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"In Greek Myth, Alcestis is known as the ideal wife; she loved her husband so much that she died to save his life and was sent to the underworld in his place. But the myths reveal little of the woman behind the ideal." "This vividly-imagined debut tells Alcestis' story in her own voice, bringing to life the world of ancient Greece before the age of Homer-a world peopled by capricious gods, where royal women are confined to the palace grounds and passed as possessions from father to husband. Alcestis tells of a childhood spent with her sisters in

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"In Greek Myth, Alcestis is known as the ideal wife; she loved her husband so much that she died to save his life and was sent to the underworld in his place. But the myths reveal little of the woman behind the ideal." "This vividly-imagined debut tells Alcestis' story in her own voice, bringing to life the world of ancient Greece before the age of Homer-a world peopled by capricious gods, where royal women are confined to the palace grounds and passed as possessions from father to husband. Alcestis tells of a childhood spent with her sisters in the bedchamber where her mother died giving birth to her and of her marriage at the age of fifteen to Admetus, a young king she hardly knows, who is kind but whose heart belongs to a god." She also reveals the part of the story that's never been told: what happened to Alcestisin the three days she spent in the underworld?

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Editorial Reviews

Publishers Weekly
Beutner’s debut tackles the Greek myth of Alcestis, who so loved her husband that she sacrificed herself to Hermes in his place. Beutner’s retelling, set in ancient Greece, involves a more complex character: her Alcestis is a misfit who has deeply mourned the loss of her sister Hippothoe since childhood. Through Alcestis’s eyes, Beutner provides a cagey look at men and gods, driving her narrative into the Underworld after Alcestis’s husband, Admetus, proves so afraid of facing his own death that he demands a replacement. Alcestis goes instead, not for romance or martyrdom, but to find her dead sister. While hunting the land of the dead, Alcestis sheds the “good girl” identity she’s begrudgingly worn her whole life and finds her fate tied to those of Persephone and Hades; eventually, she learns much about gods and men (especially from stubborn, simple Heracles). Beutner renders her multilayered heroine with beauty and delicacy, and concerns herself with no less than the intricacies of the soul; unfortunately, an abrupt ending sucks the wind out of Beutner’s sails. (Feb.)
Library Journal
This debut novel reworks the story of the mythological Greek princess Alcestis, a devoted wife who sacrificed her life to save her husband, Admetus. Here, Alcestis's young life is marked by loss: her mother dies while giving birth to her, and when she is eight, her beloved older sister dies, leaving Alcestis feeling alone and bereft. At age 15, she eagerly marries the young king of Pherae but discovers that her new husband also loves another, a god with whom Alcestis believes she cannot compete. So, when her husband's life is at stake, she offers her life and is taken to the underworld to roam among the dead. When she meets the underworld's King Hades and his queen, Persephone, she learns for the first time what it is be loved as a desirable being. How Alcestis copes with her newfound knowledge makes for a thought-provoking story. VERDICT While some of the narrative transitions seem abrupt, and the underworld presented here is hard to envision, the intriguing character of Alcestis is fresh and forthright. Best for more academic readers.—M. Neville, Trenton P.L., NJ
From the Publisher
“[A]n engaging, subversive reimagining of the tale of the eponymous Greek heroine who is upheld as a shining example of the dutiful wife for her selfless sacrifice.  Katharine Buetner’s Alcestis is a far more willful heroine, and her encounters with the gods of the underworld resonate with a genuine sense of the numinous.”—Jacqueline Carey, Namaah’s Kiss and Kushiel’s Dart
“Beutner renders her multilayered heroine with beauty and delicacy, and concerns herself with no less than the intricacies of the soul.”—Publishers Weekly
“Everyday life in the ancient world, a no-escape-clause afterlife in the underworld, vulnerable mortals, and passionate and tormented gods—all are imagined with intense actuality in a novel that is as intoxicating and hypnotic as the sacred smoke inhaled by the oracles.”—Elizabeth Knox, The Vintner’s Luck
“Beutner spices up this classic tale with a decidedly Sapphic flavor.”—Booklist
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Product Details

  • ISBN-13: 9781569476178
  • Publisher: Soho Press, Incorporated
  • Publication date: 2/1/2010
  • Pages: 292
  • Product dimensions: 5.80 (w) x 8.20 (h) x 1.00 (d)

Read an Excerpt



Soho Press, Inc.

Copyright © 2010 Katharine Beutner
All right reserved.

