All-Time Greatest Hits

( 1 )
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More About This Product

Product Details

  • Release Date: 10/28/2003
  • Label: Varese Sarabande
  • UPC: 030206651225
  • Catalog Number: 066512
  • Sales rank: 21,362

Album Credits

Performance Credits
Bobby Vinton Primary Artist
Burt Bacharach Conductor
Charles Calello Conductor
Robert Mersey Conductor
Stan Appleton Conductor
Technical Credits
Sonny James Composer
Bobby Vinton Composer, Producer
Lee Andrews Composer
Carole King Composer
David Mann Composer
Burt Bacharach Arranger, Composer
Gerry Goffin Composer
Barry Mann Composer
Marty Gold Composer
Al Alberts Composer
Paul Evans Composer
Phil Spector Composer
Gene Allen Composer
Roger Atkins Composer
Jimmy Bowen Producer
Charles Calello Arranger
Hal David Composer
Redd Evans Composer
Rex Garvin Composer
Evren Göknar Mastering
Ray Henderson Composer
Jeffrey James Producer
J.J. Malone Composer
Cary E. Mansfield Producer
Bill McElhiney Arranger
Robert Mersey Arranger, Producer
Bob Morgan Producer, Author
Curly Putman Composer
Gilly Sherill Producer
Billy Sherrill Composer
Robert Tubert Composer
Peter Udell Composer
Bernie Wayne Composer
Joseph F. Laredo Liner Notes
Larry Coleman Composer
Lee Morris Composer
Bill Pitzonka Art Direction
Marty Wekser Producer, Mastering
Dave Mann Composer
Gary Geld Composer
Helen Miller Composer
Noel Regney Composer
Gloria Shayne Composer
Gene Allan Composer
Al Byron Composer
Art Crafer Composer
Jimmie Crane Composer
Bernice Davis Composer
Mimi Uniman Composer
Larry Kolber Composer
Ernie Freeman Combo Arranger
Bill Walker Arranger
Al Jacobs Composer
Charlie Singleton Composer
Stan Appleton Arranger
D. T. Henderson Composer
Frank Daniels Composer
Dorothy Daniels Composer
Jimmy Nebb Composer
Ollie Blanchard Composer
Doyle Marsh Composer
George Reneau Composer
Claude "Curly" Putman Jr. Composer
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Customer Reviews

Average Rating 4
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Generous collection of heartbreak and romance

    Vinton’s best known hits from the early ‘60s have become icons not only on Oldies Radio, but in films, commercials and elsewhere. “Roses Are Red (My Love),” “Blue On Blue,” “Blue Velvet,” “There! I’ve Said It Again” and “Mr. Lonely” are just a few of the great songs to which Vinton lent heartbreak and romance. Like a select few who came just before and after (e.g., Johnny Mathis, Bobby Rydell, Wayne Newton), Vinton thrived as a crooner in the rock ‘n’ roll era. Especially impressive is that his success spanned across the Beatle-led British Invasion of the U.S. charts. ¶ In addition to the chart-toppers, Vinton recorded a deep catalog of lesser-known hits and album tracks. He found both artistic and commercial success in reworking ‘60s hits like The Paris’ Sisters’ “I Love How You Love Me” and Brian Hyland’s “Sealed With a Kiss,” drawing out their tempos to magnify their emotion. His lush rendition of Goffin & King’s “Halfway to Paradise” added a dash of Roy Orbison styled drama to Tony Orlando’s original. It’s surprising to note that several of the songs most closely associated with Vinton were actually covers: “Blue Velvet” was recorded by Tony Bennett in the early-50s, and “There! I’ve Said It Again” was a hit for Vaughn Monroe in the mid-40s. ¶ The generously selected 25-song track songlist includes thirteen of Vinton’s fourteen Top-20 singles, and a total of twenty-three Top-40s. Also included are a few lesser known, but equally interesting tracks, including a sweet cover of Johnny & Joe’s “Over the Mountain (Across the Sea),” a Nashville Sound take of “My Elusive Dream,” the Bobby Goldsboro-esque “The Days of Sand and Shovels,” and Vinton’s own “L-O-N-E-L-Y.” Vinton’s stint in the army not only resulted in “Mr. Lonely,” but also the 1966 sequel, “Coming Home Soldier.” ¶ This is a superb collection of Vinton’s most productive years at Epic, and the most complete such greatest hits disc on the market today. All of his major singles are here, except for 1964’s “Clinging Vine,” and his 1974 comeback on ABC, “My Melody of Love.” The latter may be a casualty of inter-label licensing, but the omission of the former is mysterious. Sound quality is excellent, with finely produced true stereo throughout. ¶ 4-1/2 stars, if allowed fractional ratings.

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