American Dervish

( 33 )

Overview

Hayat Shah was captivated by Mina long before he met her: his mother's beautiful, brilliant, and soulfully devout friend is a family legend. When he learns that Mina is leaving Pakistan to live with the Shahs in America, Hayat is thrilled.

Hayat's father is less enthusiastic. He left the fundamentalist world behind with reason. What no one expects is that when Mina shows Hayat the beauty and power of the Quran, it will utterly transform the ...

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American Dervish

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Overview

Hayat Shah was captivated by Mina long before he met her: his mother's beautiful, brilliant, and soulfully devout friend is a family legend. When he learns that Mina is leaving Pakistan to live with the Shahs in America, Hayat is thrilled.

Hayat's father is less enthusiastic. He left the fundamentalist world behind with reason. What no one expects is that when Mina shows Hayat the beauty and power of the Quran, it will utterly transform the boy.

Mina's real magic may be that the Shah household, always contentious and sad, becomes a happy one. But when Mina finds her own path to happiness, the ember of jealousy in Hayat's heart is enflamed by the community's anti-Semitism-and he acts with catastrophic consequences for those he loves most.

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Editorial Reviews

Publishers Weekly
Poor Hayat Shah: his father drinks and sleeps around; his mother constantly tells him how awful Muslim men are (especially his father, with his “white prostitutes”); he doesn’t seem to have any friends; and he’s in love with his mother’s best friend, the beautiful Mina who’s his mother’s age and something of an aunt to him. Unlike his parents, Mina, who came to Milwaukee from a bad marriage in Pakistan, is devout, which makes sexual stirrings and the Qur’an go hand in hand for the young Hayat (aside from a framing device, the story mostly takes place when he’s between 10 and 12). His rival for Mina’s love isn’t just a grown man, he’s Jewish, so along with the roil of conflicting ideas about gender, sexuality, and Islamic constraint vs. Western looseness, first-time novelist Akhtar also takes on anti-Semitism. Though set well before 9/11, the book is clearly affected by it, with Akhtar determined to traffic in big themes and illustrate the range of Muslim thought and practice. This would be fine if the book didn’t so often feel contrived, stocked with caricatures rather than people. Ultimately, Akhtar’s debut reads like a melodramatic YA novel, not because of the age of its narrator but because of the abundance of lessons to be learned. (Jan.)
Library Journal
In his fiction debut, actor/director Akhtar draws in readers with characters he has created with an understanding informed by empathy. Not unlike the protagonist he plays in the film The War Within, Hayat Shah is a young man exploring his religious identity within the context of his family and community. Whereas his father is a man of science openly antagonistic to religion, his devout mother is often critical of Muslim men by way of her husband's infidelities. Mediating the two viewpoints is Hayat's aunt Mina, recently arrived from Pakistan, who teaches Hayat the Koran and encourages his religious studies. Hayat cares about having an authentic identity as a Muslim, as dictated by his understanding of the Koran, which sets him on a collision course with his father and his peers. VERDICT Through Hayat's struggles to find a stable religious identity against the cultural backdrop of a pluralistic society pre-9/11, first-generation Pakistani American Akhtar shows that multiple factors, including social marginality, complicate the Muslim American experience. Readers who enjoyed Leila Aboulela's The Translator will enjoy this work. [See Prepub Alert, 7/10/11.]—Joshua Finnell, Denison Univ. Lib., Granville, OH
Library Journal
In this first novel, set in pre-9/11 America, Pakistan American youngster Hayat Shah is thrilled when his mother's unassailably smart, beautiful, and devout friend Mina comes to America to live with his family. She introduces him to the joys of the Quran, but when her attentions move beyond the family, Hayat becomes jealous and falls prey to his community's anti-Semitism. Film writer/director Akhtar has a partly cinematic style; it's acute but not cut-to-the-chase. Ripe for discussion, so it's good there's an interfaith reading group guide. With rights sold to 19 countries and a seven-city tour.
Kirkus Reviews