ISBN: 978-1-56947-617-8

Chapter One

When I was eight years old, I lived with my sisters in the stuffy upper quarters of the palace at Iolcus. We had a small room to ourselves, a chamber that adjoined the female servants' quarters, big enough to hold the bed, a bench, and a small table. It was the room we'd all been born in, the room our mother had died in, though only Pisidice was old enough to remember the disaster of my birth. The room no longer held any traces of our mother. It was a girls' room now, temporary and unembellished, a place for princesses to sleep and grow until we were old enough to be married and carried away.

I slept with Hippothoe and Pisidice, jammed in the middle because I was the smallest. Pisidice came to bed smelling of crushed flowers and wet linen and kicked in her sleep. Hippothoe smelled of garlic and sweat, but it was a warm smell, not unpleasant, and on this night I'd fallen asleep curled up against her bony shoulder with my nose pushed into her skin. The bedchamber was dark and quiet when her writhing woke me. I felt the hot point of her elbow in my chest, quickly withdrawn, and then a light hesitant touch on my arm. I sat up half alert in the darkness and scrubbed at my face with my palms. Hippothoe looked up at me, eyes panic-bright, hands fluttering between us in time with her wheezing breath. She shook her head once and I understood. She was always sorry for waking me, always spent her regained breath on apologies I didn't need. She had these panting fits often, sometimes only nights apart, and I knew we would both be limp and lazy in the morning-but it was my duty to get help, like Hippothoe's own little goddess of health, and I'd grown so used to the role that I almost enjoyed it. I squeezed her hot hand, climbed down from the bed, and stumbled off to wake the servants in the outer room.

The head maid sighed when I touched her, a low, miserable sound, as if she could not bear being dragged from sleep. But she hauled herself out of bed and followed me into the bedchamber to fetch Hippothoe. My sister sat on the edge of the bed, shoulders hunched and heaving, the ends of her hair brushing her hands as they twisted in her lap. She leaned on me to stand, her body shaking as we walked, and I felt strong as a tower beneath her arm.

The head maid led us bleary eyed to the hearth, stepping over slaves sleeping in the halls. We stumbled down the stairs and past our father's empty throne. In the kitchens the head maid boiled water so Hippothoe could breathe the steam and rubbed cut garlic under her nose as she gasped and coughed. The air grew thick and my shift clung to my body, clammy with steam and fear. The head maid and I prayed to Apollo, running through the chant we said so often that I worried the god would tire of our entreaties. I believed then that he listened to me when I prayed. I imagined him stealing silently among us, reaching out to touch Hippothoe's chest with one golden-glowing hand, calming her, fixing her. I held my breath when Hippothoe choked and let it out only when her wheezing smoothed and slowed.

In the bedchamber, Pisidice still slept heavily, only muttering a little when Hippothoe and I collapsed onto the bed and tucked our damp bodies together. I put my cheek against my sister's shuddery chest and my arm along her neck. We looked like one gray-limbed creature, one divine monster, one flesh. I thought we would never be separated.

"Sorry," Hippothoe whispered to me as faintly as if she spoke across a great distance, while I stroked her forehead. "Alcestis, sorry."

* * *

In the morning Hippothoe's breath smelled faintly sweet, like a baby's, from the honey the head maid had given her for her roughened throat. I lay beside her, my back to Pisidice and my cheek hot on the linens. I had to pee. I'd been thinking of getting up to use the privy by the kitchens before the heat made the smell too terrible. I liked to walk through the quiet palace, to watch the servants and slaves twitch in their dreams like puppies, to watch my sisters snort and toss in the bed. But I waited, for I wanted Hippothoe to wake enough to pet my hair. On some mornings she'd drift into sleep again with a hand curved around my skull while I listened to her heart thud beneath her ribs. Now she stirred, restless and exhausted, and I felt Pisidice bolt into alertness with an allover twitch of her limbs. My eldest sister yawned, rolling, and kneed me in the back. Then she slipped out of bed and went to sit by the narrow window, settling in to watch the shepherds in the distant fields and gaze hungrily at the road as if she expected a visitor. Pisidice did this every morning. She was twelve years old and desperate for marriage.

"No one's coming, you know," Hippothoe said, and coughed hard, jarring me. She rested her thin hand on top of my unruly head.

"No suitors today, Lady Pisidice," I echoed, emboldened by Hippothoe's words. Pisidice did not look away from the window; I wasn't worth her attention. She'd left her comb and jar of oil on the sill and now she rubbed the oil between her palms and smoothed it over her hair, combing it through while she looked out over the royal road. The oil made her braid heavy and sticky; it made her smell like every other woman in the palace. I did not like it.

