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| Shilts | Primary Artist, Tenor Saxophone, Vocals |
| Paul "Shilts" Weimar | Indexed Contributor |
| Siedah Garrett | Vocals |
| Jervonny Collier | Bass |
| Allen Hinds | Guitar |
| Phil Mulford | Bass |
| Jay Rowe | Keyboards, keyboard bass |
| Billy Steinway | Keyboards, keyboard bass |
| Ross Bolton | Guitar |
| Jack Schoolar | Guitar |
| Gerey Johnson | Guitar |
| Jeff Leach | Keyboards |
| Richard Sherringham | Trombone |
| Siedah Garrett | Composer |
| Phil Mulford | Composer |
| Jay Rowe | Composer |
| Billy Steinway | Composer |
| Paul "Shilts" Weimar | Composer, Producer |
| Dean Andre | Mastering |
| Shilts | Engineer, Artwork, drum programming |
Editorial Reviews
All Music Guide - Jonathan Widran
Four years after leaving his longtime frontman gig with U.K. jazz groove sensations Down to the Bone -- and slightly more than a decade since he first branched out as a solo artist -- saxman Paul "Shilts" Weimar was still grooving strong as he declared to his fans (on the second release on his own Blanket Records) that he was All Grown Up. Perfectly in line with his super cool retro-soul vibe, he created an album cover concept that would have worked even better in the LP days. On the actual cover, he's removed his suit jacket but still has his vest and tie as he contemplates a glass of red wine. The insert photo has him in the same duds on a desert road, getting out of ...