All Unquiet Things (Lib)(CD)

All Unquiet Things (Lib)(CD)

4.2 67
by Anna Jarzab, Mike Chamberlain, Allyson Ryan

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Carly: She was sweet. Smart. Self-destructive. She knew the secrets of Brighton Day School’s most privileged students. Secrets that got her killed.

Neily: Dumped by Carly for a notorious bad boy, Neily didn’t answer the phone call she made before she died. If he had, maybe he could have helped her. Now he can’t get the image of her lifeless

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Carly: She was sweet. Smart. Self-destructive. She knew the secrets of Brighton Day School’s most privileged students. Secrets that got her killed.

Neily: Dumped by Carly for a notorious bad boy, Neily didn’t answer the phone call she made before she died. If he had, maybe he could have helped her. Now he can’t get the image of her lifeless body out of his mind.

Audrey: She’s the reason Carly got tangled up with Brighton’s fast crowd in the first place, and now she regrets it—especially since she’s convinced the police have put the wrong person in jail. Audrey thinks the murderer is someone at Brighton, and she wants Neily to help her find out who it is.

As reluctant allies Neily and Audrey dig into their shared past with Carly, her involvement with Brighton’s dark goings-on comes to light. But figuring out how Carly and her killer fit into the twisted drama will force Audrey and Neily to face hard truths about themselves and the girl they couldn’t save.