I began to tell her so, but Hippothoe hushed me and eased me up to sit, levering herself out of bed. "Let her be, Alcestis," she said, only half mocking. "She has to prepare herself."

Hippothoe didn't bother with her hair. It stood out around her head like a cloud, wavy fine and softer than wool. On some mornings she let me braid it and I wove the light brown strands about my fingers like rope. My own hair grew in bristling waves just past my chin. I'd had a bad fever the year before, bad enough that I had prayed to Apollo for my own health, and the head maid had chopped it off. Now I tugged a comb through it a few times before giving up. Pisidice turned her sharp eyes toward me.

"Really, put on a headband," she said. "You look like a boy. No man'll ever want to marry you."

Hippothoe, standing over the basin of water by the door, barked a laugh. "Perhaps she'll have better luck finding a husband if she does look like a boy."

Pisidice pitched the comb at her. Neither of them would tell me what they'd meant, though Hippothoe began snickering again as she yanked her shift over her head.

Our mother's body servant helped us dress. Pisidice was old enough to wear a maid's bodice, though she hardly filled it out. She was lucky she still had time to grow some breasts before she'd have to wear a matron's open bodice. I plucked at the lacings until she whirled around and smacked my fingers. The body servant waited, hands hovering in the air, until we'd settled down, then fixed each lace so they lay in a neat ladder across Pisidice's narrow back. Pisidice turned, cupping the servant's hands in her own, and nodded at her as graciously as a queen. Practicing. I rolled my eyes and chewed on the skin next to my thumbnail while Hippothoe tied back my mess of hair. I had to look presentable for the ritual.

It was the tenth day of the new year, the day of the dead vessel, and Hippothoe and I could not work or eat until we'd done the ritual in honor of our grandparents, Poseidon and the lady Tyro. My stomach already felt hollow. I hung near Hippothoe as we went downstairs, shoving my hand into the crook of her elbow. The skin below her eyes looked purplish gray, stained with weariness, but still she smiled and let me press close.

Pisidice was too busy to help. At twelve she ran the kitchens and supervised the slaves and decided our chores for the day, whether we ought to weave or spin, direct the washing or work in the kitchens. When we married, we would be mistresses of our own palaces, and Pisidice wanted nothing more. I watched her confer with the head maid, Pisidice's dark head tilted up toward the older woman's, her face serious. The slaves had prepared a place for the dead vessel; the omens of the skies had been propitious. It was the right hour for honoring the god of the sea, our grandfather, our household lord-and our absent grandmother. Tyro still lived, but elsewhere; Pelias was not a man who thrived on the care of his mother, and when his father, Cretheus, had died he'd installed her in a smaller villa in the mountains, given her thirty slaves, and sent my young brothers to see her on days when she would need help to perform the family rituals. I had seen her only once, several years before, and even then she'd been a stooped, gray woman, few signs left of the beauty that had drawn Poseidon to her. She had shouted at Pelias; I remembered that because I had enjoyed it so much. But despite their rancor we celebrated her often in ritual, reminding Poseidon of his love for her and his duty to Iolcus.

"It's ready," Pisidice said to us, distracted. "Go on."

I peered through the kitchen doors to the hall. I had not heard Pelias that morning; he never spoke more quietly than a bellow, and my sisters and I tracked him by sound. If we could, we kept away from him in the mornings, when he shouted at the servants who woke him. We'd retreat to our quarters before he returned to the palace for his midday meal, sit on the bed together, and pick at our haul of cakes and cheese until a slave came to fetch us again. But today was a ritual day, and it would not be easy for us to avoid our father.

Hippothoe waited, silent. Finally Pisidice sighed.

"He's in the stables," she said, and Hippothoe glanced at me and nodded. She took my hand and led me through the hallways to the great hall. A few villagers stood by the doors, awaiting our father; in the afternoons, Pelias sat court here and settled the quarrels of his subjects. He did not yell much. Men would leave with chastened looks, like misbehaving boys called to task, and walk down the broad porch steps speaking of Pelias's fairness, his calm, kingly demeanor. I wanted to roll my eyes whenever I heard them talk of his virtues, but I was convinced that Pelias would appear to catch me before my eyes had made one revolution in my head. Even though I hadn't heard Pelias's voice, even though Pisidice had said he was elsewhere, I looked for him nervously as we entered the great hall. I saw Hippothoe look too.

