Alwyn: Piano Concertos Nos. 1 & 2

Editorial Reviews

All Music Guide - Patsy Morita
The examples of William Alwyn's music on this recording are much closer to late Romantic music than more modern music, even though their composition dates range from 1930 to 1967. Each of the two piano concertos and the "Derby Day Overture" cover a wide range of feelings with dramatic contrasts. That, combined with the flashy piano writing of the "Concerto No. 2," the fully tonal harmony, and rich orchestral colors, makes them instantly appealing to most audiences. Pianist Peter Donohoe, conductor James Judd, and the Bournemouth Symphony Orchestra play them all full out, with sweeping passion, dreamy calmness, and theatrical tension by turns. Because the music is easily ...
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Editorial Reviews

All Music Guide - Patsy Morita
The examples of William Alwyn's music on this recording are much closer to late Romantic music than more modern music, even though their composition dates range from 1930 to 1967. Each of the two piano concertos and the "Derby Day Overture" cover a wide range of feelings with dramatic contrasts. That, combined with the flashy piano writing of the "Concerto No. 2," the fully tonal harmony, and rich orchestral colors, makes them instantly appealing to most audiences. Pianist Peter Donohoe, conductor James Judd, and the Bournemouth Symphony Orchestra play them all full out, with sweeping passion, dreamy calmness, and theatrical tension by turns. Because the music is easily accessible to any listener, there is the tendency to write it off as being too simplistic and derivative for its time. However, below the surface there is more going on in these pieces. Most notably, especially in the "Piano Concerto No. 1" and the Overture, Alwyn is able to create those widely varying moods and use widely varying instrumental colors with an incredible degree of thematic unity. Also in the Overture, Alwyn applies serial techniques within a diatonic framework. The liveliness and excitement of the piece disguise its more cerebral underpinnings. The "Sonata alla toccata," too, has a more traditional structure and is less far-reaching in emotion than the other works here. Rather than being more restrained, however, its stricter organization and constant motion seem to allow Donohoe to take an extra measure of enjoyment and delight in playing it. He and Judd let the formal procedures underlying Alwyn's music support its bravura sentiments.
Gramophone - Andrew Achenbach
Yet another Naxos winner.
Time Out New York - Stephen Francis Vasta
[Donohoe] brings plenty of shape and character to Alwyn's fluid, linear figurations, and commands the power required for occasional outbursts.
Classic FM Magazine - Julian Haylock
Expertly produced and engineered, this is a disc that seduces the listener simply by the sound it makes.... In this, his centenary year, William Alwyn could scarcely have wished for a more exultant tribute.

[Donohoe] brings plenty of shape and character to Alwyn's fluid, linear figurations, and commands the power required for occasional outbursts.
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Product Details

  • Release Date: 7/19/2005
  • Label: Naxos
  • UPC: 747313259021
  • Catalog Number: 8557590
  • Sales rank: 372,057

Tracks

Disc 1
  1. 1–4 Piano Concerto No. 1 - William Alwyn & Peter Donohoe (14:41)
  2. 2 Derby Day Overture for orchestra - William Alwyn & James Judd (6:09)
  3. 6–8 Piano Concerto No. 2 - William Alwyn & Peter Donohoe (28:39)
  4. 9–11 Sonata alla toccata, for piano - Peter Donohoe & William Alwyn (10:00)
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Album Credits

Performance Credits
Peter Donohoe Primary Artist
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