Alberto Giacometti: The Origin of Space

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"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations
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4-30-11 Hardcover GOOD GOOD-This is a hurt hardcover book with some tearing, scuffing, bumping, creasing and a torn dust jacket. Still, it is fully usable and the flaws are only ... cosmetic. 3.97 lbs. Read more Show Less

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Overview

"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.
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Product Details

  • ISBN-13: 9783775727150
  • Publisher: Hatje Cantz Verlag GmbH & Co KG
  • Publication date: 4/30/2011
  • Pages: 200
  • Product dimensions: 9.90 (w) x 12.40 (h) x 1.00 (d)

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  • Posted May 8, 2011

    the famed modern sculptor's ideas about the relationship between space and his art with high-quality instructive illustrations

    Interrelated essays aim to work out at least the preliminaries of a reconceptualization of the groundbreaking sculptor Giacometti (1901-66). He continues to be a major figure in modernist art for his striking originality. This book however does not take up his revolutionary changes, his techniques, or their aesthetic effects as do the many other books on this artist of perennial interest. Instead, this book of Giacometti goes into the relationship between his sculptors and ideas about space; which ideas have become much more refined with progress in physics and technology and also with the semiotics and popular arts (e. g., film, fashion) of postmodernism.

    The text takes off on Giacometti's remark made about 1949 that "space does not exist, you have to invent it" by applying twentieth-century physics' conceptualizations of space as "multiform typology" and the philosophical field of phenomenology to realize what he was getting at with this remark. With respect to space, "multiform typology" involves seeing space not as a continuous medium, but as composed of "different places or localities" which can be "inhabited" by different structures or modes, among these the energetic or moving, the static, and the dream. One sees how this view of space as granular-like applies to Giacometti's sculptures having rough surfaces and unnatural shapes.

    The visual component of the book goes with the intellectually engaging and illuminating texts ideally. Display and photography of Giacometti's works is especially important to bring in his artistic idea about inventing space. There's a section of photographs of "installation views" of sculptures from an exhibition (ended March 2011) at the Kunstmuseum Wolfsburg in Germany. (The exhibition is at the Museum der Moderne Monchsberg, Salzburg thru July 2011.) The large part of the visual matter is works from the exhibition plus others photographed individually. Shown mostly one per page in the middle of the oversize pages with wide margins around the respective photograph, this recreates as much as possible the unique museum exhibition meant to bring out Giacometti's ideas about his sculptures and ideas of space.

    Other visual matter includes color photos of Giacometti in his studio, scenes from his studio, photos from his life, and mixed with the photos of sculptures, photos of preliminary drawings. In the essays, one encounters pertinent ideas by Walter Benjamin, Martin Heidegger, and other artists such as Rodin and Barnett Newman; and two essays by Sartre follow the regular content. Giacometti is both put within the context of the aesthetic and philosophical ideas and bearings of his time and also distinguished for the ways he accomplished his artistic inspiration and aim of inventing space.

    Considering the many art books on this sculptor of perennial interest, it's hard for any new book to stand out--but this one does stand out for the new dimensions it opens on Giacometti's work and also for its outstanding presentation of many of his sculptures.

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