All's Well That Ends Well

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice.

When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated, the count flees. To win her husband back again, Helena forms a daring and resourceful plan.

A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

ACT IScene 1. Bertram, the young Count of Rossillion, is leaving home to take his place at the court of the King of France, who is gravely ill. Bertram bids farewell to his mother the widowed Countess, her friend the old lord Lafew and the young and virtuous Helena, daugther of a famous doctor now deceased, who lives as a dependent in the old Countess' household. Helena is passionately in love with Bertram, though without hope because he is so far above her in birth. Parolles, a blustering soldier who has attached himself to Bertram, is also going to the French court and Helena determines to follow. She has learned the mysteries of medicine from her father; if she can cure the King, she may win Bertram's heart.Scene 2. The ailing King tells of war between the Florentines and Sienese; he will give permission to any young gentleman of France who wishes to go to Italy in search of glory. Bertram arrives and the King greets him warmly. Scene 3. The Countess gently forces Helena to admit her love for Bertram and reveal her plan to attempt the King's cure. The old lady kindly offers her support.

ACT IIScene 1. Lafew announces the arrival at court of a young woman who claims to be able to heal the King. The King is deeply skeptical, but Helena persuades him to allow her to make the attempt. Should she succeed, the King is to grant her the husband of her choice.Scene 2. The Countess' fool Lavatch is to be sent to the court. He claims that he has a response that will serve him in all social situations, but the Countess exposes his folly.Scene 3. Helena has restored the King to joyful health. He offers her the hand in marriage of any of the young lords at court, but when she chooses Bertram he recoils in horror. Angrily, the King commands Bertram to wed Helena instantly. The marriage takes place, but Bertram vows that he will never sleep with his bride and determines to steal away to the Italian wars at once.Scene 4. Helena receives a letter from Bertram telling her that he has been called away and ordering her to take leave of the King.Scene 5. Lafew warns Bertram that Parolles is a hollow sham. Helena enters and Bertram dismisses her curtly, instructing her to return to the Countess.

ACT IIIScene 1. The Duke of Florence prepares to welcome the young Frenchmen who come to fight on his behalf.Scene 2. Helena has received a letter from Bertram: until she can get the ring from his finger, which he has vowed never to remove, and produce a child that she has conceived by him, she will never be able to call him husband.Scene 3. The Duke of Florence, impressed by Bertram's military promise, has given him an important command. Scene 4. The Countess has received a letter from Helena telling her that she has gone on a pilgrimage to atone for her sin in aspiring to Bertram's love and freeing him from his responsibility for her. The Countess bitterly deplores her son's arrogance and blindness.Scene 5. Helena has come to Florence where she meets a kindly widow and her beautiful daughter, Diana. The widow tells her that Bertram has fought heroically in the war but also that he has been attempting to seduce Diana. Scene 6. The French soldiers hatch a plot to convince Bertram of Parolles' cowardliness; pretending to be enemy soldiers, they will capture him, then see if he is prepared to betray his friends.Scene 7. Helena, too, is setting a plot. Diana is to pretend to yield to Bertram's suit on condition that he give her his ring. She

1147403957
All's Well That Ends Well

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice.

When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated, the count flees. To win her husband back again, Helena forms a daring and resourceful plan.

A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

ACT IScene 1. Bertram, the young Count of Rossillion, is leaving home to take his place at the court of the King of France, who is gravely ill. Bertram bids farewell to his mother the widowed Countess, her friend the old lord Lafew and the young and virtuous Helena, daugther of a famous doctor now deceased, who lives as a dependent in the old Countess' household. Helena is passionately in love with Bertram, though without hope because he is so far above her in birth. Parolles, a blustering soldier who has attached himself to Bertram, is also going to the French court and Helena determines to follow. She has learned the mysteries of medicine from her father; if she can cure the King, she may win Bertram's heart.Scene 2. The ailing King tells of war between the Florentines and Sienese; he will give permission to any young gentleman of France who wishes to go to Italy in search of glory. Bertram arrives and the King greets him warmly. Scene 3. The Countess gently forces Helena to admit her love for Bertram and reveal her plan to attempt the King's cure. The old lady kindly offers her support.

