Almost Paradise

( 14 )

Overview

Fate can be benevolent.
Or incredibly cruel.
That's what Nick and Jane will learn...

Just take their relationship. Nick is stunningly handsome, the blue-eyed scion of a blue-blood New York family. Rich, talented, confident, he will become the world's most famous movie star. Jane is delightfully funny, a dark-skinned, dark-haired, ...

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Almost Paradise

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Overview

Fate can be benevolent.
Or incredibly cruel.
That's what Nick and Jane will learn...

Just take their relationship. Nick is stunningly handsome, the blue-eyed scion of a blue-blood New York family. Rich, talented, confident, he will become the world's most famous movie star. Jane is delightfully funny, a dark-skinned, dark-haired, half-Jewish, half-German daughter of the Midwest. Smart, gifted, loving, she will become famous in her own right as well...

From the time they first meet in their Social and Intellectual History of the U.S. course at Brown University, it's love at first sight. Coming together from two very different worlds, they will cast off adversity and disapproval to forge a life filled with work, love, and children.

But fame and success come at a high price—their marriage. Just when it seems the promise of their love might be renewed, an accident leaves Jane hovering between life and death. Now, it's not only their union that might not survive, but Jane too...Almost Paradise is vintage Susan Isaacs, a witty, poignant, and engrossing tale of a man, a woman, and a passion wondrous, heartbreaking, and unforgettable.

Nicholas and Jane come from two different worlds to forge a life together. Share their good and bad times, as they rise from poverty in Hell's Kitchen to wealth on Fifth Avenue and Connecticut.

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Product Details

  • ISBN-13: 9780061014659
  • Publisher: HarperCollins Publishers
  • Publication date: 10/28/2000
  • Format: Mass Market Paperback
  • Edition description: Reissue
  • Pages: 688
  • Sales rank: 369,394
  • Product dimensions: 4.18 (w) x 6.75 (h) x 1.37 (d)

Meet the Author

Susan Isaacs

Susan Isaacs is the bestselling author of eleven novels, two screenplays, and one work of nonfiction. She lives on Long Island.

Biography

Susan Isaacs, novelist, essayist and screenwriter, was born in Brooklyn and educated at Queens College. After leaving school, she worked as an editorial assistant at Seventeen magazine. In 1968, Susan married Elkan Abramowitz, a then a federal prosecutor. She became a senior editor at Seventeen but left in 1970 to stay home with her newborn son, Andrew. Three years later, she gave birth to a daughter, Elizabeth. During this time she freelanced, writing political speeches as well as magazine articles. Elkan became a criminal defense lawyer.

In the mid-seventies, Susan got the urge to write a novel. A year later she began working on what was to become Compromising Positions, a whodunit set on suburban Long Island. It was published in 1978 by Times Books and was chosen a main selection of the Book-of-the-Month Club. Her second novel, Close Relations, a love story set against a background of ethnic, sexual and New York Democratic politics (thus a comedy), was published in 1980 by Lippincott and Crowell and was a selection of the Literary Guild. Her third, Almost Paradise, was published by Harper & Row in 1984, and was a Literary Guild main selection; in this work Susan used the saga form to show how the people are molded not only by their histories, but also by family fictions that supplant truth. All of Susan's novels have been New York Times bestsellers. Her fiction has been translated into thirty languages.

In 1985, she wrote the screenplay for Paramount's Compromising Positions, which starred Susan Sarandon and Raul Julia. She also wrote and co-produced Touchstone Pictures' Hello Again. The 1987 comedy starred Shelley Long and Judith Ivey.

Her fourth novel, Shining Through, set during World War II, was published by Harper & Row in 1988. Twentieth-Century Fox's film adaptation starred Michael Douglas and Melanie Griffith. Her fifth book, Magic Hour, a coming-of-middle-age novel as well as a mystery, was published in January 1991. After All These Years was published in 1993; critics lauded it for its strong and witty protagonist. Lily White came out in 1996 and Red, White and Blue in 1998. All the novels were published by HarperCollins and were main selections of the Literary Guild. In 1999, Susan's first work of nonfiction, Brave Dames and Wimpettes: What Women Are Really Doing on Page and Screen, was published by Ballantine's Library of Contemporary Thought. During 2000, she wrote a series of columns on the presidential campaign for Newsday. Long Time No See, a Book of the Month Club main selection, was published in September 2001; it was a sequel to Compromising Positions. Susan's tenth novel is Any Place I Hang My Hat (2004).

Susan Isaacs is a recipient of the Writers for Writers Award and the John Steinbeck Award. She serves as chairman of the board of Poets & Writers and is a past president of Mystery Writers of America. She is also a member of the National Book Critics Circle, The Creative Coalition, PEN, the American Society of Journalists and Authors, the International Association of Crime Writers, and the Adams Round Table. She sits on the boards of the Queens College Foundation, the Walt Whitman Birthplace Association, the North Shore Child and Family Guidance Association, the Nassau County Coalition Against Domestic Violence and is an active member of her synagogue. She has worked to gather support for the National Endowment of the Arts' Literature Program and has been involved in several anti-censorship campaigns. In addition to writing books, essays and films, Susan has reviewed books for The New York Times, The Los Angeles Times, The Washington Post and Newsday and written about politics, film and First Amendment issues. She lives on Long Island with her husband.

