America: Classics That Help Define the Nation

Overview


The Modern Library presents America, the fifth in its series of anthologies, following Christmas Classics, Mothers, The Raven and the Monkey's Paw, and Love. This original collection features classic songs, poems, stories, speeches, and extracts from works that have helped define America—the nation and the people—and establish its national character.
        
America begins with the Compact the ...
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Overview


The Modern Library presents America, the fifth in its series of anthologies, following Christmas Classics, Mothers, The Raven and the Monkey's Paw, and Love. This original collection features classic songs, poems, stories, speeches, and extracts from works that have helped define America—the nation and the people—and establish its national character.
        
America begins with the Compact the Mayflower pilgrims made before landing at Plymouth Rock, then sets out across the succeeding centuries to present a few of the great moments in American history as captured in words. From the thrill of "Paul Revere's Ride" to the wonders described in the journals of Lewis and Clark, from the political fire of Thoreau's Civil Disobedience and the drama of Frederick Douglass's narrative of slavery to the lyricism and power of the "Battle-Hymn of the Republic," this is a collection that reaches deep into the history of America and the fabric of the country. Ulysses S. Grant describes the battle of Shiloh; contemporary chroniclers paint portraits of legendary figures like Jesse James, Wild Bill Hickok, and Billy the Kid. Great novelists like Dickens, Dreiser, Melville, James, Sinclair, and Cather describe their Americas. Five famous speeches represent the powerful oratorical tradition of American public life, and songs and anthems like "Yankee Doodle" and "America the Beautiful" round out the collection.
        
This anthology attempts to portray America's past and what made the country what it is today, drawing on some of the great writers whose words have inspired and movedmillions.
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Product Details

  • ISBN-13: 9780375753817
  • Publisher: Random House, Incorporated
  • Publication date: 6/22/1999
  • Series: Modern Library Series
  • Pages: 221
  • Product dimensions: 5.57 (w) x 8.28 (h) x 0.77 (d)

Meet the Author

A MODERN LIBRARY GIANT

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

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Read an Excerpt


In March, 1881, a Deputy United States Marshal by the name of John W. Poe arrived in the booming mining camp of White Oaks. He had been sent to New Mexico by the Cattlemen's Association of the Texas Panhandle. Cattle King Charlie Goodnight, being the president of the association, had selected Mr. Poe as the proper man to put a stop to the stealing of Panhandle cattle by "Billy the Kid" and gang.

After the "Kid's" escape, Pat Garrett went to White Oaks and deputized John W. Poe to assist him in rounding up the "Kid."
From now on Mr. Poe made trips out in the mountains trying to locate the young outlaw. The "Kid's" best friends argued that he was "nobody's fool," and would not remain in the United States, when the Old Mexico border was so near. They didn't realize that little Cupid was shooting his tender young heart full of love-darts, straight from the heart of pretty little Miss Dulcinea del Toboso, of Fort Sumner.

Early in July, Pat Garrett received a letter from an acquaintance by the name of Brazil, in Fort Sumner, advising him that the "Kid" was hanging around there. Garrett at once wrote Brazil to meet him about dark on the night of July 13th at the mouth of the Taiban arroyo, below Fort Sumner.

Now the sheriff took his trusted deputy, John W. Poe, and rode to Roswell, on the Rio Pecos. There they were joined by one of Mr. Garrett's fearless cowboy deputies, "Kip" McKinnie, who had been raised near Uvalde, Texas.
Together the three law officers rode up the river towards Fort Sumner, a distance of eighty miles. They arrived at the mouth of Taiban arroyo an hour after dark on July 13th, but Brazil was not there to meet them. The night was spentsleeping on their saddle blankets.

The next morning Garrett sent Mr. Poe, who was a stranger in the country, and for that reason would not be suspicioned, into Fort Sumner, five miles north, to find out what he could on the sly, about the "Kid's" presence. From Fort Sumner he was to go to Sunny Side, six miles north, to interview a merchant by the name of Mr. Rudolph. Then when the moon was rising, he was to meet Garrett and McKinnie at La Punta de la Glorietta, about four miles north of Fort Sumner.