ACT IIScene 1. Lafew announces the arrival at court of a young woman who claims to be able to heal the King. The King is deeply skeptical, but Helena persuades him to allow her to make the attempt. Should she succeed, the King is to grant her the husband of her choice.Scene 2. The Countess' fool Lavatch is to be sent to the court. He claims that he has a response that will serve him in all social situations, but the Countess exposes his folly.Scene 3. Helena has restored the King to joyful health. He offers her the hand in marriage of any of the young lords at court, but when she chooses Bertram he recoils in horror. Angrily, the King commands Bertram to wed Helena instantly. The marriage takes place, but Bertram vows that he will never sleep with his bride and determines to steal away to the Italian wars at once.Scene 4. Helena receives a letter from Bertram telling her that he has been called away and ordering her to take leave of the King.Scene 5. Lafew warns Bertram that Parolles is a hollow sham. Helena enters and Bertram dismisses her curtly, instructing her to return to the Countess.

ACT IIIScene 1. The Duke of Florence prepares to welcome the young Frenchmen who come to fight on his behalf.Scene 2. Helena has received a letter from Bertram: until she can get the ring from his finger, which he has vowed never to remove, and produce a child that she has conceived by him, she will never be able to call him husband.Scene 3. The Duke of Florence, impressed by Bertram's military promise, has given him an important command. Scene 4. The Countess has received a letter from Helena telling her that she has gone on a pilgrimage to atone for her sin in aspiring to Bertram's love and freeing him from his responsibility for her. The Countess bitterly deplores her son's arrogance and blindness.Scene 5. Helena has come to Florence where she meets a kindly widow and her beautiful daughter, Diana. The widow tells her that Bertram has fought heroically in the war but also that he has been attempting to seduce Diana. Scene 6. The French soldiers hatch a plot to convince Bertram of Parolles' cowardliness; pretending to be enemy soldiers, they will capture him, then see if he is prepared to betray his friends.Scene 7. Helena, too, is setting a plot. Diana is to pretend to yield to Bertram's suit on condition that he give her his ring. She

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All's Well That Ends Well

All's Well That Ends Well

Adapted — 2 hours, 36 minutes

All's Well That Ends Well

All's Well That Ends Well

Adapted — 2 hours, 36 minutes

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Overview

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice.

When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated, the count flees. To win her husband back again, Helena forms a daring and resourceful plan.

A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

ACT IScene 1. Bertram, the young Count of Rossillion, is leaving home to take his place at the court of the King of France, who is gravely ill. Bertram bids farewell to his mother the widowed Countess, her friend the old lord Lafew and the young and virtuous Helena, daugther of a famous doctor now deceased, who lives as a dependent in the old Countess' household. Helena is passionately in love with Bertram, though without hope because he is so far above her in birth. Parolles, a blustering soldier who has attached himself to Bertram, is also going to the French court and Helena determines to follow. She has learned the mysteries of medicine from her father; if she can cure the King, she may win Bertram's heart.Scene 2. The ailing King tells of war between the Florentines and Sienese; he will give permission to any young gentleman of France who wishes to go to Italy in search of glory. Bertram arrives and the King greets him warmly. Scene 3. The Countess gently forces Helena to admit her love for Bertram and reveal her plan to attempt the King's cure. The old lady kindly offers her support.

ACT IIScene 1. Lafew announces the arrival at court of a young woman who claims to be able to heal the King. The King is deeply skeptical, but Helena persuades him to allow her to make the attempt. Should she succeed, the King is to grant her the husband of her choice.Scene 2. The Countess' fool Lavatch is to be sent to the court. He claims that he has a response that will serve him in all social situations, but the Countess exposes his folly.Scene 3. Helena has restored the King to joyful health. He offers her the hand in marriage of any of the young lords at court, but when she chooses Bertram he recoils in horror. Angrily, the King commands Bertram to wed Helena instantly. The marriage takes place, but Bertram vows that he will never sleep with his bride and determines to steal away to the Italian wars at once.Scene 4. Helena receives a letter from Bertram telling her that he has been called away and ordering her to take leave of the King.Scene 5. Lafew warns Bertram that Parolles is a hollow sham. Helena enters and Bertram dismisses her curtly, instructing her to return to the Countess.

