The Amber Spyglass (His Dark Materials Series #3)
The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping end, marking the final volume of His Dark Materials as the most powerful of the trilogy.

Along with the return of Lyra and other familiar characters from the first two books come a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel. So too come startling revelations: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live—and who will die—for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that—in its shocking outcome—will uncover the secret of Dust.

Philip Pullman deftly brings the cliffhangers and mysteries of His Dark Materials to an earth-shattering conclusion and confirms his fantasy trilogy as an undoubted and enduring classic.

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The Amber Spyglass (His Dark Materials Series #3)
The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping end, marking the final volume of His Dark Materials as the most powerful of the trilogy.

Along with the return of Lyra and other familiar characters from the first two books come a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel. So too come startling revelations: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live—and who will die—for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that—in its shocking outcome—will uncover the secret of Dust.

Philip Pullman deftly brings the cliffhangers and mysteries of His Dark Materials to an earth-shattering conclusion and confirms his fantasy trilogy as an undoubted and enduring classic.

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The Amber Spyglass (His Dark Materials Series #3)

The Amber Spyglass (His Dark Materials Series #3)

by Philip Pullman
The Amber Spyglass (His Dark Materials Series #3)

The Amber Spyglass (His Dark Materials Series #3)

by Philip Pullman

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Overview

Notes From Your Bookseller

The danger is mounting as Lyra and Will defy all odds in their quest to save the world. This triumphant conclusion to the timeless series is a certified thrill ride.

The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping end, marking the final volume of His Dark Materials as the most powerful of the trilogy.

Along with the return of Lyra and other familiar characters from the first two books come a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel. So too come startling revelations: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live—and who will die—for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that—in its shocking outcome—will uncover the secret of Dust.

Philip Pullman deftly brings the cliffhangers and mysteries of His Dark Materials to an earth-shattering conclusion and confirms his fantasy trilogy as an undoubted and enduring classic.


Product Details

ISBN-13: 9780440418566
Publisher: Random House Children's Books
Publication date: 05/27/2003
Series: His Dark Materials Series
Edition description: Reprint
Pages: 560
Product dimensions: 5.25(w) x 7.56(h) x 1.26(d)
Lexile: 950L (what's this?)
Age Range: 12 - 17 Years

About the Author

About The Author
Philip Pullman was born in Norwich, England and was brought up in Rhodesia, Australia, London and Wales. Philip graduated from Oxford University in 1973 with a degree in English, and has taught middle school at Westminter College. He is the author of many highly-acclaimed books for young readers, from contemporary fiction to Victorian thrillers, and has written plays and picture books for readers of all ages. Philip's most recent work, The Amber Spyglass, has won numerous awards, including the Parent's Choice Gold Book Award, and a Booklist Editors' Choice.

Philip currently lives in Oxford with his wife, Judith, and children.

Hometown:

Oxford, England

Date of Birth:

October 19, 1946

Place of Birth:

Norwich, England

Education:

Exeter College, Oxford University

Read an Excerpt

The Break

Ama climbed the path to the cave, as she'd done for many days now, bread and milk in the bag on her back, a heavy puzzlement in her heart. How in the world could she ever manage to reach the sleeping girl? Would the woman never leave the cave for more than a few minutes?

Ama came to the rock where the woman had told her to leave the food since she wasn't allowed in the cave anymore. She put down the bag, but she didn't go straight home; she climbed a little farther, up past the cave and through the thick rhododendrons, and farther up still to where the trees thinned out and the rainbows began.

This part of the valley was where the streams and cascades ran most confusingly: shafts of green-white water would sink into potholes and emerge a little lower down, or gush upward in splintered fountains, or divide into myriad streamlets, or swirl round and round trapped in a whirlpool. When the world was frozen, spears and shelves and columns of glassy ice grew over every surface, and under it all, the water could still be heard gushing and tinkling, and spray still escaped to the air for the rainbows to form.

Ama and her dæmon climbed up over the rock shelves and around the little cataracts, past the whirlpools and through the spectrum-tinted spray, until her hair and her eyelids and his squirrel fur were beaded all over with a million tiny pearls of moisture. The game was to get to the top without wiping your eyes, despite the temptation, and the sunlight sparkled and fractured into red, yellow, green, blue, and every color between right in front of Ama's eyes, but she mustn't wipe her hand across to see better until she got right to the top, or the game would be lost.

Kulang, her dæmon, sprang to a rock near the top of the little waterfall, and she knew he would turn at once to watch and make sure she didn't brush the moisture off her eyelashes -- except that he didn't.

Instead he clung there, gazing forward.

