All or Nothin'

All or Nothin'

by Nikki Lane
     
 

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On her sophomore full-length and debut for New West, singer and songwriter Nikki Lane teams with producer Dan Auerbach and an all-star cast of players to turn in a spirited offering of rock & roll Americana. Lane wrote or co-wrote everything on the date. While she never strays too far from upstart country, there are some startling textures and backdrops in most of

Overview

On her sophomore full-length and debut for New West, singer and songwriter Nikki Lane teams with producer Dan Auerbach and an all-star cast of players to turn in a spirited offering of rock & roll Americana. Lane wrote or co-wrote everything on the date. While she never strays too far from upstart country, there are some startling textures and backdrops in most of these songs that expand their reach into other genres. Despite its Waylon Jennings-esque two-four strut, opener "Right Time" is bathed in reverb, a distorted bassline, and a psychedelic pedal steel. While she has openly acknowledged Lucinda Williams as one of her major influences, it has never been more keenly felt than in Lane's delivery on "Good Man" with its saturated, broken-hearted, American Gothic romanticism. Auerbach paints her yearning vocal with glockenspiels, a honky tonk piano filtered through an echo chamber, layered pedal steel, and cracking snares. The slow, confessional narrative in "You Can't Talk to Me Like That" is a simple old-school country song with a twist: its backing vocal by the McCrary Sisters is modeled on classic girl group charts, and the B-3 comes right out of Bob Dylan's mid-'60s albums. Lead single "Seeing Double" is drenched in urgent surf guitars, reverbed snares, and whining pedal steel. Despite its quick tempo, Lane's vocal is unhurried; her South Carolina drawl slips through syllables, bleeding one line into the next. Auerbach is her vocal duet partner on "Love's on Fire." Though it begins as an acoustic country song, it unfolds into a full-blown epic with gorgeous fiddle, steel, and brushed snares and tom-toms. Their voices entwine perfectly in the verses and choruses. Lane co-wrote the honky tonk waltz "Out of My Mind" with J. Spaceman of Spiritualized. Saturated in acoustic guitars and upright piano, its soaring pedal steel recalls the production of a young Billy Sherrill. Carey Kotsionis' backing vocal underscores Lane's as the ache in its narrative is laid bare. The Hammond organ in "Wild One" fuels a sassy kiss-off song. Lane's songs and delivery are strong throughout All or Nothin'; they're more polished and crafted than those on Walk of Shame. With Auerbach as a partner, her vocals and arrangements co-exist to wed past to present both simultaneously and effortlessly.

Product Details

Release Date:
05/06/2014
Label:
New West Records
UPC:
0607396630622
catalogNumber:
6306
Rank:
13766

Tracks

Album Credits

Performance Credits

Nikki Lane   Primary Artist,Guitar,Vocals
Ralph Carney   Horn
Ann McCrary   Background Vocals
Kenny Vaughan   Guitar
Aaron Oliva   Bass
Dan Auerbach   Vocals
Carey Kotsionis   Background Vocals
Patrick Keeler   Drums
Regina McCrary   Background Vocals
Spencer Cullum   Pedal Steel Guitar
Bobby Emmett   Keyboards
Dave Roe   Bass
Russ Paul   Pedal Steel Guitar
Josh Hedley   Fiddle
Alfreda McCrary   Background Vocals

Technical Credits

Barry Dean   Composer
Jay Joyce   Composer
Clint Daniels   Composer
Dan Auerbach   Composer,Producer
Jeremy Spillman   Composer
Luke Laird   Composer
Paul Bannister   Management
Jeff Hyde   Composer
Collin Dupuis   Engineer
Lee Foster   Management
Marty Dodson   Composer
Ryan Tyndell   Composer
Ricardo Alessio   Illustrations
Nikki Lane   Composer
Glynis Carpenter   Cover Photo
Caroline "Chuck" H. Grant   Back Cover Photo

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