale Hoare moves beyond his own hand, which has hitherto brought hybrid biographies, memoirs and tremendous books on the sea and whales, to make something reckless, marvelous and unforgettable. Dürer would have loved it. So will you."

The Spectator - Horatio Clare

"Albert and the Whale is visionary: a tone poem put together from the lives of others. This book is all about shockwaves... Hoare is intoxicated by Dürer’s version of the natural world, which threatens to be more vivid, more essential than the real thing. This harmonious and enviably conceived book manages it with full marks."

Financial Times - Jonathan McAloon

"In his typically allusive and impish style, Hoare has unfurled a whole tapestry of lives connected to Dürer’s work and its themes. He extrapolates an entire cosmology, a way of seeing the world every bit as rich and penetrating as Dürer’s."

The Washington Post - Charles Arrowsmith

"This beautifully eclectic book is so much more than a biography of the great artist. This is a book to immerse you. Like the sea in which its author swims daily, it braces and embraces. It beckons us ever on."

The Times - Rachel Campbell-Johnston

"Hoare’s deep and illuminating responses to Du¨rer’s iconic self-portraits and empathic portraits of animals inspire questions of sexuality and of our use and abuse of other species, especially whales. In contemplating Du¨rer’s virtuoso skills and gripping 'vision of the dark, the beautiful, and the strange' and sharing his own immersive appreciation of nature and art, Hoare forges a new, reorienting, and exhilarating perspective."

Booklist

You can feel the delight Hoare takes in being unbound by anything but his enthusiasms. He is alternately precise and concealing. His biographical sections are both elliptical and redolent of entire lives. Somehow, Hoare’s frequent cuts between the present, the recent(ish) past and more distant history end up feeling like no cuts at all; instead of whiplash or disorientation, what results is an almost calm feeling of all these times existing simultaneously, in the moment of reading. Albert and the Whale will pull you in like the tide.

New York Times - John Williams

Hoare’s work is rigorous, something every serious student of whales – and, more widely conceived, of the natural world – will want to have at hand.

Washington Post

Praise for Philip Hoare and The Whale:

From the Publisher

Genius. Hoare is always on the lookout for the revealing detail. He also has a finely tuned sense of perspective and pacing.

New York Times Book Review - Nathaniel Philbrick

One of the most sublime reading experiences you’ll have this year.

NPR's All Things Considered

2021-02-02
An examination of the works and influences of the German Renaissance painter.

In his latest, Hoare—the author of biographies of Stephen Tennant, Oscar Wilde, and Noël Coward, among other books—explores the works of renowned painter and printmaker Albrecht Dürer (1471-1528). The book features striking renditions of the artist’s popular paintings and sketches, but the text is florid and often difficult to follow, jumping from analyses of Dürer’s artwork to lengthy discussions of other individuals with little apparent connection to the artist. Furthermore, Hoare doesn’t include clear attributions when quoting the artist, and the connection between the artist and a whale, as indicated by the book’s title, is exaggerated. According to the author, Dürer sailed to Zeeland in hopes of viewing a whale; however, the trip was not a success, and whales never became a subject of his artwork. In an attempt to create a connection, Hoare digresses from his study of his biographical subject to the topic of whales, including discussions of Moby-Dickand the works of writers and other artists who depicted whales. (Readers interested in the author’s explorations of whales should consult his engaging 2010 book The Whale.) “Had Dürer seen even one whale,” writes Hoare, “his art would have preempted Melville’s mutterings about how you can’t tell the true nature of the whale from its bones alone, and how no one ever painted a less monstrous picture of a whale, despite the fact that the writer was born, half Dutch, in New Amsterdam, and claimed his eyes were tender as young sperms. The pale usher of Moby-Dick tells us the word whale came from the Dutch wallen, to roll, to wallow. We wallow in our ignorance.” For fans of art history, the portions of the book directly related to Dürer and how his interactions with nature influenced his art are fascinating.

An intermittently intriguing yet baroque investigation of an artist that leaves readers wanting more.

Kirkus Reviews