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| Yungchen Lhamo | Primary Artist, Vocals |
| Annie Lennox | Vocals |
| Joy Askew | Vocals |
| Anders Bostrom | Bamboo Flute |
| Tsering Phuntsiok | Lute, Piwang |
| Jamshied Sharifi | Synthesizer, Guitar, E-bow |
| Marc Shulman | Electric Guitar, Guitar (Nylon String) |
| Skúli Sverrisson | Bass, Steel Guitar, national steel guitar |
| Rufus Cappadocia | Cello |
| Eyvind Kang | Viola |
| Mamadou Diabate | Kora |
| Arve Henriksen | Trumpet |
| Megan Weeder | Violin |
| Sonam Chujur | Background Vocals, Chant |
| Sonam Wangdu | Background Vocals, Chant |
| Benjamin Wittman | Percussion |
| Soman Chujur | Background Vocals, Chant |
| Scott Noll | Engineer |
| Jamshied Sharifi | Arranger, Producer, Engineer |
| Mike Stevens | Engineer |
| Yungchen Lhamo | Composer, Liner Notes |
| Andy VanDette | Mastering |
| Peter Törnkvist | Engineer |
| Peter Torquist | Engineer |
| Thupten Tsering | Paintings |
Editorial Reviews
All Music Guide - Chris Nickson
Yungchen Lhamo's third album finds the Tibetan songstress in firm control of her own destiny. She's a singer who works best in the abstract, unshackled by bass or rhythms, where her voice can soar freely, as it does on the glorious "Someday." It's curious that by comparison, "Fade Away," a fairly adventurous piece for most singers, comes across as relatively mundane and far too grounded in the everyday (even the lovely tones of Annie Lennox don't send it to the stratosphere, although it's one of her best performances in years). It's an album of surprises, like "9/11," which is elegiac and achingly sad, Lhamo's art at its most sublime. This is an album that's been a long ...