Biography courtesy of the author's official web site.

Good To Know

Some outtakes from our interview with Isaacs:

"My first job was wrapping shoes in a shoe store in the low-rent district of Fifth Avenue and saying ‘Thank you!' with a cheery smile. I got canned within three days for not wrapping fast enough, although I suspect that often my vague, future-novelist stare into space while thinking about sex or lunch did not give me a smile that would ring the bell on the shoe store's cheer-o-meter."

"I constantly have to fight against the New York Effect, an overwhelming urge to wear black clothes so everyone will think, Egad, isn't she chic and understated! I'm not, by nature, a black-wearing person. (I'm not, by nature, a chic person either.) I like primary colors as well as bright purple, loud chartreuse, and shocking pink. And that's just my shoes."

"I'm not a great fan of writing classes. Yes, they do help people sometimes, especially with making them write regularly. But the aspiring writer can be a delicate creature, sensitive or even oversensitive to criticism. I was that way: I still am. The problem begins with most people's natural desire to please. In a classroom situation, especially one in which the work will be read aloud or critiqued in class, the urge to write something likable or merely critic-proof can dam up your natural talent. Also, it keeps you from developing the only thing you have is a writer -- your own voice. Finally, you don't know the people in a class well enough to figure out where their criticism is coming from. A great knowledge of literature? Veiled hostility? The talent is too precious a commodity to risk handing it over to strangers."

"Writing is sometimes an art, and it certainly is a craft. But it's also a job. I go to work five or six days a week (depending how far along I am with my work-in-progress). Like most other people, there are days I would rather be lying in a hammock reading or going to a movie with a friend. But whether you're an artist or an accountant, you still have to show up at work. Otherwise, it is unlikely to get done."

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    1. Hometown:
      Sands Point, New York
    1. Date of Birth:
      December 7, 1943
    2. Place of Birth:
      Brooklyn, New York
    1. Education:
      Honorary Doctorate, Queens College
    2. Website:

Read an Excerpt

Almost ParadiseChapter One

We've just received a dispatch from Reuters saying Jane Cobleigh was hit by a car while crossing a street just outside London. Her husband, famed actor Nicholas Cobleigh, has refused to talk with reporters and is . . .
—Excerpt from NBC News Update

Jane Cobleigh's mother would have loved the chance to talk to reporters. She would have opened her blouse an extra two buttons' worth, slid a wet tongue over her lips, and ambled out and murmured "Hi, boys." Of course, that would have been during her show business days, before she became a housewife, mother, churchgoer, canner of vegetables. Before she became Mrs. Richard Heissenhuber.

In her show business days she was Sally Tompkins, chorus girl. She was an actress, too. In 1926, in the comedy skit Belle of Broadway, she had six lines that ended with "Well, Mr. Prescott, you can take that and that," with each that swinging her chest from one side to the other. Then she would stomp off, stage left, and there would always be whistles and applause. The director, Mr. Norton, observed she had great comic talent, although he'd be the first to recognize her range was probably broader. But, he whispered later, if you got a pair of jugs like this, no one's gonna let you play Lady Macbeth. And a few nights after that he told her that Sally Tompkins wasn't a good name for her type. It was too girl-next-door and she was definitely an exotic. Since she was half Spanish'right?'why didn't she use something like Lola Torrez or'let's see, one of those one-name names, Bonita or Caramba. But she told him, what could she do?

Sally Tompkins was herreal name.

It wasn't. Her real name was Sarah Taubman, and she was born a bastard in 1906 on the Lower East Side of New York.

Her mother, Jane's grandmother, Rivka Taubman, was a fat, dreamy girl of fourteen, so nearsighted she could neither baste nor finish the women's shirtwaists her parents worked on; she was only able to sew buttons. She would hold the fabric close to her eyes and stitch on button after button. What looked like freckles on her nose were tiny scabs where the needle pricked.

One April night when the wet winter chill finally left the air and it was too dark to sew, Rivka left the two-room apartment and clomped down five flights of stairs. She sat on the stoop, breathing clean spring air that was free of the indoor smell of boiled onions, smiling a gentle smile. Her pale round face was haloed by curly black hair. And who should come along and sit next to her but a boy from around the corner, a snappy dresser, Yussel'Joseph'Weinberg. He was sixteen years old and tall like a regular American, a baseball player or policeman. He put his face up to hers, and she could see he was darkly handsome.

"Hello, there, good-looking," he said. His English was perfect. So they talked a little and she saw him a couple of days after that and then a few times more. One evening he said "Come with me" and she did. They went into the hall of the building next door. He led her behind the stairs. She said "I can't see," and he told her to shush. Then he kissed her, and before she could say no he was touching her all over. She knew it wasn't such a good idea, but he got angry when she pushed his hand away. So she let him. When she got back upstairs her mother yelled because she'd forgotten to bring the piece-work to Mr. Marcus. "Stupid!" her mother screamed. "Blind and stupid!" At thirty-four, her mother had no teeth.