Actor/playwright/filmmaker Akhtar makes a compelling debut with a family drama centered on questions of religious and ethnic identity. In 1980s Milwaukee, 10-year-old Hayat Shah lives in a troubled Pakistani-American household. Father, a determinedly secular neurologist, has no use for the ostentatiously devout local Muslim community; his best friend is a Jewish colleague, Nathan, and he cheats on his wife with white women, a fact Hayat's angry mother is all too willing to share with her son. The arrival of Mina, Mother's best friend from home who has been divorced by her husband for having "a fast mouth," brings added tension. Mina, a committed but non-dogmatic Muslim, introduces Hayat to the beauties of the Quran and encourages him to become a hafiz, someone who knows the holy book by heart. But Hayat's feelings for his "auntie" have sexual undercurrents that disturb them both, and his jealousy when Mina and Nathan fall in love leads him to a terrible act of betrayal that continues to haunt him as a college student in 1990. Akhtar, himself a first-generation Pakistani-American from Milwaukee, perfectly balances a moving exploration of the understanding and serenity Islam imparts to an unhappy preteen with an unsparing portrait of fundamentalist bigotry and cruelty, especially toward intelligent women like Mina. His well-written, strongly plotted narrative is essentially a conventional tale of family conflict and adolescent angst, strikingly individualized by its Muslim fabric. Hayat's father is in many ways the most complex and intriguing character, but Mina and Nathan achieve a tragic nobility that goes beyond their plot function as instruments of the boy's moral awakening. Though the story occasionally dips into overdetermined melodrama, its warm tone and traditional but heartfelt coming-of-age lesson will appeal to a broad readership. Engaging and accessible, thoughtful without being daunting: This may be the novel that brings Muslim-American fiction into the commercial mainstream.
Adam Langer
What a pleasure to encounter a first novel as self-assured and effortlessly told as Ayad Akhtar's American Dervish…an immensely entertaining coming-of-age story…Mr. Akhtar's astute observations of the clashes between old world and new, between secular and sacred, among immigrants might seem familiar to readers of both contemporary and classic literature…But what distinguishes Mr. Akhtar's novel is its generosity and its willingness to embrace the contradictions of its memorably idiosyncratic characters and the society they inhabit.
—The New York Times
Wendy Smith
…a quintessentially American coming-of-age story…American Dervish so richly depicts a wide variety of humanly inconsistent and fallible characters that it feels reductive to call it a Muslim American novel, yet it is impossible to call it anything else because it is steeped in the tenets of Islam and a fierce debate over their deepest meaning…At the center of it all stands Hayat, who chronicles his odyssey from the believable perspective of hard-won maturity. The vivid particulars of his spiritual quest and emotional confusion embody universal experiences: growing up, learning to accept the faults of those you love (and your own), achieving an identity nourished by your roots but shaped by your individual needs and aspirations. Akhtar's poignant and wise debut announces the arrival of a generous new voice in American fiction.
—The Washington Post
Boris Kachka
Akhtar, the star and director of the 2005 terrorism drama The War Within, offers what promises to be one of the most complex treatments of Muslim immigration and fundamentalism to come from an American-born (albeit first-generation) writer.
New York Magazine
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Product Details

  • ISBN-13: 9780316183314
  • Publisher: Little, Brown & Company
  • Publication date: 1/9/2012
  • Pages: 357
  • Sales rank: 341,997
  • Product dimensions: 6.10 (w) x 9.30 (h) x 1.40 (d)

Meet the Author

Ayad Akhtar

Ayad Akhtar is an American-born, first generation Pakistani-American from Milwaukee, Wisconsin. He holds degrees in Theater from Brown University and in Directing from the Graduate Film Program at Columbia University, where he won multiple awards for his work. He is the author of numerous screenplays and was star and co-writer of The War Within, which premiered at the 2005 Toronto Film Festival and was nominated for an Independent Spirit Award for Best Screenplay and an International Press Academy Satellite Award for Best Picture - Drama. American Dervish is his first novel.

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Read an Excerpt

Prologue: 1990

The court glowed, its wooden surface a golden, honey-brown beneath the overhead lights. Along the edges, players were hunched with their coaches, and beyond, we were gathered, the clamoring rows upon rows of us, eager for the timeout to end.

