>Album Title Goes Here<

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Editorial Reviews

All Music Guide - David Jeffries
Having spent the year tearing up social media and gossip sites as much as he spent tearing up the dancefloor, masked EDM superstar Deadmau5 seemed close to becoming a "celebrity DJ" in 2012, quite the evolution considering how his rise to fame was homegrown and fan-driven. Following up two albums with equally shruggy titles -- 2008's Random Album Title and 2009's For Lack of a Better Name -- >Album Title Goes Here<</i> surprisingly comes off as the most "whatevs" of the bunch, favoring slowly developing tracks with extended intros, and cruising along the spaceways at midtempo and with only the occasional thump. My Chemical Romance's Gerard Way may give ...
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Editorial Reviews

All Music Guide - David Jeffries
Having spent the year tearing up social media and gossip sites as much as he spent tearing up the dancefloor, masked EDM superstar Deadmau5 seemed close to becoming a "celebrity DJ" in 2012, quite the evolution considering how his rise to fame was homegrown and fan-driven. Following up two albums with equally shruggy titles -- 2008's Random Album Title and 2009's For Lack of a Better Name -- >Album Title Goes Here<</i> surprisingly comes off as the most "whatevs" of the bunch, favoring slowly developing tracks with extended intros, and cruising along the spaceways at midtempo and with only the occasional thump. My Chemical Romance's Gerard Way may give "Professional Griefers" his full goth swagger and "The Veldt," with guest vocalist Chris James, may use Ray Bradbury as the inspiration for an eight-minute EDM suite, but these tracks aren't overly garish, slick, or busy, and it's only when Cypress Hill show up on the iffy wobbler "Failbait" that the album feels clumsy or Steve Aoki-sized. The most rewarding moments come from the more restrained cuts, as Imogen Heap yearns for the human touch during the quite beautiful electro-haiku called "Telemiscommunications," while the bright floor-filler "Channel 42," with fellow producer Wolfgang Gartner, is pure fun, giving electro a bit of dubstep's punch and layering the twerpy sequencer patterns like they're multiple kites twisting in the sky. The firm bassline of "Superliminal" is something to latch onto, and it's cute how "Closer" uses the Close Encounters of the Third Kind theme to launch a bubbly journey through disco space. Add it all up, and >Album Title Goes Here<</i> doesn't come off as entitled, over the top, or celebified enough to get in the V.I.P. section. Flying in the face of his public persona, this is a sprawling (could be tighter) and humble (could be more persuasive) Deadmau5 album and one best suited for established fans.
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Product Details

  • Release Date: 9/25/2012
  • Label: Ultra Records
  • UPC: 617465784125
  • Catalog Number: 57841

Tracks

Disc 1
  1. 1 Superliminal (6:15)
  2. 2 Channel 42 - Wolfgang Gartner (4:48)
  3. 3 The Veldt - Chris James (8:26)
  4. 4 Fn Pig (8:43)
  5. 5 Professional Griefers (4:04)
  6. 6 Maths (6:38)
  7. 7 There Might Be Coffee (7:01)
  8. 8 Take Care of the Proper Paperwork (6:52)
  9. 9 Closer (6:58)
  10. 10 October (7:11)
  11. 11 Sleepless (4:06)
  12. 12 Failbait (4:49)
  13. 13 Telemiscommunications (4:01)
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Album Credits

Performance Credits
Deadmau5 Primary Artist
Technical Credits
Cypress Hill Composer
Imogen Heap Composer
Gerard Way Composer
Joel Zimmerman Arranger, Composer, Producer
Wolfgang Gartner Composer
Richard Welland Art Direction
Chris James Composer
Arn0 Illustrations
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Customer Reviews

Average Rating 4
( 1 )
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Sort by: Showing 1 Customer Reviews

  • Posted November 14, 2012

    Listen to it NOW!!!!

    This album is another one of Deadmau5's best albums. The songs on this one strike me as mesmerizing and hypnotizing.:)

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.
Sort by: Showing 1 Customer Reviews