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Editorial Reviews

School Library Journal - School Library Journal
Gr 9 Up—Anna Jarzab's debut novel (Delacorte 2010) is part mystery and part inner glimpse at dysfunctional families and the perceived entitlements at a wealthy private high school. Neily Monroe, 17, is the ex-boyfriend of Carly, a beautiful girl who spiraled out of control after the death of her mother and was brutally murdered months before Neily begins his story at the spot he found Carly's body. Audrey is Carly's cousin—and the daughter of the man convicted of her murder. Audrey comes back to school and back into Neily's life hoping that he will help prove her father's innocence. Never truly convinced that the right person was convicted and still in love with Carly, Neily agrees, although he is not eager to open old wounds. The narration alternates between the teens' perspectives—Neily, narrated by Mike Chamberlain, and Audrey, narrated by Allyson Ryan. Told through chunks of recollections from when Carly was alive alternating with current events, the dual narrators offer a well-rounded picture. The portrayals, while uneven in their voicing and pacing, vividly bring to the surface images of teens coping with intense tragedy, emotions, and a desire for closure. Listeners will be fully immersed in the mystery as it unfolds.—Stephanie A. Squicciarini, Fairport Public Library, NY
Publishers Weekly
Jarzab’s strong debut tracks teenage Neily and Audrey’s investigation of the murder of 16-year-old Carly—Audrey’s cousin and Neily’s ex—in an affluent San Francisco suburb one year after Audrey’s father is convicted of the crime. Neily is a bright, cynical senior at Brighton Day School; bitter after being dumped by Carly, he didn’t return her calls on the night of her death and still blames himself. Audrey, who has returned to Brighton after “a self-imposed exile,” badgers Neily into helping clear her father’s name (“I can tell that behind that weak Holden Caulfield affectation is a spongy, leaking heart desperate for some sort of closure”). The story shifts between Neily and Audrey’s points of view, but only a few times, letting readers sink into each character’s mindset—painful, unhealed wounds are evident underneath both Neily’s clinical, sarcastic exterior and Audrey’s more open, confident manner. It’s a slow-building, slow-burning mystery—Jarzab is as interested in probing Neily and Audrey’s emotional states and the ramifications of Carly’s murder as she is in solving it—but the author’s confident, literary prose makes for a tense and immersive thriller. Ages 14–up. (Jan.)
VOYA - Lauri J. Vaughan
A few days short of his junior year at the exclusive Brighton Day School, Neily Monroe discovers the murdered remains of his beautiful ex, Carly Ribelli. Jarzab's tale begins a year later. Enzo Ribelli, Carly's hard-living uncle is in jail for her death, and Neily still suffers. Enter Audrey Ribelli, Carly's cousin and Enzo's daughter. Before her father's indictment and her subsequent social exile at Brighton, Audrey was thick with Carly. Now she is back—willing to suffer her pariah status in hope of proving her father's innocence. She enlists Neily's help, and although the two were never on solid ground, they team up to track down Carly's killer. Audrey and Neily narrate alternating sections of the tale, which include flashbacks to life before the murder. What might have been an interesting vehicle in more able hands only confuses Jarzab's first novel. The time flips are abrupt, and Audrey and Neily's voices sound far too much alike. Conversation strings are nearly impossible to navigate. None of the teen characters distinguish themselves from each other, and some seem added as barely drawn plot conveniences. Adult personalities suffer the same fate. They are universal fools who echo each other and make appearances only to rescue the slow-starting plot from an impossible corner. The primaries repeatedly act in wildly unlikely ways. The conclusion's revelations are little more than contrivances that serve to clean up a messy plot. Jarzab and her editors need to give her audience—smart teens—more credit than this novel affords them. Reviewer: Lauri J. Vaughan
VOYA - Nikita Agrawal
From the first few pages, Jarzab dives into the mystery of Carly's murder while balancing the darkness with amusing teenage humor. Although unrealistic at times, the novel is a page-turner, as Carly's ex-boyfriend and cousin attempt to identify Carly's unpunished murderer. Jarzab plays nicely with time, perspective, and, of course, the theme of moving on. All Unquiet Things promises a satisfying story line and will linger on your mind—a wonderful debut! Reviewer: Nikita Agrawal, Teen Reviewer
School Library Journal
Gr 9 Up—This rich, psychological mystery opens with 17-year-old Neily Monroe standing on the bridge where, a year earlier, he found Carly Ribelli's body. Having gone from being her best friend to her boyfriend to a piece of detritus she left in her wake, it's no surprise that he is having trouble "getting over" Carly's murder. Nonetheless, he is determined to somehow make it through high school and move on. Then the school year starts and Neily is approached by Carly's cousin, Audrey. Since her father was convicted of the murder, Neily is surprised that she would come back to school. As it turns out, she is there to find out who really murdered Carly, and she is determined to have his help. The narrative alternates between the teens' perspectives, though Neily's voice—sarcastic and insightful—is the stronger of the two. The portrayal of the cliquey private high school is familiar but not clichéd. A satisfying story from a promising new author.—Eliza Langhans, Hatfield Public Library, MA
Kirkus Reviews
Neily Monroe is struggling to adjust to life following the murder of his ex-girlfriend Carly and the guilt he feels for not responding to her final attempts to reach him. Their breakup had been especially painful and embarrassing for Neily. When Carly's cousin Audrey suggests the real killer is still at large, he thinks she is just trying to clear her father, who is serving time for the crime. Gradually, the two find clues in Carly's diary that make someone else a plausible suspect. What had appeared to be a family tragedy triggered by a dispute over money now threatens to expose the darker side of an upscale and privileged clique. This is a sophisticated teen mystery, more introspective than action-oriented. Told as it is through the voices of both Neily and Audrey, readers get to know as much about the troubled girl they both loved as they do the principals. The adults are well drawn, and the impact of their unresolved issues intriguing. Less successful as a mystery than as a subtle look at family tensions and entitlement, at which it excels. (Mystery. 14 & up)
Children's Literature - Jeanna Sciarrotta
Carly was murdered and the killer is safely locked away in jail, but, as her ex-boyfriend, Neily, begins the new school year, he is not so convinced that the right person is paying for the crime. Haunted by his turmoiled relationship with Carly and her last phone calls to him, Neily is determined to sort through the mess she left behind and piece the events together that led up to her murder. A self-proclaimed loner, he is more than a little surprised when Audrey returns to school and seeks him out with questions of her own. Audrey was Carly's cousin. Her father is in jail for the murder of his niece, but what if he had nothing to do with it? What if he had been framed? Audrey is convinced that one of the Brighten Prep school golden boys that she and Carly hung out with had more to do with the crime then they admit. She needs not only to convince Neily to believe her theory, but also to trust her. Though the novel gets off to a slow start, readers will find themselves getting sucked into the mystery behind Carly's death as they follow both Audrey and Neily's search for answers. The story does delve into topics related to high school including drug use and a possible date rape that parents, teachers, and librarians should acknowledge when recommending the novel. Reviewer: Jeanna Sciarrotta

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Product Details

Listening Library, Inc.
Publication date:
Product dimensions:
6.40(w) x 6.20(h) x 1.10(d)
Age Range:
14 - 17 Years

Read an Excerpt

All Unquiet Things

By Anna Jarzab

Delacorte Books for Young Readers

Copyright © 2010 Anna Jarzab
All right reserved.

