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All This Belongs to Me

All This Belongs to Me

4.3 3
by Ad Hudler

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An often hilarious, always moving novel that explores love and fate and the ways we lie to ourselves to get by in a sometimes overwhelming world.

When a mishap in the mail brings Geena into Ellis’s life, neither realizes how much they need each other. With her marriage in tatters, Geena is still recovering from the sudden loss of her son. Ellis has been


An often hilarious, always moving novel that explores love and fate and the ways we lie to ourselves to get by in a sometimes overwhelming world.

When a mishap in the mail brings Geena into Ellis’s life, neither realizes how much they need each other. With her marriage in tatters, Geena is still recovering from the sudden loss of her son. Ellis has been alone in the world since the death of his mother, and as he approaches his twilight years, the routine of everyday life has replaced the relationships he might once have known. When that routine is thrown into disarray by changes at the Thomas Edison estate, where Ellis works as a tour guide, he is lost until Geena brings courage and independence back into his life. For Geena, caring for Ellis is the salve on her own wounds.

In a fascinating tale of fate and second chances, Ad Hudler weaves an intricate web showing the importance of friendship, family, and the need to accept one another, flaws and all.

Editorial Reviews

Publishers Weekly
In this comedy predicated on off-camera tragedy, Geena Pangborn's upper crust in-laws blame Geena for her son's death-and uptight husband Barry isn't backing her. She takes off from Colorado, and, just as her money is running out, an incident with a mail truck leaves her in possession of the credit card belonging to one Ellis Norton of Fort Myers, Fla., whose name is conveniently not gender marked. Using the card to fund the trip, Geena tracks down Ellis, ostensibly to stay on the road, and then pay him or her back. Ellis turns out to be a 60-something savantlike Thomas Edison fanatic and lifelong bachelor. A resourceful, fast-talking fibber, Geena poses as a reporter wanting to do a feature on Fort Myers, and slowly and amusingly worms her way into Ellis's life, such as it is, while taking stock of her own. Meanwhile, Ellis is fixated on the inner lives of Edison and his wife, Mina, which allows further meditations on marriage and loss. Hudler, a Fort Myers resident, has written two other lite novels, Househusband and Southern Living. His ability to balance romantic and comedic scenes, and his intriguing presentation of the biographical material about Edison, smooth over most of the rough edges. The whimsical plot frequently strains credulity, though, and the surprise ending lands heavily indeed. (On sale Jan. 31) Copyright 2005 Reed Business Information.
Kirkus Reviews
An unwittingly offensive novel from Hudler (Househusband, 2001, etc.). Geena Pangborn hates her life. She's just lost her teenaged son, and her marriage is unsatisfying. Her solution: run away from home. As she propels her SUV away from Sublette, Colo., Geena daydreams about the hurt and confusion her disappearance will cause her insensitive husband. After days on the road, Geena realizes that she's not going to get far with the few hundred dollars in cash that she brought, and she doesn't want to use plastic because a paper trail will ruin her revenge fantasy. Geena is counting her pennies and eating at happy-hour buffets when the fallout from an overturned mail truck provides her with an answer: a fresh MasterCard. At this point in the narrative, the reader has little reason to care for Geena, and her subsequent behavior provides ample opportunity to dislike her. Utterly untroubled by the consequences of her actions, and fueled by an infantile sense of entitlement, Geena rampages into the life of the MasterCard's rightful owner, Ellis Norton, an octogenarian Thomas Edison enthusiast and a docent at the inventor's Florida estate. While Geena brings some fun to Ellis's spare and cautious existence-fun she's charging on his credit card, it should be noted-she is basically self-serving and, ultimately, destructive. Unlike Geena, Ellis is a sympathetic, distinctive character, capable of sustaining a whole novel. (If Hudler were interested in exploring friendship, she would have done better to examine more closely that between Ellis and his boss, another nuanced, well-drawn character.) Alas, by the end, one is left with the sense that Ellis-and the reader-would have been better off withoutGeena. Two narratives-one interesting but underdeveloped, the other truly awful-mashed together into a callow attempt at "women's fiction."
From the Publisher
“Simply enchanting. There is a quiet kind of magic in this poignant novel. Ad Hudler’s prose swoops effortlessly between the voices of two brilliantly conceived characters, between past and present, between loss and triumph.”
–Bev Marshal, author of Right as Rain and Hot Fudge Sundae Blues

“One of the freshest voices in women’s fiction is coming from a man. . . . Funny, moving, insightful, sweet, and immensely satisfying.”
–Susan Elizabeth Phillips, author of Ain’t She Sweet?

Product Details

Gale Group
Publication date:
Thorndike Americana Series
Edition description:
Large Print
Product dimensions:
5.70(w) x 8.40(h) x 1.00(d)

Read an Excerpt

All This Belongs to Me

By Ad Hudler

Random House

Ad Hudler
All right reserved.

