All Told: My Art and Life Among Athletes, Playboys, Bunnies, and Provocateursby LeRoy Neiman
LeRoy Neimanarguably the world's most recognizable contemporary artistbroke the barrier between fine art and popular art during a career in which he created indelible images that helped define the twentieth century. But it is the life he's lived and the people he's known that make the memoir of this scrappy Depression-era kid who became a swashbuckling
LeRoy Neimanarguably the world's most recognizable contemporary artistbroke the barrier between fine art and popular art during a career in which he created indelible images that helped define the twentieth century. But it is the life he's lived and the people he's known that make the memoir of this scrappy Depression-era kid who became a swashbuckling bon vivant with the famous mustache such a marvelous historical canvas. Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone's Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the September 5, 1972,terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there's his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy since its founding, setting up studios in London and Paris to cover his Playboy beat, "Man at His Leisure," and his creation of the Femlin, the iconic Playboy nymphette. And, still, there's so much more . . .With his life's work, and now in All Told, LeRoy Neiman has captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansiona panoramic record of society like no other.
- Rowman & Littlefield Publishers, Inc.
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Meet the Author
LeRoy Neiman married fine art to popular art with his brilliantly colored, energetic depictions of sports, celebrities, America at play, life on safari, and locations from the White House lawn to a nudist colony on the Adriatic. Born in St. Paul, Minnesota, he left high school in 1942 to join the U.S. Army, returning four years later to obtain his high school degree. He then studied at the School of the Art Institute of Chicago (where he taught for ten years), the University of Chicago, and the University of Illinois. Early in the 1950s he did fashion illustration for the department store of Carson, Pirie, Scott & Co., where he met Playboy founder Hugh Hefner in 1953. He lives in New York City, overlooking Central Park. His prints are eagerly collected, fetching impressive sums. He has published more than a dozen books of his collected work, has won numerous awards, and is included in the fine art collections of the nation's top museums.
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In celebration of his 91st birthday on June 8, 2012 Lyons Press has publish a lavishly illustrated autobiography of LeRoy Nieman. Appropriately titled ALL TOLD: MY ART AND LIFE AMONG ATHLETES, PLAYBOYS, BUNNIES, AND PROVOCATEURS the book begins at his beginning in 1919 told with the raucous humor that vibrates in his art, The journey through his life to date includes his associations with Muhammad Ali, Frank Sinatra, Salvador Dali, Andy Warhol, Dizzy Gillespie, Sylvester Stallone, Richard Nixon, Fidel Castro, Peter Jennings, Howard Cosell, Jim McKay and Hugh Heffner. A wild range of consorts? Well, that is how Nieman lived his life. His art, which is generously reproduced in this volume, is instantly recognizable for its splashy color and expressionistic style. His innumerable paintings of sports events including the Olympics, images of such places as the Metropolitan Opera House in New York, Leonard Bernstein conducting, and presidents and athletes, personalities from the arts - all pepper the stories he tells that accompany these images. And the stories and events of his life are no less colorful than his art. One aspect of Nieman that too few people recognize is that his popular works (and the vast number of prints of his works that are for sale in nearly every airport and mall galleries through out the world) are only a part of his output. Included here are his very fine drawings of the human form, such as his truly significant Conte crayon drawing '18th Century Nudes after Boucher, 1956' ad his own possessions such as the Crucifixion (reproduced far too small to appreciate here). For all the wild and explosive color of his popular works there are almost an equal number of fine sketches and small works in pen and ink that reveal his training as a fine artist. Whether the reader will find the art of LeRoy Nieman mundane and non-sophisticated at the start of this book, by book's end the viewer will have a different perspective on the works of LeRoy Nieman. He may not go down as a great painter but he will always be known as a famous populist who seems to paint as much for his public as he does for his muse. Grady Harp