Alone at Last

Editorial Reviews

All Music Guide - Scott Yanow
Because Gary Burton uses four mallets simultaneously, he has long been able to sound like two or three players at once. This remarkable solo set has three selections in which Burton overdubs vibes with piano, electric piano, and organ, but those are far overshadowed by three unaccompanied vibes showcased from the 1971 Montreux Jazz Festival and a slightly later and very memorable studio rendition of "Chega de Saudade No More Blues." The latter is one of the high points of Gary Burton's career. Wondrous music.
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Editorial Reviews

All Music Guide - Scott Yanow
Because Gary Burton uses four mallets simultaneously, he has long been able to sound like two or three players at once. This remarkable solo set has three selections in which Burton overdubs vibes with piano, electric piano, and organ, but those are far overshadowed by three unaccompanied vibes showcased from the 1971 Montreux Jazz Festival and a slightly later and very memorable studio rendition of "Chega de Saudade No More Blues." The latter is one of the high points of Gary Burton's career. Wondrous music.
Read More Show Less

Product Details

  • Release Date: 2/23/1999
  • Label: 32. Jazz Records
  • UPC: 604123211529
  • Catalog Number: 32115

Album Credits

Performance Credits
Gary Burton Primary Artist, Organ, Piano, Electric Piano, Vocals, Vibes
Technical Credits
Vinícius de Moraes Composer
Joel Dorn Producer
Ahmet Ertegun Liner Notes
Lewis Hahn Engineer
Antonio Carlos Jobim Composer
Bob Liftin Remixing
Gene Paul Remixing, Mastering
Jean Ristori Mastering
Stephan Sulke Engineer
Michael Weiner Liner Notes
Claude Nobs Liner Notes, Re-Release Coordinator
Page Simon Graphic Design
Pascal Bussy Liner Notes
Thierry Amsallem Re-Release Coordinator
Andree Buchler Re-Release Coordinator
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