Ali Pacha

by Alexandre Dumas

Overview

Alexandre Dumas' historical tale "Ali Pacha" was motivated by the incredible life of Ali Pasha of Tepelena. The story presents a vivid image of a complicated and significant individual against the background of the Ottoman Empire in the nineteenth century. The narrative chronicles Ali Pasha's ascent and fall. Ali Pasha is a charming and clever commander who establishes his rule over the Epirus area in modern-day Albania. Ali Pasha is renowned for his military skill, political scheming, and larger-than-life character. He becomes a revered leader and a dreaded despot. Dumas skillfully integrates historical events, political scheming, and human drama as he explores Ali Pasha's goals, victories, and inner conflicts. The book transports readers to the volatile Ottoman Empire with vivid imagery and engrossing conversation as it explores issues of power, loyalty, and the intricacies of human nature. "Ali Pacha" is a compelling story of power, ambition, and treachery that gives a complex portrait of a historical character whose legacy never ceases to amaze.

Product Details

ISBN-13:	9788826426730
Publisher:	Dumas Press
Publication date:	02/28/2018
Series:	Definitive Dumas: The Collection
Sold by:	StreetLib SRL
Format:	eBook
File size:	657 KB

About the Author

Alexandre Dumas (also called Alexandre Dumas) was a French writer born July 24, 1802 at Villers-Cotterets (Aisne) and died December 5, 1870 at Puys, near Dieppe (Seine-Maritime). He is the son of Thomas Alexandre Davy de la Pailleterie, said General Dumas, and the father of the writer Alexandre Dumas (1824-1895) said Dumas son, especially author of The Lady of the Camellias. Near the romantic and turned to theater, Alexandre Dumas first wrote blockbuster comedies and historical dramas like Henry III and his court (1829), The Tower of Nesle (1832), Kean (1836). A prolific author, he then turned to historical novels such as trilogy The Three Musketeers (1844), Twenty Years After (1845) and The Vicomte de Bragelonne (1847), or The Count of Monte Cristo (1844 -1846 ) and Queen Margot (1845). The paternity of some of his works is disputed him. Dumas was thus suspected by many critics of his day to have used in literary blacks, including Auguste Maquet. However contemporary research showed that Dumas had established effective cooperation with it: Dumas took care to choose the general topic and amended drafts of Maquet to make them more dynamic. We can not deny his authorship of his work, although he was helped