Alexandria
In the capital of the world, its enchanted Greek-Coptic city, with its monks, its merchants, its acrobats, its representatives, its seducers, and its craftsmen, its patriarchs and its prostitutes, its mobs, its seductresses, its helmets, its one and only non-repeated library, its baths with thousands, its secret underground churches, and the fine marble columns of its temples. Its torments and festivals. The circus, the lighthouse, the theater, the temples of Jupiter, Zeus, and Amun, the altars in the squares, the wine presses, the golden granaries, the sails of ships spread and tied with ropes in the eastern harbour, and the remaining persecuted remnants of the priests of the ancient religion and the martyrs of the new Jesuit heresy, and the Jewish philosophers, geographers, naturalists, and poets who painted ancient Greek Persian with dyes and decorations. There is no life in it, and the people, the people, the people who have no name, are in multitudes of their poor and never-ending lives, they eat, they suffer, they have mercy, they seek mercy, they buy a martyr, they are torn apart with indescribable healing, and they die without meaning. No one knows them, and no one will ever know them.
1146520085
Alexandria
In the capital of the world, its enchanted Greek-Coptic city, with its monks, its merchants, its acrobats, its representatives, its seducers, and its craftsmen, its patriarchs and its prostitutes, its mobs, its seductresses, its helmets, its one and only non-repeated library, its baths with thousands, its secret underground churches, and the fine marble columns of its temples. Its torments and festivals. The circus, the lighthouse, the theater, the temples of Jupiter, Zeus, and Amun, the altars in the squares, the wine presses, the golden granaries, the sails of ships spread and tied with ropes in the eastern harbour, and the remaining persecuted remnants of the priests of the ancient religion and the martyrs of the new Jesuit heresy, and the Jewish philosophers, geographers, naturalists, and poets who painted ancient Greek Persian with dyes and decorations. There is no life in it, and the people, the people, the people who have no name, are in multitudes of their poor and never-ending lives, they eat, they suffer, they have mercy, they seek mercy, they buy a martyr, they are torn apart with indescribable healing, and they die without meaning. No one knows them, and no one will ever know them.
4.99 In Stock
Alexandria

Alexandria

by Edward Al-Kharrat
Alexandria

Alexandria

by Edward Al-Kharrat

eBook

$4.99 

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Overview

In the capital of the world, its enchanted Greek-Coptic city, with its monks, its merchants, its acrobats, its representatives, its seducers, and its craftsmen, its patriarchs and its prostitutes, its mobs, its seductresses, its helmets, its one and only non-repeated library, its baths with thousands, its secret underground churches, and the fine marble columns of its temples. Its torments and festivals. The circus, the lighthouse, the theater, the temples of Jupiter, Zeus, and Amun, the altars in the squares, the wine presses, the golden granaries, the sails of ships spread and tied with ropes in the eastern harbour, and the remaining persecuted remnants of the priests of the ancient religion and the martyrs of the new Jesuit heresy, and the Jewish philosophers, geographers, naturalists, and poets who painted ancient Greek Persian with dyes and decorations. There is no life in it, and the people, the people, the people who have no name, are in multitudes of their poor and never-ending lives, they eat, they suffer, they have mercy, they seek mercy, they buy a martyr, they are torn apart with indescribable healing, and they die without meaning. No one knows them, and no one will ever know them.

Product Details

ISBN-13: 9789773138691
Publisher: ???????? ????? ????????
Publication date: 10/20/2024
Sold by: Bookwire
Format: eBook
Pages: 224
File size: 1 MB
Age Range: 16 - 18 Years
Language: Arabic

About the Author

أديب مصري، حصل على إجازة في الحقوق (جامعة الإسكندرية/ 1946)، وكان من أوائل المُنظِّرين والكاتبين للحساسية الجديدة في مصر (1967)، تاركاً أثره في العديد من الأعمال الأدبية السَّرديَّة (قصة ورواية)، والتي بدأت مع مجموعته القصصية الأولى "الحيطان العالية"، ثم فاز بجائزة الدولة عن مجموعته "ساعات كبرياء" (1972)، وجائزة الدولة التشجيعية، ووسام العلوم والفنون من الطبقة الأولى عام 1973. أصدر 50 عملًا أدبيًّا بين قصة وشِعر ونقد ورواية، وترجم 14 كتابًا إلى العربية. بدأ مركز المحروسة إعادة نشر بعض أعماله، منها "ترابها زعفران"، "يا بنات إسكندرية".
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