I remember it all with a clarion vividness that marks the moment as the watershed it would be:

Below, I spied the vendor approaching: a burly man, thick around the waist, with a crimson-brown pony-tail dropping from beneath the back of his black and orange cap, our school colors: "Brats and wieners!" he cried. "Brats and wieners!"

I nodded, raising my hand. He nodded back, stopping three rows down to serve another customer first. I turned to my friends and asked them if they wanted anything.

Beer and bratwurst, each of them said.

"I don't think he's got beer, guys," I replied.

Out on the court, the players were returning to their positions for the last minute of the half. The crowd was getting to its feet.

Below, the vendor made change, then lifted the metal box to his waist and mounted the steps to settle at the edge of our row:

"You have beer?" one of my friends asked.

"Just brats and wieners."

"So two bratwurst and a beef dog," I said.

With a clipped nod, he tossed open the cover of his box and reached inside. I waved away my friends' bills, pulling out my wallet. The vendor handed me three, shiny packets, soft and warm to the touch.

"Beef wiener's on top. That's nine altogether."

I handed off the brats, and paid.

Cheers erupted as our side raced down the court, driving to the basket. I unwrapped my packet only to find I wasn't holding a beef frank, but a marbled, brown-and-white pork bratwurst.

"Guys? Anyone have the beef dog?" I shouted over the crowd's noise at my friends.

Both shook their heads. They were holding bratwurst as well.

I turned back to the aisle to call out to the vendor when I stopped. What reason did I have anymore not to eat it?

None at all, I thought.

We drove to the basket again, where we were fouled. When the whistle shrieked, the roar was deafening.

I lifted the sausage to my mouth, closed my eyes, and took a bite. My heart raced as I chewed, my mouth filling with a sweet and smoky, lightly-pungent taste that seemed utterly remarkable—(perhaps all the more so for having been so long forbidden). I felt at once brave and ridiculous. And as I swallowed, an eerie stillness came over me.

I looked up at the ceiling.

It was still there. Not an inch closer to falling in.

After the game, I walked along the campus quad alone, the walkway's lamps glowing in the mist, white blossoms on a balmy November night. The wet air swirled and blew. I felt alive as I moved. Free along my limbs. Even giddy.

Back at the dorm, I stood before the bathroom mirror. My shoulders looked different. Not huddled, but open. Unburdened. My eyes drew my gaze, and there I saw what I was feeling: something quiet, strong, still.

I felt like I was complete.

*

I slept soundly that night, held in restful sleep like a baby in a mother's loving arms. When I finally heard my alarm, it was a quarter of nine. The room was awash in sunlight. It was Thursday, which meant I had Professor Edelstein's Survey of Islamic History in fifteen minutes. As I slipped into my jeans, I was startled by the bright prickle of new denim against my skin. The previous night's wonders were apparently still unfolding.

Outside, it was another unseasonably warm and windy day. After hurrying over to the student Union for a cup of tea, I rushed to Schirmer Hall, Quran tucked under my arm, spilling hot water as I ran. I didn't like being late for Edelstein's class. I needed to be certain I would find a place near the back—close to the window he kept cracked—where I would have the space quietly to reel and contemplate as the diminutive, magnetic Edelstein continued to take his weekly sledgehammer to what still remained of my childhood faith. And there was something else that kept me in the back of the room:

It was where Rachel sat.

Professor Edelstein looked fresh and formal in a variation on his usual pastel medley: an impeccably-pressed, mauve oxford, topped and tightened at the neck by a rose-pink bow-tie, and suspenders matching the auburn shade of newly polished penny-loafers.

He greeted me with a warm smile as I entered. "Hey, Hayat."

"Hi, Professor."

I wove my way through the desks to the corner where I usually sat, and where lovely Rachel was munching on a cookie.

"Hey."

"Hey there."

"How was the game?"

"Good."

She nodded, the corners of her lips curling coyly upward as she held my gaze. It was looks like this—her bright, blue eyes sparkling—that had made me hazard the invitation to the game the night prior. I'd been wanting to ask her out on a date all semester. But when I'd finally gotten up the courage, she'd told me she had to study.