ISBN: 0345481070

Chapter One

Chapter One

Welcome to Kansas, Land of Ah's!

Though Geena Pangborn was just sixty-two miles from Barry and his family, crossing this invisible line felt like shutting and locking a door behind her. As she sensed her anxiety ebbing, Geena released a deep breath and finally popped open the forgotten can of Diet Cherry Coke that had been warming between her thighs for the last hour.

She scanned the flat landscape. Western Kansas really looked just like eastern Colorado, less hilly but still brown and crispy, field upon field of the freeze-dried remnants of last summer's corn and wheat crops. When there was a light dusting of snow on the ground, as there was now, it reminded her of breakfast cereal awash in milk.

There was not a tree to be found, save the occasional grayed, sun-bleached exoskeleton of an elm near a dry creek bed that had surrendered long ago to the bitter winds and drought of the High Plains. Born and raised in the anonymity of an apartment complex in one of Denver's older, leafy neighborhoods, Geena had really never grown accustomed to this feeling of being exposed and vulnerable. It was unnatural to not have trees and water on the surface. There was no place to hide. Why were humans the only large mammals dense enough to call this terrain home?

In her years with Barry, Geena had tried to quell this vastness; she'd planted a birch, two maples, three blue spruce, a line of poplars along the fence. All but two of them died. From her favorite vantage point of the kitchen sink, looking into the backyard, it had been hard not to run an ongoing tally of mortality.

Geena now looked over at the Rand McNally road atlas spread open on the passenger seat of her Ford Excursion. It was a map of North America's freeway system, a network of blue lines that spread across the white continent like varicose veins on a pale leg. She would have ventured west, to the safety of the mountains, but a storm had been brewing along the Front Range, and she most likely would have been forced back home. The winters of eastern Colorado were formidable, with the winds of the prairie and the snowfall of the mountains, and several times each year the highway patrol had to shut down the interstate and set up cattle gates at the entrance ramps so people wouldn't wander out, get lost, and perish in the blizzards. Geena had lost count of the times in the past eighteen years she'd been called upon to make a pan of beef enchiladas or seven-layer salad to help feed the stranded tourists spending a night on cots in the Armory downtown or in the high school gymnasium.

Eastward, she now drove. Behind her was Goodland (AMERICA'S FIRST HELICOPTER!) and Colby. On the horizon, Oakley and Hays (BIRTHPLACE OF U.S. ASTRONAUT BRAD FELDHOUSEN) . . . and then Salina (HOME OF TONY'S PIZZA). Sometime after that, Geena knew she would have to get off of I-70 and find some lesser-traveled two-lane road. Nine hours would have passed, and by then Barry surely would have canvassed every street of Sublette. Yellow Roof IGA Grocery . . . Rhonda's house . . . the Gibson's Discount Center out by the interstate . . . Mode O' Day and Renee's Wearhouse and Daylight Donuts on Leonard Street . . . there were only so many places to hide in a town of two thousand three hundred inhabitants.

She passed two Kansas State Patrol cars, parked side by side, the troopers in dark glasses chatting from their front seats like teenagers who had flagged each other down on a Friday night. In her rearview mirror, Geena watched for reaction as she passed by, and she wondered: How long would a man search for a woman he no longer loved?

Geena pulled into the parking lot of a Wendy's outside Junction City and stopped in to buy some coffee and stretch her legs. She opened the back of her Excursion to search for a Yanni CD that had been sliding around the floor for the past week and was thrilled to rediscover a dark green lawn-and-leaf bag stuffed with a schizophrenic collection of clothes she'd meant to drop off at the Goodwill Dumpster behind Pizza Hut.

Geena smiled-"I came prepared after all," she said to herself-as she opened the bag.

It was mainly Barry's clothes. Like most men his age, he'd been gaining two pounds a year, most all of it in his stomach. Geena pondered now the unfairness of how women always had to hide their stomachs with loose clothing or a forearm self-consciously draped across the fleshy rise, yet men displayed them with pride, perched atop their belts like some trophy on a mantel.

Geena pulled out dress shirt after dress shirt before coming to a T-shirt from The Stratosphere in Las Vegas . . . pairs of his athletic tube socks that he wore beneath his boots, the elastic now tired and limp . . . a red Polo shirt, a yellow one, too . . . a man's silk tie with tiny blue Viagra pills on a red background, a pharmaceutical freebie given to him by their friend Dr. Eberhart.

Suddenly Geena stopped. With utmost care, as if it were a piece of formalwear losing sequins, she pulled out the navy blue V-neck sweater that had been Nathan's favorite.

"You bastard," she whispered.