ACT IIIScene 1. The Duke of Florence prepares to welcome the young Frenchmen who come to fight on his behalf.Scene 2. Helena has received a letter from Bertram: until she can get the ring from his finger, which he has vowed never to remove, and produce a child that she has conceived by him, she will never be able to call him husband.Scene 3. The Duke of Florence, impressed by Bertram's military promise, has given him an important command. Scene 4. The Countess has received a letter from Helena telling her that she has gone on a pilgrimage to atone for her sin in aspiring to Bertram's love and freeing him from his responsibility for her. The Countess bitterly deplores her son's arrogance and blindness.Scene 5. Helena has come to Florence where she meets a kindly widow and her beautiful daughter, Diana. The widow tells her that Bertram has fought heroically in the war but also that he has been attempting to seduce Diana. Scene 6. The French soldiers hatch a plot to convince Bertram of Parolles' cowardliness; pretending to be enemy soldiers, they will capture him, then see if he is prepared to betray his friends.Scene 7. Helena, too, is setting a plot. Diana is to pretend to yield to Bertram's suit on condition that he give her his ring. She


Editorial Reviews

From the Publisher

A remarkable edition, one that makes Shakespeare’s extraordinary accomplishment more vivid than ever.”—James Shapiro, professor, Columbia University, bestselling author of A Year in the Life of Shakespeare: 1599
 
“A feast of literary and historical information.”—The Wall Street Journal

Product Details

BN ID: 2940169545814
Publisher: Blackstone Audio, Inc.
Publication date: 11/15/2005
Edition description: Adapted

Read an Excerpt

Act 1 Scene 1 running scene 1

Enter young Bertram, [the] Count of Rossillion, his mother [the Countess], and Helena, Lord Lafew, all in black

COUNTESS In delivering my son from me, I bury a second husband.

BERTRAM And I in going, madam, weep o'er my father's death anew; but I must attend his majesty's command, to whom I am now in ward, evermore in subjection.

LAFEW You shall find of the king a husband, madam, you, sir, a father. He that so generally is at all times good must of necessity hold his virtue to you, whose worthiness would stir it up where it wanted rather than lack it where there is such abundance.

COUNTESS What hope is there of his majesty's amendment?

LAFEW He hath abandoned his physicians, madam, under whose practices he hath persecuted time with hope, and finds no other advantage in the process but only the losing of hope by time.

COUNTESS This young gentlewoman had a father - O, that 'had'! How sad a passage 'tis! - whose skill was almost as great as his honesty, had it stretched so far, would have made nature immortal, and death should have play for lack of work. Would for the king's sake he were living! I think it would be the death of the king's disease.

LAFEW How called you the man you speak of, madam?

COUNTESS He was famous, sir, in his profession, and it was his great right to be so: Gerard de Narbon.

LAFEW He was excellent indeed, madam. The king very lately spoke of him admiringly and mourningly: he was skilful enough to have lived still, if knowledge could be set up against mortality.

BERTRAM What is it, my good lord, the king languishes of?

LAFEW A fistula, my lord.

BERTRAM I heard not of it before.

LAFEW I would it were not notorious. Was this gentlewoman the daughter of Gerard de Narbon?

COUNTESS His sole child, my lord, and bequeathed to my overlooking. I have those hopes of her good that her education promises her dispositions she inherits, which makes fair gifts fairer. For where an unclean mind carries virtuous qualities, there commendations go with pity, they are virtues and traitors too. In her they are the better for their simpleness; she derives her honesty and achieves her goodness.

LAFEW Your commendations, madam, get from her tears.

COUNTESS 'Tis the best brine a maiden can season her praise in. The remembrance of her father never approaches her heart but the tyranny of her sorrows takes all livelihood from her cheek. No more of this, Helena. Go to, no more, lest it be rather thought you affect a sorrow than to have.

HELEN I do affect a sorrow indeed, but I have it too.

LAFEW Moderate lamentation is the right of the dead, excessive grief the enemy to the living.

COUNTESS If the living be enemy to the grief, the excess makes it soon mortal.

BERTRAM Madam, I desire your holy wishes.

LAFEW How understand we that?

COUNTESS Be thou blest, Bertram, and succeed thy father

In manners as in shape. Thy blood and virtue

Contend for empire in thee, and thy goodness

Share with thy birthright. Love all, trust a few,

Do wrong to none. Be able for thine enemy

Rather in power than use, and keep thy friend

Under thy own life's key. Be checked for silence,

But never taxed for speech. What heaven more will,

That thee may furnish and my prayers pluck down,

Fall on thy head! Farewell.- My lord, To Lafew

'Tis an unseasoned courtier. Good my lord,

Advise him.

LAFEW He cannot want the best

That shall attend his love.

COUNTESS Heaven bless him.- Farewell, Bertram. [Exit]

BERTRAM The best wishes that can be forged in your To Helen

thoughts be servants to you! Be comfortable to my mother, your mistress, and make much of her.

LAFEW Farewell, pretty lady. You must hold the credit of your father. [Exeunt Bertram and Lafew]

HELEN O, were that all! I think not on my father,

And these great tears grace his remembrance more

Than those I shed for him. What was he like?

