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All Souls' Rising

All Souls' Rising

4.2 4
by Madison Smartt Bell

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"A serious historical novel that reads like a dream." --The Washington Post Book World

"One of the most spohisticated fictional treatments of the enduring themes of class, color, and freedom." --San Francisco Chronicle


This first installment of the epic Haitian trilogy brings to


"A serious historical novel that reads like a dream." --The Washington Post Book World

"One of the most spohisticated fictional treatments of the enduring themes of class, color, and freedom." --San Francisco Chronicle


This first installment of the epic Haitian trilogy brings to life a decisive moment in the history of race, class, and colonialism. The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery, the uprising successfully transformed Haiti from a European colony to the world’s first Black republic. From the center of this horrific maelstrom, the heroic figure of Toussaint Louverture–a loyal, literate slave and both a devout Catholic and Vodouisant–emerges as the man who will take the merciless fires of violence and vengeance and forge a revolutionary war fueled by liberty and equality.

Bell assembles a kaleidoscopic portrait of this seminal movement through a tableau of characters that encompass black, white, male, female, rich, poor, free and enslaved. Pulsing with brilliant detail, All Soul’s Rising provides a visceral sense of the pain, terror, confusion, and triumph of revolution.

Editorial Reviews

From the Publisher
“As powerful as a hurricane. . . . All Souls’ Rising is really about us, our times, our prejudices, our race wars.” –The Atlanta Journal-Constitution

“A serious historical novel that reads like a dream.” –The Washington Post Book World

“Rich and ambitious. . . . One of the most sophisticated fictional treatments of the enduring themes of class, color, and freedom.” –San Francisco Chronicle

“A powerful and intelligent novel. . . . Historical fiction in the monumental manner.” –The New York Times Book Review

“A beautifully composed, eloquent, grand nightmare of a book. With it, Bell becomes as remarkable a historical novelist as we have in this country.” –Harold Bloom

“A work of breathtaking stylistic expertise on a large scale, easily [Bell’s] most daring and accomplished novel.” —The Baltimore Sun

“A passionately engaged opus. All Souls’ Rising reflects both a sustained imaginative audacity and great intellectual resourcefulness.” —The New Yorker

“Remarkable. . . . All Souls’ Rising deserves to be read for its fictional representation of history and for its compelling characterizations. But its political importance should not be underestimated. . . . Bell’s excursion into revolutionary Haiti is the attempt of an undaunted novelist to stand face to face, as it were, with the prehistory of our own racial divisiveness. . . . An important book.” —The Oregonian

“I’ve known Madison Smartt Bell’s work for quite a while, and this is the best thing he’s ever done–and probably the best thing he’ll ever do, which is my definition of a masterpiece. All Souls’ Rising is simply breathtaking.” —Gloria Naylor

“The scope of this ambitious narrative is heroic. . . . Bell demonstrates that each race destroys itself in doing evil to the other.” —Chicago Tribune

“A major work, a triumph of both storytelling and inspired historical analysis.” —Robert Stone

“A vivid, visceral tale. . . . [Bell] has taken the events of eighteenth-century colonial Haiti and made them a prism for the most divisive issues confronting us today.” —The Philadelphia Inquirer

“Bell’s luminous, intelligent novel . . . is magnificent. It restores my faith in the energy of American fiction.” —Barbara Probst Solomon