Ama wiped her eyes, because the game was canceled by the surprise her dæmon was feeling. As she pulled herself up to look over the edge, she gasped and fell still, because she had never seen a creature like this one: a bear, but four times the size of the black bears in the forest, and ivory white, with a black nose and black eyes that glared down from the top of the waterfall, only an arm's length away from her.

"Who's that?" said the voice of a boy, and while Ama couldn't understand the words, she caught the sense easily enough.

After a moment the boy appeared next to the bear: fierce-looking, with frowning eyes and a jutting jaw. And was that a dæmon beside him, bird-shaped? It was unlike any dæmon she'd seen before, but there was nothing else it could be. It flew to Kulang and chirruped briefly: Friends. We shan't hurt you.

The great white bear had not moved at all.

"Come up," said the boy, and again her dæmon made sense of it for her. Watching the bear with superstitious awe, she scrambled up to the top of the little waterfall and stood shyly on the rocks beside them. Kulang became a butterfly and settled for a moment on her cheek, but left it to flutter around the other dæmon, who sat still on the boy's hand.

"Will," he said, pointing to himself.

She responded, "Ama."

Each said the other's name, and very soon she grew less nervous, though Ama remained frightened of the boy almost more than of the bear: he had a horrible wound: two of his fingers were missing. She felt dizzy when she saw it.

The bear turned away and trod along the milky stream, occasionally lying down as if to cool himself in the water, which was so close to his own color. The boy's dæmon took to the air and darted and fluttered with Kulang among the rainbows, and slowly they began to understand each other.

And what should the boy be looking for but a cave, with a girl asleep?

The words tumbled out of her in response. "I know! I know where it is! And she's been kept asleep by a woman who says she is her mother, but no mother would be so cruel, would she? She makes her drink something to keep her asleep, but I have some herbs to make her wake up, if only I could get to her!"

She spoke so quickly that Will could only shrug and spread his hands. It took the dæmons a minute or more of talking before the understanding came into Will's mind.

"Iorek," he called, and the bear lumbered along the bed of the stream, licking his chops, for he had just swallowed a fish. "Iorek," Will said, "I think this girl is saying she knows where Lyra is. What I'll do is go with her to have a look, while you stay here and watch."

Iorek Byrnison said nothing, but stood foursquare in the stream as Will concealed his rucksack behind a rock and buckled on the knife before clambering down through the rainbows with Ama. Will had to brush his eyes frequently and peer through the dazzle to see where it was safe to put his feet, and the mist that filled the air was icy. No wonder Iorek was enjoying the water; Will could only imagine how much he had suffered from the heat of the journey.

When they reached the foot of the falls, Will settled the knife more comfortably at his waist and wiped the moisture out of his eyes once more. Ama indicated that they should go carefully and make no noise, and they walked in single file down the slope, between mossy rocks and great gnarled pine trunks where the dappled light danced intensely green and a billion tiny insects scraped and sang. Down, and farther down, and still the sunlight followed them, deep into the valley, while overhead the branches tossed unceasingly in a bright sky.

Then Ama halted. Will drew himself behind the massive bole of a cedar, and looked where she was pointing.

Through a tangle of leaves and branches he saw the side of a cliff rising up to the right, and partway up-

"Mrs Coulter," he whispered, and his heart was beating fast.

It was just a brief movement, but he waited a moment, and then he saw her fully. She came out from behind a buttress in the rock and made a gesture as if she were throwing ashes or dust away, and then she reached forward and shook out a thick-leaved branch. Had she been sweeping the floor with it? Her hair was bound round with a scarf and her sleeves were rolled up. Will could never have imagined her looking so domestic.

But there was a flash of gold, and that vicious monkey appeared, leaping up to the woman's shoulder. Together, as if they suspected something, they looked all around, and suddenly Mrs Coulter did not look domestic at all.

Ama was whispering urgently, and Will understood. She was afraid of the golden monkey, because he was so greedy and cruel; he liked to catch bats in the cave and tear their wings off while they were alive; and Ama wouldn't go near the cave when the woman was there - but she never left! What could they do?

"Does she have anyone else with her? No soldiers, or anything like that?" he said.

But Ama didn't know. She had never seen soldiers, but people did talk about strange and frightening men, or they might be ghosts, seen on the mountainsides at night…But there had always been ghosts in the mountains, everyone knew that. So they might not have anything to do with the woman. But she did have a pistol.

Well, thought Will, if she doesn't leave the cave and Lyra's in there, I'll have to go and pay a call.

He said, "What is this drug you have? What do you have to do with it to wake her up?"

Ama explained.

"And where is it now?"

In her home, she said. Hidden away.

