All the Animals Where I Live

by Philip C. Stead

Overview

The author used to live in the busy city where there were buses and trains, and people waiting for buses and trains.

Now he lives in the country and jubilantly takes us on a tour of his home, pointing out all the animals that share his space. There are stuffed bears and quilted chickens. His dog Wednesday watches cranes, frogs, and dragonflies live their lives. Coyotes and chipmunks come and go, and the world around where he lives is full of life, until winter comes, and there is nothing but snow.

Uniquely structured, All the Animals Where I Live is a picture book from Philip C. Stead, one of our most innovative author-illustrators, that is a meditation on life and moments big and small that shape our individual worlds.

Product Details

ISBN-13:	9781250307293
Publisher:	Roaring Brook Press
Publication date:	03/20/2018
Sold by:	Macmillan
Format:	eBook
Pages:	48
File size:	81 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 8 Years

About the Author

PHILIP C. STEAD is the author of the Caldecott Medal winning A Sick Day for Amos McGee, also named a New York Times Best Illustrated Book of 2010 and a Publishers Weekly Best Children’s Book of 2010, illustrated by his wife, Erin E. Stead (A Neal Porter Book, Roaring Brook Press, 2010).  Philip, also an artist, both wrote and illustrated his debut Creamed Tuna Fish and Peas on Toast (Roaring Brook Press, 2009), which was applauded by School Library Journal for “its wry humor and illustrations worthy of a Roald Dahl creation.”  Philip lives with Erin in Ann Arbor, Michigan.

Editorial Reviews

2018-02-04
A careful catalog of thoughts about living in the country.Author/illustrator Stead tells readers he used to live in the city but now lives in the country, and this picture book is a somewhat free-association observation of that life. Nostalgic reminiscences tell readers of his "Grandma Jane," who gave him Frederick, a stuffed bear he still has, knitted a blanket decorated with chickens, and, Stead says, would be a hummingbird if she had been an animal (a handy device for the illustrations). These thinly form the connective tissue of the rest of the narrative, as Stead shares his observations of the nature outside his door. Deer eat apples (his dog, Wednesday, chases them away), cranes rattle, an eagle drops a turtle, chipmunks live in a stump, and a coyote howls. The story's problem is not its construction—which is careful—and certainly any attention paid to the natural world is time well spent for young readers. But nostalgia is not something many picture-book readers generally engage in, nor is neutral observation, so it's difficult to see how effectively readers will connect. The illustrations are well-drawn and well-designed, but they are executed with a loose, sketchy technique and a thin, pale palette that, paired with the narrative's delicate style, dilute rather than strengthen the story's overall construction. More of an artist's sketchbook musings than a story for children. (Picture book. 5-9)

Kirkus Reviews