Alias Olympia: A Woman's Search for Manet's Notorious Model and Her Own Desire [NOOK Book]

Overview

Eunice Lipton was a fledging art historian when she first became intrigued by Victorine Meurent, the nineteenth-century model who appeared in Edouard Manet's most famous paintings, only to vanish from history in a haze of degrading hearsay. But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death-or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory...

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Alias Olympia: A Woman's Search for Manet's Notorious Model and Her Own Desire

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Overview

Eunice Lipton was a fledging art historian when she first became intrigued by Victorine Meurent, the nineteenth-century model who appeared in Edouard Manet's most famous paintings, only to vanish from history in a haze of degrading hearsay. But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death-or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent-and about Lipton herself.

Was Victorine Meurent--the woman who modeled for Manet's most famous paintings--a drunkard and prostitute? Or was she a bold and defiant artist in her own right? Feminist art historian Lipton chronicles her search for answers to these questions in a book that has been hailed as "the most original book to emerge from the feminist art generation" (Women's Review of Books).

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
By combing through libraries and archives in Paris and New York, Lipton ( Looking into Degas ) hoped to reconstruct the life of Victorine Meurent and prove that this mysterious 19th-century woman, an artist in her own right as well as the model for the famous nudes of Manet's Olympia and Dejeuner sur l'herbe, was more than the pathetic alcoholic who appears in academic studies by male art historians. Even though the results of her quest were meager--she found little about Meurent's life and was unable to locate any of her paintings--Lipton's account of her search is as exciting as a good detective story. Using reminiscences of her own troubled childhood as a catalyst and projecting her feelings and desires onto her elusive subject, she fleshes out the story and constructs a highly original portrait of Meurent, for whom she invents colorful monologues. The model emerges as a strong and independent woman who defies all efforts by traditional scholars to patronize and degrade her. Lipton's iconoclastic, feminist approach is refreshing and intriguing. (Jan.)
Library Journal
Haunted by the steadfast gaze of the nude peering from the canvas of Manet's controversial ``Olympia,'' art historian Lipton ( Looking into Degas: Uneasy Images of Women and Modern Life , Univ. of California Pr., 1986) documents her relentless effort to unravel the model's life. Lipton's scant archival findings indicate that, in marked contrast to the lowly, depraved, alcoholic figure depicted by writers and artists, model Victorine Meurent was a recognized painter and a member of a distinguished society of artists. In the course of her research, Lipton imagines the thoughts of Meurent in some beautifully moving passages, and her own life begins to take on new meaning. She raises disturbing questions about the validity of much art historical scholarship concerning the role of women. A mesmerizing narrative recommended for women's studies, art history, and general collections.-- Joan Levin, MLS, Chicago
Alice Joyce
Victorine Meurent, although a painter herself, is known primarily for having been Manet's favorite model. Lipton undertakes a quest for knowledge of Meurent's life and arrives at an enthralling personal memoir punctuated by imaginary commentaries by Victorine herself. The highs and lows of a gifted art historian's search for facts assume the compelling tempo of a good mystery, but it is when the author gets caught up in deciphering her own issues with family and friends that intertwining revelations establish a fascinating trajectory. A feminist perspective illuminates the "real" Olympia's existence in this uncommon account of a contemporary, mid-career woman determined to confront remarkable challenges.
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Product Details

  • ISBN-13: 9780801468247
  • Publisher: Cornell University Press
  • Publication date: 1/14/2013
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 192
  • Sales rank: 728,467
  • File size: 724 KB

Meet the Author

Eunice Lipton is the author of Looking into Degas: Uneasy Images of Women and Modern Life; French Seduction: An American's Encounter with France, Her Father and the Holocaust; and The Bad Brother. Her essays and reviews have appeared in The New York Times Book Review, The Nation, The Guardian, The Forward, Tikkun, The Women's Review of Books, and Art in America

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