All Saints [Bonus Track]

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
As the first group of consequence to be saddled with the "new Spice Girls" tag, it would be reasonable to expect that All Saints would be cut-rate dance-pop without the weirdly magical charisma that made the Spices international phenomenons. It is true that All Saints lack the personality of the Spices, but they make up for that with musical skills. All four members have better voices than the Spices, and they all have a hand in writing at least one of the songs on their eponymous debut, with Shaznay Lewis taking the most writing credits. More importantly, they and their producers have a better sense of contemporary dance trends -- there are real hip-hop and ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
As the first group of consequence to be saddled with the "new Spice Girls" tag, it would be reasonable to expect that All Saints would be cut-rate dance-pop without the weirdly magical charisma that made the Spices international phenomenons. It is true that All Saints lack the personality of the Spices, but they make up for that with musical skills. All four members have better voices than the Spices, and they all have a hand in writing at least one of the songs on their eponymous debut, with Shaznay Lewis taking the most writing credits. More importantly, they and their producers have a better sense of contemporary dance trends -- there are real hip-hop and club rhythms throughout the record, and samples of Audio Two, the Rampage, and especially Steely Dan are fresh and inventive. But what really makes the record are the songs. The singles are the standouts, with the party-ready, Steely Dan-fueled "I Know Where It's At" and the extraordinary gospel-tinged "Never Ever" leading the way, but the covers are well chosen their take on "Under the Bridge" eclipses the Red Hot Chili Peppers', boasting a better arrangement and more convincing vocals and the lesser songs are pleasantly melodic. Sure, there's some filler, but that should be expected on any dance-pop album. What counts is that the performances are fresh, the production is funky, and there is a handful of classic pop singles on the album, and you can't ask for much better than that from a dance-pop record, especially one from a group that almost beat the Spice Girls at their own game. [London's 1997 edition included two bonus tracks.]
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Product Details

  • Release Date: 1/13/2008
  • Label: London Import
  • UPC: 639842913621
  • Catalog Number: 429136

Tracks

Disc 1
  1. 1 Never Ever (6:27)
  2. 2 Bootie Call (3:35)
  3. 3 I Know Where It's At (5:08)
  4. 4 Under the Bridge (5:00)
  5. 5 Heaven (4:47)
  6. 6 Alone (3:34)
  7. 7 If You Want to Party (I Found Lovin') (4:13)
  8. 8 Trapped (4:58)
  9. 9 Beg (4:00)
  10. 10 Lady Marmalade (4:01)
  11. 11 Take the Key (4:12)
  12. 12 War of Nerves (5:09)
  13. 13 Never Ever (4:37)
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Album Credits

Performance Credits
All Saints Primary Artist
John Benson Keyboards
Cyril McCammon Keyboards
Karl Gordon Keyboards
Technical Credits
John Benson Producer
Neville Henry Producer
Nellee Hooper Producer
Ruadhri Cushnan Engineer
Niven Garland Engineer
Sean "Mystro" Mather Producer
Marcellus Fernandes Engineer
Magnus Fiennes Producer
Cameron McVey Producer
Ian Robertson Engineer
Shaznay Lewis Contributor
Mystro Producer
Rickidy Raw Producer
Melanie Blatt Composer, Contributor
Nicole Appleton Contributor
Natalie Appleton Contributor
Karen Gibbs Producer
Karl Gordon Producer, drum programming, Instrumentation
Dan Bierton Engineer
Johnny Douglas Producer
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