"All right. Wait here and don't come near. She mustn't know that I know about you, and you mustn't say that you know me. When do you next bring her food?"

Half an hour before sunset, Ama's dæmon said.

"Bring the herbs with you then," said Will. "I'll meet you here."

She watched with great unease as he set off along the path. Surely he didn't believe what she had just told him about the monkey dæmon, or he wouldn't walk so recklessly up to the cave.

Actually, Will felt very nervous. All the noises of the forest seemed to be very clear as he walked along the path, and all his senses seemed to be purified, so that he was aware of the tiniest insects drifting in the sun shafts and the movement of the clouds above, even though all his attention was fixed on the cave mouth.

"Balthamos," he whispered, and the angel dæmon flew to his shoulder as a bright-eyed small bird with red wings. "Keep close to me, and watch that monkey."

"Then look to your right," said Balthamos tersely.

And Will saw a patch of golden light at the cave mouth that had a face and eyes and was watching them. They were no more than twenty paces away. He stood still, and the golden monkey turned his head to look in the cave, said something, and turned back.

Will felt for the knife handle and walked on.

When he reached the cave, the woman was waiting for him.

She was sitting at her ease in the little canvas chair, with a book on her lap, watching him calmly. She was wearing traveler's clothes of khaki, but so well were they cut and so graceful was her figure that they looked like the highest of high fashion, and the little spray of red blossom she'd pinned to her shirt front looked like the most elegant of jewels. Her hair shone and her dark eyes glittered, and her bare legs gleamed golden in the sunlight.

She smiled. Will very nearly smiled in response, because her expression was so kindly. He was so unused to the sweetness and gentleness a woman could put into a smile that it almost unsettled him completely.

"You're Will," she said in that low, intoxicating voice.

"How do you know my name?" he said harshly.

"Lyra says it in her sleep."

"Where is she?"

"Safe."

"I want to see her."

"Come on, then," she said, and got to her feet, dropping the book on the chair. For the first time since coming into her presence, Will looked at the monkey dæmon. His fur was long and lustrous, each hair seeming to be made of pure gold, much finer than a human's, and his little face and hands were black. Will remembered that face well from the evening when he and Lyra stole the alethiometer back from Sir Charles Latrom in the house in Headington: contorted with hate, the monkey had tried to tear him apart with his teeth until Will had slashed left-right with the knife and forced him backward, so that he could close the window and shut away Mrs. Coultour and her dæmon in a different world. Will thought that nothing on earth would make him turn his back on that monkey now. But Balthamos was watching closely, and Will stepped carefully over the rocky floor of the cave and followed Mrs Coulter to the little still figure lying in the shadows.

And there she was, his dearest friend, asleep. So small she looked! He was amazed at how all that force and fire that was Lyra awake could look so gentle and mild when she was sleeping. At her neck Pantalaimon lay in his polecat shape, his fur glistening, and Lyra's hair lay damp across her forehead. He knelt down beside her and lifted the hair away. Her forehead was hot. Out of the corner of his eye, Will saw the golden monkey crouching to spring, and set his hand on the knife; but Mrs Coulter shook her head very slightly, and the monkey let the tension go.

Without seeming to, Will was memorizing the exact layout of the cave: the shape and size of every rock, the slope of the floor, the exact height of the ceiling above the sleeping girl. He would need to find his way through it in the dark, and this was the only chance he'd have to see it first.

"So you see, she's quite safe," said Mrs Coulter.

"Why are you keeping her here? And why don't you let her wake up?"

"Let's sit down."

She didn't take the chair, but sat with him on the moss-covered rocks at the entrance to the cave. She sounded so kindly, and there was such sad wisdom in her eyes, that Will's mistrust deepened. He'd been on guard, of course, ever since he'd come into her presence, but now he felt that every word she said was a lie, every action concealed a threat, and every smile masked an impulse of deceit. He would have to be doubly, trebly on guard, and he'd have to deceive her as well. But maybe (he thought with a little thrill of pleasure) his own life had been preparing him for this all the time; for he knew no one as good at deceiving as he had had to be.

Right, he thought. I can deal with you.

"Would you like something to drink?" she said. "Look, I'll have some too…It's quite safe. Look."

She cut open some brownish, wrinkled fruit and pressed the cloudy green juice into two small beakers. She sipped one and offered the other to Will, who had watched so closely he knew she could have put nothing in it; so he sipped as well, and found it fresh and astringent.

"How did you find your way here?" she said.

"It wasn't hard to follow you."

"Evidently. Have you got Lyra's alethiometer?"

"Yes," he said, and let her work out for herself whether or not he could read it.

