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| Maysa | Primary Artist |
| Ed Jones | Saxophone, Tenor Saxophone |
| Maysa | Leader, Background Vocals, Indexed Contributor |
| Thomas Dyani-Akuru | Percussion |
| Tim Cansfield | Guitar |
| Matt Coleman | Trombone |
| Simon Cotsworth | Recorder |
| Julian Crampton | Bass |
| Graham Harvey | Harpsichord, fender rhodes |
| Jean-Paul "Bluey" Maunick | Guitar |
| Jim Mullen | Guitar |
| Winston Rollins | Trombone |
| Gary Sanctuary | Strings |
| Thomas Dyani | Percussion |
| Chris DeMargary | Flute, Saxophone, Tenor Saxophone |
| Sara Brown | Background Vocals |
| Veronique DeMargary | Background Vocals |
| Dominic Glover | Trumpet, Flugelhorn |
| Orefo Orakwue | Bass |
| Richard Molyneux | Bass |
| Simon Cotsworth | Engineer |
| Carl Griffin | Executive Producer |
| Jean-Paul "Bluey" Maunick | Producer, Executive Producer, drum programming |
| Stephen King | Executive Producer |
Anonymous
Posted October 1, 2010
I bought this and her last title - Maysa after seeing her live and being a fan from hearing her with Incognito. She is a gracious artist. Her web site maysa.com is the best. She actually corresponds with fans! And this cd is beautifully done. Her voice is so mellow. It reminds me of a cat's purr. And it will make you do just that...purr. Enjoy!
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Posted October 1, 2010
This girl Maysa has done it again with this album. I can only encourage her to produce more music like this and to encourage more air play as this album is smooth and mellow as compared to MAYSA.
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Editorial Reviews
All Music Guide - Alex Henderson
Five years passed between Maysa's self-titled debut album of 1995 and her next solo effort, All My Life. While Maysa ranged from decent to excellent, this consistently excellent CD is even stronger: more focused and more confident, yet more chance taking, more diverse, and totally unpredictable. All My Life gets off to a jazzy, Sade-ish start with "Got to Be Strong," which should please quiet storm enthusiasts. But Maysa, much to her credit, turns the album into a real R&B roller coaster by providing everything from club-friendly deep house on "Pressure" and "Hooked on Your Love" to hypnotic, British-sounding acid jazz on "Sunshine" and "Mirrors." And the singer ...