Publishers Weekly - Publisher's Weekly
In an astonishing novel of epic scope, Bell (Save Me, Joe Louis) follows the lives of a handful of characters from radically different social strata during the period of Haiti's struggle for independence. Nothing about that period was simple. In 1791, when the Caribbean island that native Amerindians called ``Hayti'' was divided between a Spanish colony in the east and the French colony of Saint Domingue, a slave revolt broke out in the French territory that claimed 12,000 lives in its first months. But the fighting wasn't only between black slaves and white owners; the colony had a Byzantine social structure that recognized 64 different ``shades'' of mulatto; of the half-million blacks in Saint Domingue, some 30,000 were free mulattos whose political interests often ran contrary to those of the slaves. The country's 40,000 whites were themselves divided over the outcome of the recent revolution in France. During the next 12 years, to increase their power bases, four racial/political groups-white royalists, white republicans, free mulattos and black slaves-formed and dissolved a string of unlikely alliances at a dizzying clip. Bell's principals here include a runaway slave looking for real freedom, the disturbed mistress of a razed sugar plantation and a royalist soldier in the embattled Cap Franais guard. Central to the narrative are Toussaint L'Ouverture, the enigmatic 51-year-old leader of the revolt, and Doctor Antoine Hbert, a Frenchman who shows up in Haiti just before the revolt breaks out. Hbert, who spends time as Toussaint's prisoner, falls for a freed mulatto. Warned by a young married Frenchwomen that ``Who marries a black woman becomes black,'' the physician is appalled, yet heeds the very words he dismisses. Toussaint, too, bears the mark of contradiction. He appears to be a simple, devout man, but he has ``learned a way to make his words march in more than one direction.'' A handful of chapters are set in 1802, when Toussaint is taken across the Atlantic as a prisoner. By omitting the middle of the revolutionary's story (during which he takes over Haiti, names himself governor-general and refuses to declare it independent), Bell astutely indicates that Toussaint, who saw himself as a noble warrior, was in fact motivated by a bizarre and self-defeating concept. By alluding to the end of the revolution only in a beautiful and haunting epilogue, moreover, Bell avoids the sense of victory that mars so many novels about revolution. Here at least, after more than 500 wrenching pages of rapes and massacres and fetuses impaled on pikes, there can be no question of a winner of the battle for Haitian liberation. Surviving it was feat enough. In Bell's hands, the chaos, marked by unspeakable acts of violence, that surrounds these characters somehow elucidates the nobility of even the most craven among them. (Oct.)
Library Journal
As has been the case throughout much of its history, Haiti in the 1790s was racked by violence-the result of an intricate and sometimes brutal system of racial and social classification exacerbated by the upheavals of the French Revolution. Thus, Haiti provides an ideal setting for Bell (Save Me Joe Louis, LJ 5/1/93) to explore his interest in the motivations that all too often propel us to give vent to our baser instincts. The story centers on the bloody beginnings of the rebellion from which Toussaint L'Ouverture, a seemingly docile slave, eventually emerged as the self-proclaimed governor general of the island. Bell has crafted a somewhat complex and violent tale-it opens with a woman being crucified for killing her baby so he would not have to live the life of a slave. Not for the faint-hearted, this work offers a fascinating glimpse into a little-known episode of hemispheric history. One can be glad for the chronology and the glossary Bell includes. Most appropriate for public libraries and academic libraries where Bell's work is popular. [Previewed in Prepub Alert, LJ 6/1/95.]-David W. Henderson, Eckerd Coll. Lib., St. Petersburg, Fla.

Product Details

Knopf Doubleday Publishing Group
Publication date:
Haitian Revolution Series , #1
Edition description:
Sales rank:
Product dimensions:
5.20(w) x 7.99(h) x 1.03(d)

What People are Saying About This

Harold Bloom
A beautifully composed, elegant, grand nightmare of a book. With it, Bell becomes as remarkable a historical novelist as we have in this country.
Gloria Meylor
I've known Madison Smartt Bell's work for quite a while and this is the best thing he's ever done -- and probably the best thing he'll ever do, which is my definition of a masterpiece. All Souls' Rising is simply breathtaking.
Robert Stone
Madison Smartt Bell's All Souls' Rising is a deceptively forthright examination of Caribbean history and of the murderous of race against race, which so often mocks humane ideals and sweeps them and their advocates ruthlessly aside. It is a major work, a triumph of both storytelling and of inspired historical analysis.

Meet the Author

Madison Smartt Bell is the author of fourteen works of fiction, including The Stone That the Builder Refused; Master of the Crossroads; Save Me, Joe Louis; Dr. Sleep; Soldier's Joy; and Ten Indians. He lives in Baltimore, Maryland with his family and teaches at Goucher College.

Brief Biography

Baltimore, Maryland
Date of Birth:
August 1, 1957
Place of Birth:
Nashville, Tennessee
A.B. in English, Princeton University, 1979; M.A. in English and creative writing, Hollins College, 1981

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All Souls' Rising 4.3 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
All Soul¿s Rising is kind of an amazing book. It¿s bloody. Very bloody. But so is the subject matter. Bell is stretching himself on this one. I¿m not sure it gives the full complexity of the story from the slave¿s perspective, but this really feels like it¿s intended to set the grand stage for the books to follow. It does that well. The author¿s writing is precise and beautiful, even as it describes amazing horrors. I look forward to the next one. If Bell can tie all these story lines together and somehow give meaning to this chaos he will be achieving something grand, something few authors even attempt.
Guest More than 1 year ago
George Bernard Shaw says somewhere that one can better learn about the past from historical novels than from history texts. That's not generally true, I think; but Bell's recreation of events in the first two years of the 1791¿1803 Haitian revolution ¿ All Souls Rising ¿ is the kind of work Shaw must had in nind. Master of the Crossroads, the second work in his trilogy, carries Bell's account to 1801. Both books are imaginatively conceived, extensively researched, and brilliantly written. I recommend them highly.
Anonymous More than 1 year ago
Anonymous More than 1 year ago