"And you've got a knife, I understand."

"Sir Charles told you that, did he?"

"Sir Charles? Oh - Carlo, of course. Yes, he did. It sounds fascinating. May I see it?"

"No, of course not," he said. "Why are you keeping Lyra here?"

"To keep her safe," she said, "because I love her. I'm her mother. She's in appalling danger and I won't let anything happen to her."

"Danger from what?" said Will stolidly.

"Well…," she said, and set her beaker down on the ground, leaning forward so that her hair swung down on either side of her face. When she sat up again, she tucked it back behind her ears with both hands, and Will smelled the fragrance of some scent she was wearing combined with the fresh smell of her body, and he felt disturbed and embarrassed.

Mrs Coulter gave no indication that she'd noticed, and went on: "Look, I'm going to do something unlikely, Will, I'm going to tell you the complete truth. I don't know how you came to be mixed up with my daughter, and I don't know what you know already, and I certainly don't know if I can trust you; but equally, I'm tired of having to lie. So here it is: the complete and utter truth.

"I found out that my daughter is in danger from the very people I used to belong to -- from the Church. Frankly, I think they would even kill her if they knew where she was. And I found myself in a dilemma, you see: obey the Church, or save my daughter. I was a faithful servant of the Church, too. There was no one more zealous; I gave my life to it; I served it with a passion.

"But I had this daughter…

"She knows better than anyone that I didn't look after her well when she was young. She was taken away from me and brought up by strangers. Perhaps that made it hard for her to trust me. But when she was growing up, I saw the danger that she was in, and three times I've tried to save her from it. This is the third time. I've had to become a renegade and hide in this remote place, and now to learn that you found us so easily -- well, you can understand, that worries me. The Church won't be far behind. And they want to kill her, Will. They will not let her live."

Reading Group Guide

The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping conclusion, marking the final volume as the most powerful of the trilogy.

Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and the armored bear Iorek Byrnison, The Amber Spyglass introduces a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel.

And with rich characters and mounting suspense come startling revelations, too: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live - and who will die - for love. And all the while, war rages in the Kingdom of Heaven - the shocking outcome of this brutal battle will uncover the secret of Dust.

In The Amber Spyglass, Philip Pullman deftly weaves the cliffhangers and mysteries of The Golden Compass and The Subtle Knife into an earth- shattering conclusion - and confirms his fantasy trilogy as an undoubted and enduring classic. The questions, discussion topics, and author information that follow are intended to enhance your group's reading of each of the books in Philip Pullman's His Dark Materials trilogy.

1. Dust, Dark Matter, and Sraf are three different names for the same material. How do these names reflect the different worlds they come from? What attitudes and feelings does each society have about this material?

2. Why do you think the subtle knife breaks when Will thinks of his mother? When the knife breaks, do you think Mrs. Coulter is aware of her influence on Will? Are there any connections between Mrs. Coulter and Will's mother?

3. In each book of the His Dark Materials trilogy, a special device (such as the alethiometer, the subtle knife, or the amber spyglass) is introduced in connection with the pursuit of Dust. What are the different properties of each instrument? How does each instrument reflect the personality of the person that uses it (i.e., Lyra, Will, and Dr. Malone)?

4. When asked to mend the subtle knife, Iorek is hesitant: "Sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend you also do what the knife intends, without knowing." What do you think the knife's intentions are? Based on these intentions, who do you think created the knife and for what purpose?

5. By the end of The Amber Spyglass, what similiarites can you see between Lyra and Mrs. Coulter? How is Lyra's storytelling different from Mrs. Coulter's lying?

6. In The Amber Spyglass, Mrs. Coulter goes through a dramatic transformation as her maternal feelings for Lyra break through to the surface. What is the catalyst for this change?

Interviews

October 2000

The Man Behind the Magic: An Interview with Philip Pullman

Barnes & Noble.com: Who is your favorite character to write and why?

Philip Pullman: I like them all, of course. People are surprised when I say that I like Mrs. Coulter, but what I mean, of course, is that I like writing about her, because she’s so completely free of any moral constraint. There’s nothing she wouldn't do, and that’s a great delight for a storyteller, because it means your story can be unconstrained, too. I’m not sure I’d like to know her in real life (Well, of course I would; she’d be fascinating). Writers have always enjoyed the villains, and so do readers, if they’re honest.

B&N.com: Can you give us some insight into what daemons are? Why don’t non-humans have them? They're a fascinating idea. I wish I had one.

