- All Day Music
- Get Down
- That's What Love Will Do
- There Must Be a Reason
- Nappy Head (Theme From Ghetto Man)
- Slippin' Into Darkness
- Baby Brother
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0603497844913
Eric Burdon Primary Artist,Vocals,Percussion
Lee Oskar Vocals,Percussion,Harmonica
Charles Miller Sax (Baritone),Flute,Percussion,Sax (Alto),Sax (Tenor),Vocals,Wind,Woodwind,Wind Instruments
Papa Dee Allen Vocals,Bongos,Congas,Percussion
Harold Brown Percussion,Vocals,Drums
Lonnie Jordan Organ,Piano,Vocals,Percussion,Guitar,Keyboards,Lead Vocals
B.B. Dickerson Vocals,Bass,Percussion
Howard Scott Vocals,Guitar,Percussion
Barry Alfonso Liner Notes
Jerry Goldstein Audio Production,Composer,Producer
Chris Hutton Audio Engineer
Bill Inglot Digital Remastering
Ken Perry Digital Remastering
Chris Huston Engineer,Producer
War Composer,Producer
Charles Miller Composer,Composer
Lee Oskar Composer
Howard Scott Composer
Harold Brown Composer
Papa Dee Allen Composer
B.B. Dickerson Composer
Dee Allen Composer
Lonnie Jordan Composer,Producer
Milton Campbell Composer
Milton James Composer


Vinyl LP(Long Playing Record)
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Overview
As controlled as their self-titled debut was loose, War's sophomore effort, All Day Music, appearing a little over six months later in November 1971, was packed with subtly understated grooves. A hit with the fans, the LP peaked in the Top Ten, ultimately spending a massive 39 weeks on the charts. Side one is a gorgeous slab of mellow grooves and jazzed funk highlighted by both the title track and "Get Down," while "That's What Love Can Do" is an outstanding, textured, sleepy love affair revolving around the band's superior vocal harmonies and a tenor sax solo. The light, spare rhythm is like a warm treacle binding. With just three songs picking up the second half, War steps up the pace across the Latin-influenced jam "Nappy Head," the funky, bass-laden "Slipping Into the Darkness," and the all-out electric blues jam that rips through the prototype "Baby Brother." The latter was recorded live on June 30, 1971, at California's Hollywood Bowl and would, in revised and seriously edited form, be reborn as the monster "Me and Baby Brother" on War's Deliver the Word opus. Not nearly as fiery (with the exception of "Baby Brother," of course) as either their live performances or later albums, All Day Music is still one of this band's best-ever efforts. At times mellow enough to border on horizontal, the songs are filled with such texture and such rich intent that even in the band's quietest breath there is a funky resonance that fulfills Lee Oskar's vision fully. ~ Amy Hanson
Product Details
Release Date: | 08/19/2022 |
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Label: | Avenue Records |
UPC: | 0603497844913 |
Tracks
Album Credits
Performance Credits
War Primary ArtistEric Burdon Primary Artist,Vocals,Percussion
Lee Oskar Vocals,Percussion,Harmonica
Charles Miller Sax (Baritone),Flute,Percussion,Sax (Alto),Sax (Tenor),Vocals,Wind,Woodwind,Wind Instruments
Papa Dee Allen Vocals,Bongos,Congas,Percussion
Harold Brown Percussion,Vocals,Drums
Lonnie Jordan Organ,Piano,Vocals,Percussion,Guitar,Keyboards,Lead Vocals
B.B. Dickerson Vocals,Bass,Percussion
Howard Scott Vocals,Guitar,Percussion
Technical Credits
Richard Moore Audio Engineer,EngineerBarry Alfonso Liner Notes
Jerry Goldstein Audio Production,Composer,Producer
Chris Hutton Audio Engineer
Bill Inglot Digital Remastering
Ken Perry Digital Remastering
Chris Huston Engineer,Producer
War Composer,Producer
Charles Miller Composer,Composer
Lee Oskar Composer
Howard Scott Composer
Harold Brown Composer
Papa Dee Allen Composer
B.B. Dickerson Composer
Dee Allen Composer
Lonnie Jordan Composer,Producer
Milton Campbell Composer
Milton James Composer
From the B&N Reads Blog
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