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| Lifehouse | Primary Artist |
| Jude Cole | Acoustic Guitar, Bass, Guitar, Keyboards, Background Vocals, Vocal Harmony |
| Peter Frampton | Guitar, Vocals, Soloist |
| Michael Gurley | Vocal Harmony |
| Greg Leisz | Pedal Steel Guitar |
| Patrick Leonard | Synthesizer, Piano, fender rhodes, Hammond B3 |
| Jenny Takamatsu | Violin |
| Charles Jones | Piano, Vocals, Vocal Harmony, Hammond B3 |
| Jason Wade | Synthesizer, Banjo, Bass, Guitar, Percussion, Sitar, Vocals, fender rhodes, Wurlitzer, Hammond B3 |
| Rick Woolstenhulme | Drums |
| Bryce Soderberg | Bass, Piano, Electric Bass, Cello, Background Vocals, Synthesizer Bass, String Bass |
| Songa Lee | Violin |
| Natasha Bedingfield | Vocals |
| Caroline Buckman | Viola |
| Vanessa Freebairn-Smith | Cello |
| Ben Carey | Guitar |
| Mitch Lerner | Piano |
| Rick Woolstenhulme Jr. | Percussion, Drums |
| Chris Murguia | Synthesizer, Piano, Background Vocals, Wurlitzer |
| Jude Cole | Producer, String Arrangements |
| Lifehouse | Producer |
| Bernie Grundman | Mastering |
| Florian Ammon | Programming, Engineer |
| Liam Ward | Layout |
| Les Scurry | Producer |
| Charles Jones | Vocal Samples |
| Bryce Soderberg | Programming |
| Tavis Coburn | Illustrations |
| Fiona Dearing | Marketing |
| Mitch Lerner | Engineer |
| Chris Murguia | Programming, Engineer |
| Mike Campau | Digital Art |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Working once again with producer Jude Cole, Lifehouse finally achieve a semblance of maturity on 2012's Almería, the band's sixth album. The difference is this: the band is settling into its maturity, no longer feeling the need to create muscular, mordant modern rock anthems. Here, the group embraces a wider sonic palette, a shift that's immediate from the dense tapestry of the opening "Gotta Be Tonight." Elsewhere, Natasha Bedingfield and Peter Frampton stop by for cameos, lending color to Lifehouse's sometimes dour rockers. On the whole, Lifehouse have gotten lighter with age. They no longer are determined to plumb the depths of their soul; they're happy to ...