PP: I was discovering more about daemons all the way through -- right up to the very end of The Amber Spyglass. And I’m sure there are other aspects of them that I haven’t discovered yet. I don’t want to say anything about them which will give away some of the plot of the final book, but I will say that the daemon is that part of you that helps you grow towards wisdom. I don’t know where the idea of them came from -- it just emerged as I was trying to begin the story. I suddenly realized that Lyra had a daemon, and it all grew out of that. Of course, the daemons had to represent something important in the meaning of the story, and not be merely picturesque; otherwise they’d just get in the way. So there is a big difference between the daemons of children and adults, because the story as a whole is about growing up, or innocence and experience.

Underlying the whole story is a myth of origin and creation, which I discovered as I wrote. I don’t make it explicit anywhere, but I relied on it all the way through. It explains where daemons come from and why we have them. I’m thinking of doing a sort of companion volume, which would be a natural place for that myth to be written down, so watch this space!

B&N.com: "It was so beautiful it was almost holy." This is how Lyra's first impression of the Northern Lights is described in The Golden Compass. Have you ever seen the Northern Lights?

PP: No, I haven’t. But I’ve been to Edmonton in Alberta on three separate occasions, and each time it was a beautiful, clear night and the people said: We were bound to see them, they turned up every night, it was just the right time of year, there was no question of it, they were here last night, you should have seen them, you could bet your life they’ll give a good show tonight, and so on and so on. And did they show up? Not a flicker! I’m beginning to think they’re just one of these traveler’s tales.

B&N.com: Why did you decide to set the story in a world that is similar to our own, but not quite the same?

PP: There are many answers. Laziness, perhaps. I couldn’t be bothered to do enough research to set a story in the real world and get it all right, so I just used the stuff I already knew and made up the rest. That might be one answer. Or else I was too idle to make up a complete new world, so I just made up some of it and when I ran out of energy I used some other stuff I knew about the real world. That might be another.

Another answer might be that I thought it would be more intriguing for the reader -- except that I don’t think about my readers very much, so that wouldn’t be altogether true.

Another might be that I like reading that sort of book myself, so I just did the sort of thing I liked reading. But in fact, I don’t know many other books that have this sort of background, so that wouldn’t be completely true either.

Another might be that I didn’t actually choose it at all. The story came to me in this form and with this setting, and I had no say in the matter. I just had to do what it said. And that would be the truest answer, perhaps. But there’s a bit of truth in all of them.

B&N.com: Why do you think fantasy literature is so appealing to adults as well as to children?

PP: I haven’t the faintest idea. Oddly enough, it doesn’t appeal to me very much. I read very little fantasy. I prefer straightforward realism, and I like that because I can connect with it, because I feel it tells me about important things, because it’s real, because it’s true. So it’s no use asking me why fantasy appeals to other people. You’d have to ask them!

B&N.com: Did you write His Dark Materials with a specific age group in mind?

PP: No. I don’t think about the readers at all. If I think about the audience I’d like to have, I don’t think about a particular age group, or a particular gender, or a particular class or ethnic group or anything specific at all. I’d like the largest audience possible, please. When you say, This book is for children, what you’re understood as saying is This book is NOT for adults. I don’t want that. I’d like to think that I’m telling the sort of story that holdeth children from play and old men from the chimney corner, in the old phrase of Sir Philip Sidney. Everyone is welcome, and no one is shut out, and I hope each reader will find a tale worth spending time with.

B&N.com: The main hero of your trilogy is Lyra -- a loveable, extremely impressive girl/young woman who has a large task on her hands. It's said by the people who have insight into Lyra's importance that she must fulfill her destiny without knowing what her destiny is. Can you explain why?

PP: Because it’s her nature that has to make a choice, not her conscience. If she knows that she’s about to do something fateful, her awareness, her self-consciousness will get in the way and spoil everything. So it’s a very delicate balance that has to be kept.

B&N.com: How much will you miss the characters now that you’ve finished the story?

PP: A huge amount. I’ve lived with them for seven years. In another sense, I’ve lived with them all my life because everything I’ve ever learned has gone into this book. It was very hard letting it go. I kept wanting to call it back and adjust this bit or that, but you have to let go in the end. Lyra and Will and the others are on their own now. I hope they find old friends, and make new ones.

Introduction

October 2000

The Amber Spyglass: His Dark Materials, Book III

The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping conclusion, marking the third and final volume as the trilogy's most powerful. Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and Iorek Burnison the armored bear, The Amber Spyglass introduces a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see the Dust; and Metatron, a fierce and mighty angel. This final volume brings some stark revelations, as well: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live -- and who will die -- for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that -- in a shocking outcome -- will reveal the secret of Dust. Read our exclusive interview with Philip Pullman, and be sure to join us for our live chat!

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