Failing to find out anything of importance about the "Kid," John W. Poe met his two companions at the appointed place, and they rode into Fort Sumner.

It was about eleven o'clock, and the moon was shining brightly, when the officers rode into an old orchard and concealed their horses. Now the three continued afoot to the home of Pete Maxwell, a wealthy stockman, who was a friend to both Garrett and the "Kid." He lived in a long, one-story adobe building, which had been the U. S. officers' quarters when the soldiers were stationed there. The house fronted south, and had a wide covered porch in front. The grassy front yard was surrounded by a picket fence.
As Pat Garrett had courted his wife and married her in this town, he knew every foot of the ground, even to Pete Maxwell's private bedroom.

On reaching the picket gate, near the corner room, which Pete Maxwell always occupied, Garrett told his two deputies to wait there until after he had a talk with half-breed Pete Maxwell.

The night being hot, Pete Maxwell's door stood wide open, and Garrett walked in.
A short time previous, "Billy the Kid" had arrived from a sheep camp out in the hills. Back of the Maxwell home lived a Mexican servant, who was a warm friend to the "Kid." Here "Billy the Kid" always found late newspapers, placed there by loving hands, for his special benefit.

This old servant had gone to bed. The "Kid" lit a lamp, then pulled off his coat and boots. Now he glanced over the papers to see if his name was mentioned. Finding nothing of interest in the newspapers, he asked the old servant to get up and cook him some supper, as he was very hungry.

Getting up, the servant told him there was no meat in the house. The "Kid" remarked that he would go and get some from Pete Maxwell. Now he picked up a butcher knife from the table to cut the meat with, and started, bare-footed and bare-headed.
The "Kid" passed within a few feet of the end of the porch where sat John W. Poe and Kip McKinnie. The latter had raised up, when his spur rattled, which attracted the "Kid's" attention. At the same moment Mr. Poe stood up in the small open gateway leading from the street to the end of the porch. They supposed the man coming towards them, only partly dressed, was a servant, or possibly Pete Maxwell.

The "Kid" had pulled his pistol, and so had John Poe, who by that time was almost within arm's reach of the "Kid."
With pistol pointing at Poe, at the same time asking in Spanish: "Quien es?" (Who is that?), he backed into Pete Maxwell's room. He had repeated the above question several times. On entering the room, "Billy the Kid" walked up to within a few feet of Pat Garrett, who was sitting on Maxwell's bed, and asked: "Who are they, Pete?"

Now discovering that a man sat on Pete's bed, the "Kid" with raised pistol pointing towards the bed, began backing across the room. Pete Maxwell whispered to the sheriff: "That's him, Pat." By this time the "Kid" had backed to a streak of moonlight coming through the south window, asking: "Quien es?" (Who's that?)

Garrett raised his pistol and fired. Then he cocked the pistol again and it went off accidentally, putting a hole in the ceiling, or wall. Now the sheriff sprang out of the door onto the porch, where stood his two deputies with drawn pistols.
Soon after, Pete Maxwell ran out, and came very near getting a ball from Poe's pistol. Garrett struck the pistol upward, saying: "Don't shoot Maxwell!"

A lighted candle was secured from the mother of Pete Maxwell, who occupied a nearby room, and the dead body of "Billy the Kid" was found stretched out on his back with a bullet wound in his breast, just above the heart. At the right hand lay a Colt's-.41 calibre pistol, and at his left a butcher knife.

Now the native people began to collect--many of them being warm friends of the "Kid's." Garrett allowed them to take the body across the street to a carpenter shop, where it was laid out on a bench. Then lighted candles were placed around the remains of what was once the bravest, and coolest, young outlaw who ever trod the face of the earth.

The next day, this once mother's darling was buried by the side of his chum, Tom O'Fallaher, in the old military cemetery.
He was killed at midnight, July 14th, 1881, being just twenty-one years, seven months and twenty-one days of age, and had killed twenty-one men, not including Indians, which he said didn't count as human beings.
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