All-Time Greatest Hits, Vol. 1

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Epic's 1977 album All-Time Greatest Hits, Vol. 1 boasts a misleading title and concept of epic proportions. Yes, almost all of these ten songs are big hits and these recordings were made during his tenure at the label, but therein lies the contradiction: These songs were hits early in his career, originally released on Starday, Mercury, or United Artists, not on Epic. There isn't a song here that was a hit for Jones while he was on Epic, so it doesn't even function as a good overview of his first hits for the label. All this means that this album is worthless as a hits collection, but as an album it's kind of interesting since it does find an older George Jones ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Epic's 1977 album All-Time Greatest Hits, Vol. 1 boasts a misleading title and concept of epic proportions. Yes, almost all of these ten songs are big hits and these recordings were made during his tenure at the label, but therein lies the contradiction: These songs were hits early in his career, originally released on Starday, Mercury, or United Artists, not on Epic. There isn't a song here that was a hit for Jones while he was on Epic, so it doesn't even function as a good overview of his first hits for the label. All this means that this album is worthless as a hits collection, but as an album it's kind of interesting since it does find an older George Jones doing good reinterpretations aided by one of his best producers, Billy Sherrill. The uptempo stuff doesn't fare particularly well -- young Jones was wild-eyed and crazy, giving "The Race Is On," "White Lightning," and "Why Baby Why" real kick; here they sound harnessed -- but the ballads which account for most of the record are satisfying, since Sherrill's productions give them languid, luxurious settings and Jones is in typically good voice. On occasion, the songs gain resonance by being delivered by an older, nuanced singer this is especially true of "The Window Up Above" and "She Thinks I Still Care", which is the main reason collectors may want to pick this up -- and, even though this is targeted to a mass audience, given the curiosity of this collection, that indeed winds up being the market for this collection.
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Product Details

  • Release Date: 10/25/1990
  • Label: Sony
  • UPC: 074643469227
  • Catalog Number: 34692

Album Credits

Performance Credits
George Jones Primary Artist, Guitar, Vocals
The Jordanaires Background Vocals
Millie Kirkham Background Vocals
The Nashville Edition Background Vocals
Technical Credits
George Jones Composer, Contributor
Leon Payne Composer
Mississippi Fred McDowell Composer
Louis Bradley Engineer
Don Rollins Composer
Billy Sherrill Producer
Ben Wilson Composer
Dickey Lee Lipscomb Composer
D. Wilson Composer
Steve Duffy Composer
B. Wilson Composer
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