There were spans of days, sometimes up to a week, when Geena would wear this sweater every day, much to Barry's dismay. She would come into the kitchen, and he would look up from his Rocky Mountain News and give her a look of feigned concern tinged with judgment, the same look he employed when she ordered dessert in a restaurant.

And then suddenly the sweater vanished. And here it was. Geena shook it out and pulled it over her green blouse. She began again to rummage through the sack.

"There you are," she said.

It was still in the box, and it was a stroke of luck-fate?-that after all these years she had waited so long to get rid of it. Geena had received Safe-T-Man as a gag gift eight years ago at a surprise birthday party given to her by her girlfriends. ("Just in case Barry can't satisfy you," Deanna Wisehart had joked.)

She read the box: Safe-T-Man-Your escort for security on today's dangerous roads. Life-Size. Realistic beard stubble!

With a rubber head, Safe-T-Man was a handsome fellow by Euro-American standards, with blue eyes and brown beard shadow painted on and the parted acrylic hair of a conservative soap opera actor. Beneath this head dangled the body, limp like a long, expired balloon. He reminded Geena of the Resuscie Annie from the CPR class she had taken at Mile High Red Cross as a teenager.

Geena looked for and found the nipple on the upper back. And then, facing the dining room of Wendy's, she sat on the backseat, door open, and proceeded to blow. In the next five minutes a six-foot-two stranger with painted-on white Jockey briefs and a T-shirt materialized before her. His skin was bronze. He appeared to be about a size-eleven shoe.

A married couple emerged from the restaurant and approached their car, next to Geena's.
"I wish my husband looked that good without his clothes on," the woman said.

"Better watch it, baby," he said, smiling.

"Does he talk?" she asked Geena.


Cocking her head, she put her hands on her hips and drank him in. "Then he just might be about the most perfect man I've ever seen."

They laughed, got into their car, and drove away. Geena looked at the tag (Tennessee) to help her place their accent. She then held Safe-T-Man at arm's length and looked him over. He did have a nice build, broad shoulders that tapered down to a cute little butt. They'd even given him nicely rounded biceps, and for this reason Geena chose for him a clinging white T-shirt from the Muscular Dystrophy 5K run.

Geena set Safe-T-Man into the passenger seat and buckled him up. She then stood back, trying to gauge what was wrong, the way she did when she rearranged the furniture at home. It was the posture-that's what bothered her. No one sat up that straight. It was unnatural.

Geena let out some air, then reclined the seat forty-five degrees. In the backseat she found a Pioneer Seeds baseball cap, which she slipped over his hair, then tipped it forward, over his eyes, as if he were using it to shield his face from the sun.

Sleeping, Safe-T-Man accompanied Geena as she drove south on U.S. 77, out of Junction City, to someplace warmer and farther away.

Chapter Two

A special meeting of the museum docents had been called for 7:00 a.m., and Ellis, who was usually plugged into the buzzing undercurrent of administrative happenings, had no idea why.

Hoping to find out something if he arrived early, Ellis decided to take shortcuts in his morning work-preparation ritual. Usually Ellis fried one lamb chop for breakfast each day, which he ate with a piece of rye toast with butter and one cup of black coffee. This morning, he decided to forgo the meat.

The arthritis in Ellis's right shoulder was flaring up, so he was slower than normal as he put on his clothes: khaki Bermuda shorts with elastic waist, black support hose, and white tennis shoes, his official, city-issued baby blue Polo shirt with EDISON WINTER ESTATE embroidered on the breast in navy blue thread. Everything but the shoes had been washed the night before and laid out on the empty side of his queen-size bed.

On the way out the door, he grabbed his broad-brimmed, white straw hat, the very same style worn by the famous inventor himself. For years Ellis had searched for such a hat, and then, on one fortuitous morning during his walk to work, down McGregor Boulevard, he found precisely the hat he'd been looking for. Clean and new-looking, it sat atop a pile of rubbish set out on the curb for trash pickup. Thinking it too good to be true, like a piece of fresh cheese on a mousetrap, Ellis looked over his shoulder . . . right . . . left. Surely this handsome hat belonged to somebody.
Right . . . left.

Surely they did not mean to throw it away.

Right . . . left.

Perhaps it had flown out of a passing car, and a pedestrian set it on top of the heap so the rightful owner could spot it later on.

Reluctantly, Ellis left it alone, but three hours later, during his coffee break, he returned and was thrilled to find it untouched, now warmed from a morning in the Fort Myers sun. Yes, he was certain this hat did belong to someone, but as he heard the whine and banging of the approaching sanitation truck farther down the boulevard, Ellis realized it was he and only he who could save this hat from an early, undeserved demise in the Lee County incinerator. He plucked it from the top of the trash pile, put it under his arm, and walked briskly back to work. With the help of some duct tape and a smashed, empty toilet paper roll, it fit him perfectly.