ISBN: 9780385907231

Chapter One
Senior Year

It was the end of summer, when the hills were bone dry and brown; the sun beating down and shimmering up off the pavement was enough to give you heatstroke. Once winter came, Empire Valley would be compensated for five months of hot misery with three months of torrential rain, the kind of downpours that make the freeways slick and send cars sliding into one another on ribbons of oil. On the bright side, the hills would turn a green so lustrous they would look as if they had been spray painted, and in the morning the fog would transform the valley into an Arthurian landscape. But before the days got shorter and the rain came, there was the heat and the dust and the sun, conspiring to drive the whole town crazy.

School was starting on Monday. I had two more days of freedom. I hadn’t slept very much since Wednesday night; my palms were sweating, and everything ached with the ache that comes after a long hike and a couple of rough falls. My mother wanted to take me to a doctor for the insomnia, so the night before school started I didn’t go home. Instead, I went to Empire Creek Bridge, where I thought I could clear my head. The bridge was a small, overgrown stone arch, a mimicry of ancient Roman architecture that was more about form than function and could only accommodateone car at a time going one direction on its carefully placed cobblestones. A narrow, slow-moving body of water ran beneath it, and clumps of oak trees rose up near its banks. The bridge was almost useless, but very picturesque. Along one side of it was a small ledge meant for pedestrians, and this was where I lay down so that I wouldn’t get run over, and closed my eyes. I needn’t have bothered. All night, not one car passed. I could have died on that bridge and no one would have known.

This is not to say that I wanted to die. I wasn’t—and have never been—suicidal. The valley was blanketed by a late, torturous heat wave that made the shadows the only decent place to sit during the day, and the dry winds kicked up the dust, making me uneasy. I had grown up in Empire Valley and was used to these uncomfortable summers, but this time I had begun to feel a restlessness reverberating through my bones like the persistent hum of cicadas.

It had been a long, slow summer. I had spent most of it reading massive Russian novels on my porch, playing video games, and sleeping until noon. I didn’t have a lot of friends and I didn’t see much of anyone apart from my parents. I had plenty of schoolwork, too—my class schedule for the upcoming year promised to be brutal, with six AP classes and college application season right around the corner—but nothing seemed to be able to occupy me for very long. My mother had an easy explanation for my agitation—it was my senior year and I was under a lot of pressure, especially from my father, to chart my future—but it was more complicated than that.

There was another reason I had come to Empire Creek Bridge. The year before, almost to the day, a girl I loved had died on this bridge, shot in cold blood. The police considered the matter solved—there had been an arrest, a trial, a guilty verdict—but Carly’s murder retained an air of mystery for me and so did the place where she died. I had so many questions, but nobody except Carly seemed capable of answering them, and by the time I had found her body she was already dead. Despite all the effort I had put into blocking that night from my mind and trying to forget, the murder still haunted me. I didn’t know what help spending time at the bridge would be, but I had been drawn there throughout that boiling summer, and I thought it was best to go with my instincts, even though they never seemed to do me any good.


As the sun came up that Saturday morning, I sat watching the animals—deer, hawks, the occasional wild turkey—move around on the scorched foothills. Soon, a patrol car pulled up, its siren whooping to get my attention. I had already moved from the ledge down to the creek bank, and was splashing some water on my face. The doors slammed, and I could hear footsteps making their way behind me. I felt a hand on my shoulder.

“Neily Monroe?” The officer leaned over me. “Your parents are very worried. Did you sleep here last night?”

“Yeah,” I said, though I hadn’t slept at all.

“Bryson?” The other officer was on the bridge.

Bryson stood. “He’s pretty out of it. We should get him home.”