So she would meet Yussel in the dank shadows behind the stairs where sometimes people threw their garbage, and she prayed the rats wouldn't climb up her skirt. They didn't; Yussel did. He lifted her skirt and pulled down her drawers and stuck it into her every single night. Of course, she became pregnant.

Her mother knew it before she did. Her father beat her and almost choked her and her mother dragged her to a lady on Rivington Street with four long hairs growing out of her chin who made her drink something that was warm and smelled like urine. Still, the baby would not go away. Then they beat her with a hem marker until she told them Yussel's name. But by that time she hadn't shown up behind the stairs for two nights and Yussel'no stupnagel'must have known the jig was up. He ran away from home and got a job taking tickets at the Belzer movie house on Twenty-eighth Street, but then he had to skip town because within three months he had impregnated Pearl Belzer, the boss's daughter.

Two weeks before her fifteenth birthday, Rivka Taubman gave birth on her mother's kitchen table. The baby wasn't born dead the way its grandparents had prayed. It was a beautiful, sturdy girl, and Rivka named her Sarah.

But her parents wouldn't let Rivka keep the baby. Her mother had heard about the Rose Stern Hoffman Home where they took Jewish babies and gave them away for adoption, so when the little girl was a week old, Rivka's father wrapped Sarah in a fabric remnant, smacked Rivka across the jaw to stop her screaming, and went all the way to the Upper West Side. A sign nailed to the door explained the Rose Stern Hoffman Home was closed until February fifteenth for refurbishment, but he couldn't read English so he brought the baby back with him.

Unlike her mother, Sarah grew up with keen vision and a quick mind. Although the child couldn't put it into words, by age six she recognized that there were two types of people who dwell in the slums: those with hope and those, like her family, without. She visited other girls' apartments and saw parents cuddling children, pinching cheeks, stuffing little mouths with too many sweets, thrusting books into pudgy little hands. These parents knew their children's lives would be better than their own. Her family had no such ambition, Sarah was their shame. All hope had died at her conception.

Almost Paradise. Copyright © by Susan Isaacs. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Customer Reviews

Average Rating 4.5
( 14 )
Rating Distribution

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(8)

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Sort by: Showing all of 14 Customer Reviews
  • Anonymous

    Posted January 11, 2013

    Excellent / high recommended

    Interesting book about a woman's love for her husband, regardless of how she is treated.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 8, 2001

    'Almost' Paradise... and I stress the 'almost'

    I thoroughly enjoyed the book. It was wonderfully well written, engaging, very hard to put down. However, I should have taken the title more literally. Indeed, Nicholas and Jane were rich, full characters who achieved 'almost paradise'. But, I have to give it less than the 5 stars it could have gotten because of the ending. It left me feeling hopeless, cheated, angry. Up until the last 10 sentences of the book... the writer had me. Then pfffft... gone, in an instant.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 28, 2011

    Loved this book

    Bought it years ago and have re-read it at least 5 times. Well written, funny and so interesting. A really great read!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 27, 2005

    absolutly wonderful

    it it definetly my favorite novel. it's captivating, stunning. i was hooked from the very first page. Susan isaac has succedded in relating a down to earth story which tells about life, love and much other things. i hotly recomended it

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  • Anonymous

    Posted February 14, 2005

    My Favoroite Romance Novel

    I've read plenty of romance novels (as they are my favorite genre) and this is, by far, my favorite. Unfortunately, it is hard to find a well-written, realistic romance novel whose characters you can understand and relate to. This book is an exception. I absolutely love this book! The characters are completely believable and human. The overall storyline isn't quite that of the average person's life, however it is one that you can relate to no matter where you come from. The writing is wonderful, with a unique style. The number one reason why I love this book is simply that it's real. If you're tired of corny, predictable, cliche, far-fetched romance novels, try this one and you won't be disappointed.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 29, 2004

    TOTALLY SUPERIOR !!!

    As a reader who has gone through a LOT of fiction over the years and MANY authors -- I would say this is one of the meatiest, real and entralling books I have ever come across. The people are real -- the flow is smooth as silk and its a MUST READ for serious novel readers. Susan is a true professional -- This one was written in the 80's and every bit as good as her later books -- she didn't get better with time -- she started OUT great!! Try at least one of her books and you are hooked!

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  • Anonymous

    Posted February 23, 2001

    The best book I've ever read

    In the past 15 years, I think I've read this book over 20 times. I never get bored with it. This is such a wonderful story, not corny romance, but so real. Ever time I read this book, I fall more in love with Nicholas. This book has everything! It made me uncover so many emotions throughout. I wish there were more books like this.

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  • Anonymous

    Posted November 24, 2000

    One of my favorite books

    I read this book when it was first released in the 80s and loved it. Nicholas and Jane's story is so well-told and touching that, no matter how many times I've read the book, I still feel drawn to them and hope that things will turn out differently than they inevitably do. Buy it -- you won't be disappointed.

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    Posted May 25, 2012

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    Posted September 7, 2010

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    Posted March 12, 2012

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    Posted October 3, 2011

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    Posted April 9, 2011

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    Posted September 1, 2011

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