I have forgot him. My imagination

Carries no favour in't but Bertram's.

I am undone. There is no living, none,

If Bertram be away. 'Twere all one

That I should love a bright particular star

And think to wed it, he is so above me.

In his bright radiance and collateral light

Must I be comforted, not in his sphere;

Th'ambition in my love thus plagues itself:

The hind that would be mated by the lion

Must die for love. 'Twas pretty, though a plague,

To see him every hour, to sit and draw

His archèd brows, his hawking eye, his curls

In our heart's table - heart too capable

Of every line and trick of his sweet favour:

But now he's gone, and my idolatrous fancy

Must sanctify his relics. Who comes here?

Enter Parolles

One that goes with him: I love him for his sake, Aside

And yet I know him a notorious liar,

Think him a great way fool, solely a coward.

Yet these fixed evils sit so fit in him

That they take place when virtue's steely bones

Looks bleak i'th'cold wind. Withal, full oft we see

Cold wisdom waiting on superfluous folly.

PAROLLES Save you, fair queen!

HELEN And you, monarch!

PAROLLES No.

HELEN And no.

PAROLLES Are you meditating on virginity?

HELEN Ay. You have some stain of soldier in you. Let me ask you a question. Man is enemy to virginity: how may we barricado it against him?

PAROLLES Keep him out.

HELEN But he assails, and our virginity, though valiant, in the defence yet is weak. Unfold to us some warlike resistance.

PAROLLES There is none. Man setting down before you will undermine you and blow you up.

HELEN Bless our poor virginity from underminers and blowers up! Is there no military policy how virgins might blow up men?

PAROLLES Virginity being blown down, man will quicklier be blown up. Marry, in blowing him down again, with the breach yourselves made, you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase, and there was never virgin got till virginity was first lost. That you were made of is mettle to make virgins. Virginity by being once lost may be ten times found. By being ever kept, it is ever lost. 'Tis too cold a companion. Away with't!

HELEN I will stand for't a little, though therefore I die a virgin.

PAROLLES There's little can be said in't, 'tis against the rule of nature. To speak on the part of virginity is to accuse your mothers, which is most infallible disobedience. He that hangs himself is a virgin: virginity murders itself and should be buried in highways out of all sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese, consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love, which is the most inhibited sin in the canon. Keep it not, you cannot choose but lose by't. Out with't! Within ten year it will make itself two, which is a goodly increase, and the principal itself not much the worse. Away with't!

HELEN How might one do, sir, to lose it to her own liking?

PAROLLES Let me see. Marry, ill, to like him that ne'er it likes. 'Tis a commodity will lose the gloss with lying: the longer kept, the less worth. Off with't while 'tis vendible. Answer the time of request. Virginity, like an old courtier, wears her cap out of fashion: richly suited but unsuitable, just like the brooch and the toothpick, which wear not now. Your date is better in your pie and your porridge than in your cheek. And your virginity, your old virginity, is like one of our French withered pears: it looks ill, it eats dryly. Marry, 'tis a withered pear: it was formerly better: marry, yet 'tis a withered pear. Will you anything with it?

HELEN Not my virginity yet -

There shall your master have a thousand loves,

A mother and a mistress and a friend,

A phoenix, captain and an enemy,

A guide, a goddess, and a sovereign,

A counsellor, a traitress, and a dear.

His humble ambition, proud humility,

His jarring concord, and his discord dulcet,

His faith, his sweet disaster. With a world

Of pretty, fond, adoptious christendoms

That blinking Cupid gossips. Now shall he -

I know not what he shall. God send him well!

The court's a learning place, and he is one-

PAROLLES What one, i'faith?

HELEN That I wish well. 'Tis pity-

PAROLLES What's pity?

HELEN That wishing well had not a body in't,

Which might be felt, that we, the poorer born,

Whose baser stars do shut us up in wishes,

Might with effects of them follow our friends,

And show what we alone must think, which never

Returns us thanks.

Enter Page

PAGE Monsieur Parolles, my lord calls for you. [Exit]

PAROLLES Little Helen, farewell. If I can remember thee, I will think of thee at court.

HELEN Monsieur Parolles, you were born under a charitable star.

PAROLLES Under Mars, ay.

HELEN I especially think, under Mars.

PAROLLES Why under Mars?

HELEN The wars hath so kept you under that you must needs be born under Mars.

PAROLLES When he was predominant.

HELEN When he was retrograde, I think rather.

PAROLLES Why think you so?

HELEN You go so much backward when you fight.

PAROLLES That's for advantage.

