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| Albert Nicholas | Primary Artist, Clarinet, Track Performer |
| Art Hodes | Piano, Track Performer |
| Marty Grosz | Guitar |
| Freddie Kohlman | Drums |
| Floyd O'Brien | Trombone |
| Nappy Trottier | Trumpet |
| Mike Walbridge | Guitar, Tuba |
| Eddie Edwards | Composer |
| Nick LaRocca | Composer |
| Stu Black | Engineer |
| Robert G. Koester | Producer, Liner Notes |
| Paul Mares | Composer |
| Henry W. Ragas | Composer |
| Leon Roppolo | Composer |
| Tony Sbarbaro | Composer |
| Elmer Schoebel | Composer |
| Larry Shields | Composer |
| Bert Williams | Composer |
| Bill Hall | Engineer |
| Jeff Lowenthal | Cover Photo |
| Traditional | Composer |
| Victor Burton | Composer |
Editorial Reviews
All Music Guide - Scott Yanow
From 1956 on, clarinetist Albert Nicholas made his home in Europe. He only recorded in the U.S. again during a 1959 visit, which resulted in a pair of Delmark releases. This particular set matches Nicholas with pianist Art Hodes' band, which at the time included trumpeter Nappy Trottier, trombonist Floyd O'Brien and the then-unknown guitarist Marty Grosz. The music seven Dixieland standards, "You Gotta See Your Mama Every Night," and "How Long Blues" is predictable but excellent, with some spirited moments and joyous ensembles. Nicholas is in typically prime form throughout.