His partner came down and took a look at me. “You feel sick?”

I nodded.

“You look sick,” he said.

“What are you doing here?” Bryson asked. “This is a park. You can’t sleep in a park overnight.”

I glanced around. “Doesn’t look like a park.”

“It is according to the city of Empire Valley.” He looked at his partner for confirmation, but the other cop just shrugged. “Anyway, it’s public property.”

“I am the public,” I said.

“You want to be a wiseass? We’ll put you in the back of that patrol car and haul you down to the station if you keep that up.” Bryson narrowed his eyes at me.

“Can’t you just write me a ticket or something?” I asked. I put my hand to my forehead, suddenly dizzy. I was hungry, too, and already sweating from the heat. I wanted my bed.

Bryson recognized me then, as I knew he would. There were very few full-time police officers in Empire Valley, which had the lowest crime rate in the Bay Area, according to the Chronicle. Bryson had been in the station the night I found Carly.

“What were you doing out here?” he asked again, suspicious. “Does this have anything to do with last year?”

“I don’t know.”

The other cop, whose name tag told me he was Officer Lopez, put a hand on my shoulder. “Let’s get you out of here.”

I tried to follow him up the creek bank, but I couldn’t keep my balance and fell flat in the mud. I thought it might be all right just to lie where I fell.

Bryson slipped his hands under my armpits and tugged at me. “Come on, Neily, you’ve got to help me here,” he grunted, digging his heels into the mud. “Steady as she goes there, captain. Lopez, help me get him in the car.”

“Maybe we should take him to the hospital,” Lopez suggested, and Bryson nodded.

We drove along Empire Creek Road slowly. I let my eyes go lazy and the trees blurred together. The sun was no longer showing. A blanket of clouds had blotted it out. I couldn’t help feeling relieved; maybe it would rain soon and the heat wave would end. I put my head back against the seat and closed my eyes.


At the hospital they must have given me some kind of sleeping pill or a tranquilizer, because I woke up at four-thirty on Sunday afternoon feeling gruesome. I stared at the ceiling, bringing the cracks and paint bubbles into focus. I was in my bedroom and could hear somebody moving around downstairs. It was probably my mother, but then there was a low voice, my father’s voice. The fact that he had come meant that, to them, this was serious.

I got out of bed and pulled on a pair of jeans. The room was hot and stuffy, so I quit rummaging around for a shirt and returned to the bed to gather myself. When I had left the house, my room had been a disaster, per usual: clothes—clean and dirty—heaped in piles on the floor, papers strewn all over my desk, garbage spilling out of the trash can. My mother had been in here. She had cleaned.

I finally ambled downstairs, trying not to look so much like a zombie, although God knows for whose benefit. I caught sight of myself in the hall mirror and drew back; my skin was a pale gray, the color of chewed gum, and my dark, wavy hair, which needed a cut, was plastered against my face. There were red creases where my cheeks had been pressed against the pillows. I looked like I was about to hurl. The sedatives hadn’t sat well in my stomach; it churned at the smell of brownies coming from the kitchen. My mother had gone on a rampage of nervous baking. The kitchen counter was covered with platters, each piled high with a different baked good. My parents were at the kitchen table, arguing.

I cleared my throat. They stopped talking about me and looked up.

“Oh, Neily, you’re awake,” my mother clucked, getting out of her seat and wrapping her arms around me. I swayed a little, still unsteady on my feet. She pressed her hand against my forehead. “How are you feeling?”

“Like I’ve been hit by a truck.”

My father didn’t say anything. He just stared at me like he didn’t know who I was. The house seemed smaller with him in it; his self-righteousness was crowding us out.

“What’s he doing here?” I asked, opening the refrigerator and getting a carton of orange juice. My parents had divorced when I was seven, and I could have counted on two hands the number of times my father had visited since he’d moved out. They had joint custody, which was strictly enforced by my mother. She insisted I visit my father every other weekend and sometimes on major holidays, but I don’t think either of us enjoyed our time together much.

From the Hardcover edition.


Excerpted from All Unquiet Things by Anna Jarzab Copyright © 2010 by Anna Jarzab. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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