"You want some?" she asked. "It's oatmeal-raisin."

"Sure."

She broke off a piece and handed it to me: "You do the reading for today?" she asked.

"Didn't need to."

"Why not?"

"I already know the chapters he wanted us to read...by heart."

"You do?" Rachel's eyes widened with surprise.

"I grew up memorizing that stuff," I explained. "It's a whole production some Muslim kids go through. You memorize the Quran... - They call it being a hafiz."

"Really?" She was impressed.

I shrugged: "Not that I remember much of it anymore. But happen to remember the chapters he assigned for today..."

At the front of the class, Edelstein started to speak: "I trust you've all done your reading," he began. "It's not ground we're going to cover today, but it's obviously important material. I'd like you guys to keep moving. The Quran can be slow going, and the more of it we get through this semester, the better." He paused and arranged the papers gathered before him. Rachel offered me the rest of her oatmeal cookie with a whisper: "Wanna finish?"

"Absolutely," I said, taking it.

"Today, I'd like to share some of the recent work a couple of my colleagues in Germany are doing. I wasn't able to offer you any readings on their work, because it's very much happening right now. It's at the very forefront of Islamic scholarship..." Edelstein paused again, now making eye-contact with the Muslim-born students in the class—there were three of us—and added cautiously: "...and what I have to share may come as a shock to some of you."

So began his lecture on the Sanaa manuscripts.

In 1972, while restoring an ancient mosque in Sanaa, Yemen, a group of workers busy overhauling the original roof found a stash of parchments and damaged books buried in the rafters. It was a grave of sorts, the kind that Muslims—forbidden from burning the Quran—use to respectfully discard damaged or worn-out copies of the holy book. The workers packed the manuscripts into potato sacks, and they were locked away until one of Edelstein's close friends—a colleague—was approached some seven years later to take a look at the documents. What he discovered was unprecedented: The parchment pages dated back to Islam's first two centuries, they were fragments of the oldest Qurans in existence. What was shocking, Edelstein told us, was that there were aberrations and deviations from the standard Quran that Muslims had been using for more than a thousand years. In short, Edelstein claimed, his German colleague was about to show the world that the bedrock Muslim belief in the Quran as the direct, unchanged, eternal word of God was a fiction; Muslims weren't going to be spared the fate Christians and Jews had over the past three centuries of scholarship: the Quran, like the Bible, would prove to be the historical document common-sense dictated it had to be.

Up in the front row, one of the students—Ahmad, a Muslim—interrupted Edelstein's lecture, raising his hand angrily.

Edelstein paused. "Yes, Ahmad?"

"Why has your friend not published his findings yet?" Ahmad barked.

Edelstein held Ahmad's gaze for a moment before replying. And when he did, his tone was conciliatory: "My colleague is concerned about continued access to the texts if they were to make these findings known to the Yemeni authorities. They're preparing a series of articles, but are ensuring that they've had enough time to go through all 14,000 pages carefully, just in case they never get to see the documents again."

Now Ahmad's voice bellowed, red and bitter: "And why exactly would they be barred from seeing them again?"

There was silence. The classroom was thick with tension.

"There's no need to get upset, Ahmad. We can talk about this like scholars..."

"Scholars! What scholars make claims without documented findings? Huh?!?"

"I understand this is some controversial stuff... - but there's no need - "

Ahmad cut him off: "It's not controversial, Pro-fess-or," he said, spitting the middle syllable back at Edelstein with disgust. "It's incendiary." Ahmad bolted up from his desk, books in hand: "In-sult-ing and in-cen-diary!" he shouted. After a look to Sahar—the usually-reticent, Malaysian girl sitting to his left, her head lowered as she doodled tensely on her pad—and then another look, back at me, Ahmad stormed out of the room.

"Anyone else want to leave?" Edelstein asked, clearly affected. After a short pause, Sahar quietly gathered her things, got up, and walked out.

"That leaves you, Hayat."

"Nothing to worry about, Professor. I'm a true-and-tried Mutazalite."