The two-handled vessel sat by the round hearth, where Hippothoe had placed it on the first day of the new year after the slaves brought it up from the shore; we girls were forbidden to walk into the water, even for ritual purposes. The seaweed circling the vessel's base had stained the clay white. Hippothoe knelt before the jar, picking the seaweed away and passing it to me as she whispered thanks to the local gods of the shore for giving us their harvest. I wound the crackling black-green strands into a loose coronet and placed it ceremoniously on her bent head. She made a little ugh face. We both preferred the laurel garlands of Apollo to our grandfather's brackish crowns.

Most of the seawater in the jar had disappeared into the air, but some still sloshed in the bottom. It smelled like Iolcus concentrated: salt and fish and stagnation. We hefted the vessel between us, but it wobbled as I flexed my pinched fingers, spattering water onto the stone floor. Hippothoe shot me a dark look. The seawater was a gift, and if Pelias saw it slop-but he hadn't. He wasn't there. We hobbled out through the entrance hall and the open doors to the porch and slaves bustled around us as we put down the vessel. One of the kitchen boys brought out a mallet and set it beside Hippothoe, bowing as its head clunked on the floor. She smiled up at him. The rest of the porch was empty, which was only right, for it was our territory in this warm season. Here we sat in warm weather, spinning wool, letting the wind gods stroke our faces. The work of spinning heated the calluses on my fingers and cramped my hands, but on the porch we could whisper to each other without distracting the men inside the hall, without being shouted at for our noisiness or dragged back to our bedchamber by our furious father.

Hippothoe knelt again, facing the sea and the jar. She motioned to me to fix my hair and held out her hand for mine. The creases of her palm sparkled with sweat. I swept hair out of my eyes, knelt, and gripped her hand, my head bent for prayer.

"Earth-shaker, sea-controller, grandfather," she said, her voice still scratchy. "We ask your protection this year, for the house of Tyro's children. For years you have given it, in recognition of your love, and for years we have repaid your protection with honor, for you are mighty and just, Grandfather, and we know it well."

While she spoke I studied the black painting on the sides of the jar, the warriors crouching there, their wedge-shaped beards. They had frightened me when I was younger, but the god my grandfather frightened me more. I imagined him grappling with my faded grandmother on the sands and was struck with a giddy terror that made me sink my teeth into my lip. If I laughed and Pelias heard me-or if Poseidon did-

Hippothoe continued: "We ask your care for the house of Iolcus, for Pelias and Pelias's children. Poseidon, Grandfather, accept this vessel we have made for you, to show how we honor your love. We offer you fealty, lord. For the house of Iolcus, I, Hippothoe, granddaughter of Tyro, second youngest, blessed by your hand, do consecrate this vessel to you."

She let go of my hand, pulled the crown of seaweed from her head, and pushed it through the mouth of the jar, then looked up, almost instinctively, toward the walls and the shore beyond. We drew breath at the same moment and held it, waiting, our chests full of uncertainty. Would he come? Would he be kind to us if he did? Would Pelias be pleased to see his father? Would I be pleased?

I'd seen my grandfather only once that I remembered, though Pisidice said he'd come to the palace after my birth. He had come too for Acastus's growth-day ritual. He had been great and fearsome, more fearsome than my father, and he'd left his trident humming in the corner of the great hall all day. Ever since, the stones in that corner had been swollen and crusted with salt; the kitchen slaves would scrape it off sometimes, those who dared to touch it, but it still crept back, glittery white. Mostly I remembered Poseidon's thick sea-clogged smell, and the way his black hair lay dull and damp against his skull, and the pattern of drips he'd left on the floors, like stories marked out in the stars. I didn't expect him to appear now-there was a reason the words of the prayer contained no specific invitation-but he might. He always might come, always might be submerged offshore, circled with Nereids, waiting to burst from the surf or to drag down some girl careless enough to edge her toes into the water.

We'd waited long enough. Hippothoe stood and ushered me behind her, then bent for the mallet. She swung it over her head and down: the jar shattered, seawater sprayed our ankles, pieces of clay clattered wetly on stone. Hippothoe's skirts were soaked. The silence of the courtyard seemed to swell for a moment, as if we'd been swallowed by some invisible wave, and then the noise of slaves and stable boys broke in upon us. The ritual was done.

Our brothers were watching us from the edge of the courtyard, tall Acastus staring, Pelopia darting sideways glances as if embarrassed. I nudged Hippothoe, who was shaking out her wet clothes. "They're here," I hissed at her, and she nodded-quick, angry jerks of her head.

