Almost to Freedom

by Vaunda Micheaux Nelson, Colin Bootman (Illustrator)

Overview

Lindy and her doll, Sally, are best friends—wherever Lindy goes, Sally stays right by her side. She’s with Lindy when she eats, when she sleeps, and even when she picks cotton. So, on the night Lindy and her mama run away in search of freedom, Sally goes too. This young girl's rag doll vividly narrates her enslaved family's courageous escape through the Underground Railroad. At once heart-wrenching and uplifting, this story about friendship and the strength of the human spirit will touch the lives of all readers long after the journey has ended.

Product Details

ISBN-13:	9798765685266
Publisher:	Lerner Publishing Group
Publication date:	08/01/2025
Series:	Carolrhoda Picture Books
Pages:	40
Product dimensions:	8.75(w) x 10.63(h) x (d)
Age Range:	7 - 8 Years

About the Author

Vaunda Micheaux Nelson is the author of The Book Itch, as well as three Coretta Scott King Award-winning books: No Crystal Stair, Bad News for Outlaws, and Almost to Freedom. She is a former youth services librarian in New Mexico. Visit her online at vaundanelson.com.

Colin Bootman is the award-winning illustrator of many books for children, including Young Frederick Douglass, Almost to Freedom, and The Steel Pan Man of Harlem—which he also wrote. He and his books have received numerous awards, including the Coretta Scott King Illustrator Honor, the Schneider Family Book Award, and the Teacher's Choice Award. Born in Trinidad, Mr. Bootman came to the United States at the age of seven and found that art helped him cope with his new environment. Once a young artist himself, Mr. Bootman hopes his art can encourage children to follow their dreams and embrace their passions.

Editorial Reviews

Lindy's beloved rag doll, Sally, tells how Lindy's family escapes on the Underground Railroad to find freedom "in a place called North." The doll's narrative and Bootman's dark, dramatic paintings bring close the child's daily experience: the cruel separation and physical punishment, and then the adventure of running away and hiding. At times it's hard to distinguish Sally from Lindy--why not just let the child tell the story herself? But then there's an anguished twist in the plot: the child and her doll are separated. Lindy gets away, but in the turmoil she leaves her doll behind. When another escaping child finds Sally and hugs her to herself, the story comes full circle. That's a powerful way to express the sorrow of loving families torn apart, and Bootman's stirring portraits, many of them set at night, in rich shades of purple and brown, show that the small rag doll bears witness to historical events of cruelty and courage. Hazel Rochman Copyright © American Library Association. All rights reserved

Booklist

A doll's-eye view of slavery and escape fails to succeed. Miz Rachel fashioned Sally out of cloth for her little girl, Lindy. Doll and girl spend all their time together in the field working, at the meetings where freedom is discussed, and even when Lindy's papa is sold "down the river." Every last familiar plot twist is here: the difficult field work, the cruel overseers, the beating Lindy endures when she is caught writing words in the sand, the harrowing escape, the reunion with Lindy's papa, who has somehow managed to meet his family on a darkened river road, and the kindly white couple who hides the threesome in a cellar. Dark, expressive paintings accompany the narrative, though the brilliantly white headscarves seem oddly misplaced during the nighttime escape. The dialect fluctuates haphazardly from sentence to sentence losing the voice altogether. The unusual choice of a doll as narrator may appeal to some readers. Reread Deborah Hopkinson's Under the Quilt of Night (2001) instead. (author's note, limited glossary) (Picture book. 6-10)

Kirkus Reviews