Edelstein's face brightened with a smile: "Bless your heart."


*

After class, I stood and stretched, surprised again at how alive I felt. Nimble and awake, even along my limbs.

"Where you headed?" Rachel asked.

"To the Union."

"Wanna walk? I'm going to library."

"Sure," I said.

Outside, as we strolled beneath the shedding linden trees that lined the path to library, Rachel remarked how surprised she was at Ahmad and Sahar walking out.

"Don't be," I said. "Saying less than that could get you killed in some circles." She looked surprised. "Look at Rushdie," I said. The fatwa was still only a year old, an event still fresh in everyone's mind.

Rachel shook her head: "I don't understand these things... So what did you mean by what you said to Edelstein?"

"About being a Mutazalite?"

"Yeah."

"A school of Muslims that don't believe in the Quran as the eternal word of God. But I was joking. I'm not a Mutazalite. They died off a thousand years ago."

She nodded. We walked a few paces in silence, and then she asked: "How did you feel about the lecture?"

"What's to feel? The truth is the truth. Better to know it than not to."

"Absolutely..." she said, studying me: "...but it doesn't mean you can't have feelings about it, right?" Her question was softly put. There was tenderness in it.

"Honestly? It makes me feel free."

She nodded. And we walked awhile in silence.

"Do you mind if I ask you a personal question?" I finally asked.

"That depends."

"On?"

"What you want to know."

"Did you really have to study last night, or were you just saying that?"

Rachel laughed, her lips parting to reveal her small square teeth. She really was lovely. "I have an organic chemistry exam tomorrow, I told you that. That's why I'm going to the library now." She stopped and put her hand on my arm: "But I promise I'll go with you to the next game... - Okay?"

My heart surged with sudden joy. "Okay," I said with a cough.

When we got to the library's steps, I had the urge to tell her what had happened to me last night. "Can I ask you another personal question?"

"Shoot."

"Do you believe in God?"

For a moment, Rachel looked startled. And then she shrugged. "No. At least not the guy-in-the-sky type thing."

"Since when?"

"Since ever, I guess. My mom was an atheist, so I don't think I ever took it that seriously. I mean my dad made us go to temple sometimes - Rosh Hashanah and stuff... - but even then, my mom would spend the whole way there and back complaining."

"So you don't know what it's like to lose your faith."

"Not really."

I nodded. "It's freeing. So freeing. It's the most freeing thing that's ever happened to me... - You asked me how I feel about the lecture? Hearing Edelstein talk about the Quran as just a book, a book like any other, makes me feel like going out to celebrate."

"Sounds like fun," she said, smiling again. "If you wait 'til tomorrow, we can celebrate together..."

"Sounds like a plan."

Rachel lingered on the step above me just long enough for the thought to occur. And when it did, I didn't question it. I leaned in and touched my lips to hers.

Her mouth pressed against mine. I felt her hand against the back of my head, the tip of her tongue gently grazing the tip of my own.

All at once, she pulled away. She turned and hopped up the steps, then stopped at the door and shot me a quick look. "Wish me luck on my exam," she said.

"Good luck," I said.

When she was gone, I lingered, in a daze, barely able to believe my good fortune.

*

That night, after a day of classes and an evening of ping-pong at the Union, I was sitting in bed, trying to study, but thinking only of Rachel...when the phone rang. It was Mother.

"Behta, she's gone."

I was quiet. I knew, of course, who she was talking about. A month earlier she and I had gone to Kansas City to visit Mina—not only my Mother's life-long best-friend, but the person who'd had, perhaps, the greatest influence on my life—as she lay in a hospital bed, her insides ravaged with cancer.

"Did you hear me, Hayat?" Mother said.

"It's probably better, isn't it, Mom? I mean she's not in pain anymore."

"But she's gone, Hayat," Mother moaned. "She's gone..."

I listened quietly as she cried. And then I consoled her.