"I see them," she said. "Behave yourself, Alcestis." It was a fair warning. I was already drifting away from her toward the boys. Acastus was eight years older than I and Pelopia six-my mother, Anaxibia, had produced a child every two years until my birth, first two boys, then two girls, then me, taking a boy's place.

I saw my brothers at meals and sometimes glimpsed them in the mornings if we got out to the courtyard quickly enough, but I had hardly spoken to them for over three years. Before I turned five I'd been allowed to roam the palace without a sister to escort me; a quiet girl child could move about as freely as a shade. Acastus had been constantly surrounded by a group of young men, boys from the countryside whose fathers had sent them to the palace to earn our father's favor. They lay about in the courtyard, drinking wine and eating the food the servants brought them and talking of shooting contests or women or animals they'd killed, and rarely noticed me fingering the pommels of their swords and tracing the grommets on their leather armor. When Acastus caught me, he used to swing me into his arms and let me pat at his cheek like a baby, feeling the prick of his golden stubble beneath my hands. Acastus looked like none of Anaxibia's other children. He was burnished as a god, blond-brown hair falling to his shoulders, and everyone said then that he was the only child of Pelias in whom Poseidon's blood ran true.


Excerpted from ALCESTIS by KATHARINE BEUTNER Copyright © 2010 by Katharine Beutner. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Sort by: Showing all of 15 Customer Reviews
  • Posted December 6, 2009

    more from this reviewer

    This terrific retelling of the Greek mythos adds incredible depth to the heroine who finds the Underworld liberating.

    In ancient Greece, King Admetus of Pherae fears death although he knows Hermes will be coming for him. On the other hand his wife Alcestis has known death from her birth. Her mother died giving birth to her and cursed her with her last words. That loss meant nothing but when her sister Hippothoe died that grief never left Alcestis.

    When death comes for her spouse, he refuses to go and demands a sacrificial replacement to satisfy Hermes. He is stunned when his spouse agrees to journey into the Underworld. As Alcestis begins her trek, the court praises her as a martyr of love. She knows there is some truth to the accolades, but it is not love for her husband; instead Alcestis seeks Hippothoe. In the Underworld, she meets and finds true love with Persephone even as that overly muscled moron Heracles has come to take her home; a place she does not want to return to as Pherae is a gilded cage and she has learned to fly having tasted love and freedom to move around in the Underworld.

    This terrific retelling of the Greek mythos adds incredible depth to the heroine who finds the Underworld liberating. Unlike her legend written by men, Katharine Beutner's version adds the real motive for volunteering to die beyond the inane romantic notion and fills in a vivid telling of what happened in her three days in the Underworld. Although the ending feels rushed, fans will fully relish the story behind the legend.

    Harriet Klausner

    2 out of 2 people found this review helpful.

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  • Posted May 19, 2010

    In her own words...

    In this novel by Katharine Beutner, Alcestis tells us her story in her own words, starting with the story her family has told her of her own birth, from which her mother dies. Alcestis lives in a time and a place where the gods-local minor wind gods that echo through her father's palace and volatile, capricious Olympians-are a part of everyday life, and it is up to mortals to step lightly lest they inadvertently offend (or attract the attention of) these beings.

    We follow Alcestis as she grows up in the same claustrophobic chambers that saw the birth of her and her siblings and the death of their mother. At fifteen, she marries King Admetus of Pherae, and so she passes from the house of her father to the house of her husband, becoming queen. Her new husband is a favorite of Apollo, who, as a wedding gift, has arranged with the Fates that the king will be able to escape death past his fated time if another will take his place in the realm of Hades.

    Death comes for Admetus, and none agree to die in his stead. Alcestis steps forward and agrees to take her husband's place, thus securing her place in legend, though that is not why she offers herself up. In play and poem, this is all we know. Alcestis goes to the realm of Hades for her husband, the epitome of spousal love. Heracles later travels there to wrestle death in order to retrieve her for her husband. Of what happens to Alcestis in the Underworld, nothing is said.

    Beutner's Alcestis is taken to the land of the dead, which she finds to be a completely alien landscape. Negotiating her encounters with Hades and Persephone is nothing like negotiating encounters with human kings and queens, the dead roaming the asphodel fields are not what she expects, and talking to Hades and falling under Persephone's power forever alters Alcestis' perceptions.

    Reading Alcestis' story, in her own voice, from her perception, will forever alter our view of her, her legend, and I think, the other voiceless women of myth and story.

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