"All I wanna do is go the distance": Essays on the Rocky Franchise and Its Enduring Cultural Impact
If any film has gone the distance, it's Rocky (1976), which spawned one of the longest running franchises in film history. Released in America's bicentennial year, Rocky, based on an original screenplay by then-unknown writer and actor Sylvester Stallone, surprised everyone. Shot on a shoestring budget by director John Avildsen, the film became a blockbuster and Academy Award-winning best picture, In addition to spawning a lucrative franchise and spin-offs, Rocky propelled the careers of Stallone and Talia Shire, raised interest in boxing and sports movies, and placed Philadelphia and its architecture in the popular consciousness.

Rocky has always been a contested text, raising questions about race, gender, and class in America, as well as debate about genre, storytelling, and film art—questions which are addressed at length in this rich collection of essays. As the contributing scholars show, Rocky and its sequels retain their power to rouse audiences well into the twenty-first century and continue to inspire audiences, athletes, and filmmakers.

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"All I wanna do is go the distance": Essays on the Rocky Franchise and Its Enduring Cultural Impact
If any film has gone the distance, it's Rocky (1976), which spawned one of the longest running franchises in film history. Released in America's bicentennial year, Rocky, based on an original screenplay by then-unknown writer and actor Sylvester Stallone, surprised everyone. Shot on a shoestring budget by director John Avildsen, the film became a blockbuster and Academy Award-winning best picture, In addition to spawning a lucrative franchise and spin-offs, Rocky propelled the careers of Stallone and Talia Shire, raised interest in boxing and sports movies, and placed Philadelphia and its architecture in the popular consciousness.

Rocky has always been a contested text, raising questions about race, gender, and class in America, as well as debate about genre, storytelling, and film art—questions which are addressed at length in this rich collection of essays. As the contributing scholars show, Rocky and its sequels retain their power to rouse audiences well into the twenty-first century and continue to inspire audiences, athletes, and filmmakers.

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"All I wanna do is go the distance": Essays on the Rocky Franchise and Its Enduring Cultural Impact

"All I wanna do is go the distance": Essays on the Rocky Franchise and Its Enduring Cultural Impact

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Overview

If any film has gone the distance, it's Rocky (1976), which spawned one of the longest running franchises in film history. Released in America's bicentennial year, Rocky, based on an original screenplay by then-unknown writer and actor Sylvester Stallone, surprised everyone. Shot on a shoestring budget by director John Avildsen, the film became a blockbuster and Academy Award-winning best picture, In addition to spawning a lucrative franchise and spin-offs, Rocky propelled the careers of Stallone and Talia Shire, raised interest in boxing and sports movies, and placed Philadelphia and its architecture in the popular consciousness.

Rocky has always been a contested text, raising questions about race, gender, and class in America, as well as debate about genre, storytelling, and film art—questions which are addressed at length in this rich collection of essays. As the contributing scholars show, Rocky and its sequels retain their power to rouse audiences well into the twenty-first century and continue to inspire audiences, athletes, and filmmakers.


Product Details

ISBN-13: 9781476695488
Publisher: McFarland & Company, Inc., Publishers
Publication date: 09/09/2025
Pages: 120
Product dimensions: 7.00(w) x 10.00(h) x 0.24(d)
Age Range: 18 Years

About the Author

Philip L. Simpson is a Ddan at Eastern Florida State College. He is the author of numerous books, chapters, journal articles, and reviews. Kathy Merlock Jackson is a professor of media and communication at Virginia Wesleyan University, where she teaches courses in media studies and children’s culture. She is the author of over a hundred articles, chapters, and reviews and has published fourteen books. She is a former editor of The Journal of American Culture and a past president of the Popular Culture Association.
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