HELEN So is running away, when fear proposes the safety. But the composition that your valour and fear makes in you is a virtue of a good wing, and I like the wear well.

PAROLLES I am so full of businesses, I cannot answer thee acutely. I will return perfect courtier in the which, my instruction shall serve to naturalize thee, so thou wilt

be capable of a courtier's counsel and understand what advice shall thrust upon thee. Else thou diest in thine unthankfulness, and thine ignorance makes thee away. Farewell. When thou hast leisure, say thy prayers. When thou hast none, remember thy friends. Get thee a good husband, and use him as he uses thee. So, farewell. [Exit]

HELEN Our remedies oft in ourselves do lie,

Which we ascribe to heaven. The fated sky

Gives us free scope, only doth backward pull

Our slow designs when we ourselves are dull.

What power is it which mounts my love so high,

That makes me see, and cannot feed mine eye?

The mightiest space in fortune nature brings

To join like likes and kiss like native things.

Impossible be strange attempts to those

That weigh their pains in sense and do suppose

What hath been cannot be. Who ever strove

To show her merit that did miss her love?

The king's disease - my project may deceive me,

But my intents are fixed and will not leave me.

Exit

[Act 1 Scene 2] running scene 2

Flourish cornets. Enter the King of France, with letters, and divers Attendants

KING The Florentines and Senoys are by th'ears,

Have fought with equal fortune and continue

A braving war.

FIRST LORD So 'tis reported, sir.

KING Nay, 'tis most credible. We here receive it

A certainty, vouched from our cousin Austria,

With caution that the Florentine will move us

For speedy aid, wherein our dearest friend

Prejudicates the business and would seem

To have us make denial.

FIRST LORD His love and wisdom,

Approved so to your majesty, may plead

For amplest credence.

KING He hath armed our answer,

And Florence is denied before he comes:

Yet, for our gentlemen that mean to see

The Tuscan service, freely have they leave

To stand on either part.

SECOND LORD It well may serve

A nursery to our gentry, who are sick

For breathing and exploit.

KING What's he comes here?

Enter Bertram, Lafew and Parolles

FIRST LORD It is the Count Rossillion, my good lord,

Young Bertram.

KING Youth, thou bear'st thy father's face. To Bertram

Frank nature, rather curious than in haste,

Hath well composed thee. Thy father's moral parts

Mayst thou inherit too! Welcome to Paris.

BERTRAM My thanks and duty are your majesty's.

KING I would I had that corporal soundness now,

As when thy father and myself in friendship

First tried our soldiership. He did look far

Into the service of the time and was

Discipled of the bravest. He lasted long,

But on us both did haggish age steal on

And wore us out of act. It much repairs me

To talk of your good father; in his youth

He had the wit which I can well observe

Today in our young lords. But they may jest

Till their own scorn return to them unnoted

Ere they can hide their levity in honour.

So like a courtier, contempt nor bitterness

Were in his pride or sharpness; if they were,

His equal had awaked them, and his honour,

Clock to itself, knew the true minute when

Exception bid him speak, and at this time

His tongue obeyed his hand. Who were below him

He used as creatures of another place

And bowed his eminent top to their low ranks,

Making them proud of his humility,

In their poor praise he humbled. Such a man

Might be a copy to these younger times;

Which, followed well, would demonstrate them now

But goers backward.

BERTRAM His good remembrance, sir,

Lies richer in your thoughts than on his tomb,

So in approof lives not his epitaph

As in your royal speech.

KING Would I were with him! He would always say -

Methinks I hear him now. His plausive words

He scattered not in ears, but grafted them,

To grow there and to bear - 'Let me not live' -

This his good melancholy oft began

On the catastrophe and heel of pastime,

When it was out - 'Let me not live,' quoth he,

'After my flame lacks oil, to be the snuff

Of younger spirits, whose apprehensive senses

All but new things disdain; whose judgements are

Mere fathers of their garments, whose constancies

Expire before their fashions.' This he wished.

I, after him, do after him wish too,

Since I nor wax nor honey can bring home,

I quickly were dissolvèd from my hive

To give some labourers room.

SECOND LORD You're loved, sir.

They that least lend it you shall lack you first.

KING I fill a place, I know't. How long is't, count,

Since the physician at your father's died?

He was much famed.

BERTRAM Some six months since, my lord.

KING If he were living, I would try him yet.

Lend me an arm: the rest have worn me out

With several applications. Nature and sickness

Debate it at their leisure. Welcome, count.

My son's no dearer.

BERTRAM Thank your majesty. Exeunt. Flourish

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