As he anticipated, Ellis arrived at the historic Edison home before anyone. The chairs had been set up in the break room in a manner he had never seen . . . in straight rows and at an angle, facing, of all things, a podium in the corner.

A podium! Where did such a thing come from?

It was oak and appeared to be new, with the seal of the City of Fort Myers on the front, which featured a shield in the shape of a U.S. interstate sign, segmented into three pictures: a thrashing silver tarpon hooked on a fishing line, a beach scene with palm tree, two oranges hanging from a branch.

The bulletin board was bare. Gone were the work schedule, and the take-out menus for Sub and Pub and Wings 'n' Ribs, and the list of local young men and women who'd been nominated that year for king and queen of Edisonia at the Pageant of Light. Gone was the photograph of Mary Ellen's new granddaughter in Dayton. Gone was Ellis's new handwritten suggestion that docents carry in their pockets a bag of tissues for runny-nosed guests unaccustomed to the prodigious amount of pollen from the subtropical flora on the grounds.

As Ellis absorbed the blankness, the door swung open and in walked a moderately plump woman dressed in a tailored black suit and very loud heels. She looked to be about thirty, and she wore the strangest glasses Ellis had ever seen . . . lemon yellow plastic frames in the shape of perfect ovals. She'd pulled her dark brown hair into a tight bun on the back of her head. Ellis thought this unbecoming; it accentuated her somewhat fleshy chin.

"Good morning," said the woman.

"Good morning," Ellis answered warily.

"You must work here."

"Yes, madame, I most certainly do."

She nodded her head, saying nothing.

"I am the senior docent," Ellis continued. "I have worked here longer than anybody. Except Larry."

"Mr. Livengood?" she asked.

"Yes. Larry Livengood. The director of the museum."

She leaned toward him to read the white plastic, lightbulb-shaped ID pin on his chest.

"It says your name is Edison. Can that be right?"

"Well, that is not exactly my name. Not my real name."


"You will notice Edison is in quotation marks. That is so people realize it is only a nickname."

"And how did you get to be called Edison?" she asked.

Ellis suddenly was distracted by a sound outside, the clatter of the rakes and hoes and other gardening tools jostling about on the back of Mike Rathbun's golf cart, which was passing outside the window.

"May I be of some assistance?" Ellis asked. "Are you looking for somebody?"

"Actually, no," she answered. "I'm new here. I start today. I'm running the meeting at seven." She offered her hand. "I'm Judith Ziegler."

"Does Larry know you are here?"

She paused, looked at the floor, then finally met Ellis's stare. "Mr. Livengood is no longer with the Edison estate."

"I beg your pardon?"

"It was in The News-Press today. Did you not see it?"

He had not. Ellis had let his mother's subscription expire after she died nearly twenty years ago. The only thing he missed was Dear Abby and Hints from Heloise; both columns were still featured in the newspaper, though they were now being written by the women's daughters. If there was anything important about the museum in the paper, Ellis read it during lunch break from the copy in the museum's employee lounge.

Excerpted from All This Belongs to Me by Ad Hudler Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

AD HUDLER is a stay-at-home dad and author of the novels Househusband and Southern Living. He lives in Fort Myers, Florida, and has visited the Edison home many times. You can reach Ad at his website: www.adhudler.com.

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All This Belongs to Me 4.3 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
Sadness/aging/ help in different ways/friendship
Anonymous More than 1 year ago
harstan More than 1 year ago
Leaving Colorado for Kansas, Geena Pangborn is already in shock from the accidental death of her son Nathan, but is not allowed to mourn her loss or obtain solace. The wealthy upper class family of her husband Barry blames her for the tragedy Barry sides with his parents holding his wife culpable. --- Unable to cope with the combination of grief and accusatory scorn punctuated by her need to wear Nathan¿s sweater, Geena flees Kansas, but not to return home. She heads further east until near broke, she accidentally obtains a credit card belonging to Ellis Norton of Fort Myers, Florida. Though feeling guilty for not turning it in, Geena uses the card to continue her journey with her new destination to meet Ellis and recuperate in SOUTHERN LIVING. Geena is shocked to find Ellis is an octogenarian bachelor who works as a docent at the Edison House Museum where he learns management changes may force him out of the only thing that keeps him alive. Geena persuades Ellis that she is a reporter doing a feature on Fort Myers and soon the two become close friends, but she knows she owes the elderly man the truth, but fears another rejection from a man who has become a warm caring but crusty grandfather to her. --- This deep character study enables readers to see how a grieving woman cut off by her loved one needs time to heal, but in this case has to do it on the road. The relationship between Geena and Ellis is delightfully developed and portrayed as believable as each finds solace in the other. Though the ending seems schmaltzy, fans of a strong drama will appreciate Ad Hudler¿s fine look at grief. --- Harriet Klausner