Alternative Scriptwriting: Rewriting the Hollywood Formula / Edition 4

Paperback (Print)
Buy New
Buy New from BN.com
$28.03
Used and New from Other Sellers
Used and New from Other Sellers
from $22.06
Usually ships in 1-2 business days
(Save 38%)
Other sellers (Paperback)
  • All (6) from $22.06   
  • New (3) from $30.19   
  • Used (3) from $22.06   

Overview

Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why.

Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights.

Audience: Beginning and professional filmmakers/writers; students of screenwriting, especially in graduate courses.

Read More Show Less

Editorial Reviews

From the Publisher
Praise for the fifth edition:
"Screenwriting is about making choices. What Dancyger and Rush reveal so effectively in Alternative Screenwriting is just how many options are possible, how the various available choices work and how different decisions will impact screen storytelling. This book substantially broadens every screenwriters' -creative horizons."
-David Howard, USC screenwriting professor and author of The Tools of Screenwriting and How to Build a Great Screenplay."


"Alternative Scriptwriting is invaluable to anyone interested in screenwriting or in directing fiction. Using plain language it demystifies storytelling for the screen, and opens up myriad possibilities for using the cinema with invention, freshness, and imagination." - Michael Rabiger, Professor Emeritus, Film/Video Department, Columbia College Chicago.


"Just as Aristotle's "Poetics” and André Bazin's "What is Cinema” are an inseparable part of a Screenwriting reading list, Ken Dancyger and Jeff Rush's "Alternative Scriptwriting” is an absolute must read for a deeper understanding of the structure of Screenwriting. -Dr. John Bernstein, Director, Graduate Program in Screenwriting, Department of Film and Television, Boston University

"Alternative Scriptwriting," by Ken Dancyger and Jeff Rush, is one of the few books on the subject that doesn't make you feel stupid while you're reading it.
Instead of the usual boring list of "tricks of the trade" that replaces a real table of content in so many "How To Write A Screenplay And Sell It For A Lot Of Money To An Even Bigger Lot Of Talentless Hopeful People" Dancyger & Rush offer real insight for those who take their screenwriting seriously and are not afraid to venture a little bit "beyond the rules". Both as a filmmaker and as a teacher I have found this volume very precious because what the authors do best is mix American craftsmanship with European sensibility.
An excellent cocktail, if you ask me. And you did."
-Marc Didden - Head Of Screenwriting at St. Lukas Hogeschool, Brussels , Writer/Director ( "Brussels By Night", "Istanbul", "Sailors Don't Cry" )


Praise for the third edition:
"An insightful alternative to mainstream narrative and character analysis that presents the reader with a clear dissection of the mainstream before revealing the alternatives."
— Script Factory

"[Alternative Scriptwriting] aims to challenge its readers to create writing that is exceptional. While no book can possibly replace your own creative vision, as a resource it's thorough and is a good way to help yourself consider alternative ideas."
— Plugin Cinema
Booknews
Surpasses the conventional three-act structure to explore more inventive and creative approaches to writing screenplays, challenging readers to take risks with genre, tone, character, and structure. Includes examples, case studies, and exercises. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Read More Show Less

Product Details

  • ISBN-13: 9780240808499
  • Publisher: Taylor & Francis
  • Publication date: 9/12/2006
  • Edition number: 4
  • Pages: 424
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.86 (d)

Meet the Author

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.
Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books.
Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.
Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books.

Read More Show Less

Table of Contents

Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching the Limits of Character Identification; Main and Secondary Characters; Subtext, Action and Character; The Primacy of Character Over Action; The Subtleties and Implications of Screenplay Form; Character, History and Politics; Tone; Dramatic Voice/Narrative Voice; Digital Features; Writing the Narrative Voice; Rewriting; Adaptations from Contemporary Literature; Personal Scriptwriting: The Edge; Beyond the Edge;

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)