Mother didn't ask me that night how I felt about Mina's passing, which was just as well. I probably wouldn't have told her what I was really feeling. Even the confession I had made to Mina while she lay on what would turn out to be her death bed, even that hadn't been enough to assuage the guilt I'd been carrying since I was twelve. If I was reluctant to share how aggrieved I was with my mother, it was because my grief was not only for Mina, but for myself as well.

Now that she was gone, how could I ever repair the harm I'd done?

*

The following evening, Rachel and I sat side by side at the pizzeria counter, our dinner before a movie. I didn't tell her about Mina, but somehow, she sensed something was wrong. She asked me if I was alright. I told her I was. She insisted. "You sure, Hayat?" she asked. She was looking at me with a tenderness I couldn't fathom. "Thought you wanted to celebrate," she said with a smile.

"Well... after I left you yesterday, I got some bad news."

"What?"

"My aunt died. She was like... a second mother to me."

"Oh God. I'm so sorry."

All at once, my throat was searing. I was on the verge of tears.

"Sorry," I said, looking away.

Feeling her hand on my arm, I heard her voice: "You don't have to talk about it..."

I looked back and nodded.

*

The movie was a comedy. It distracted me. Toward the end, Rachel pushed herself up against my side, and we held hands for awhile. Afterwards, she invited me back to her room, where she lit candles and sang me a song she'd written as she played the guitar. It was something longing and plaintive about lost love; she looked down at her hands as she played and sang. Only three days ago, I couldn't have imagined myself being so lucky. And yet I couldn't push away thoughts of Mina.

When Rachel finished her song, she looked up at me.

"That was great," I said.

"Still thinking about your Aunt, aren't you?"

"Is it that obvious?"

She shrugged and smiled. "It's okay," she said, setting her guitar aside. "My grandma was really important to me like that. I went through a lot went she died."

"But the thing is, it's not just that she died...it's that I had something to do with it." I didn't even realize I'd said it until I was almost finished with the sentence.

Rachel looked at me, puzzled, folds appearing along her forehead, between her eyes.

"What happened?" she asked.

"You don't know me very well... - I mean, of course you don't. It's just... - I don't think you realize how I grew up."

"I'm not following you, Hayat."

"You're Jewish, right?"

"Yeah? So?"

"You may not like me very much if I tell you what happened..."

She shifted in her place, her back straightening. She looked away.

You barely know her. I thought. What are you trying to prove?

"Maybe I should leave," I said.

She didn't reply.

I didn't move. The fact was, I didn't want to leave. I wanted to stay. I wanted to tell her.

We sat in silence for a long moment, and then Rachel reached out to touch my hand.

"Tell me," she said.

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Interviews & Essays

From the author
I have recently discovered Percy Shelley! I have been slowly making my way through his collected poems, a journey accompanied by immersion in Richard Holmes' magisterial biography of the poet, Shelley: A Pursuit. I can't remember a time I have felt so transformed by my daily reading. I've also been immersed in the work of Harold Pinter. Rediscovering these plays that had such an impact on me as a young man, and seeing just how deft, evocative, and masterful his craft really is

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Customer Reviews

Average Rating 4.5
( 33 )
Rating Distribution

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See All Sort by: Showing 1 – 20 of 33 Customer Reviews
  • Posted April 19, 2012

    I could not put this book down. I heard the author interviewed o

    I could not put this book down. I heard the author interviewed on NPR's Fresh Air and immediately knew that I wanted to read this book and just about anything else written by him. The story is told through the eyes of a young man who recalls his boyhood relationship with his parents and his aunt, who gives him the loving encouragement he seeks during his study of the Quran. While he takes on the huge task of memorizing the Quran to become a hafiz, his aunt reminds him again and again to seek its meaning from the heart of intension, not simply as a trophy for the ego to conquer. Meanwhile, his father's close friend, who happens to be Jewish, courts his aunt and old deep seated prejudices and hatreds in the Muslim community conspire to destroy their love. The story told is compelling and heartening for the main reason that it takes on such difficult issues within Muslim culture as it carefully weaves in the boy's inspired religious innocense and coming of age to meet these hard realities. The end result was refreshingly human as well as it was disturbing. I highly recommend this book to anyone who wants to have an intimate glimpse into the life of a modern Muslim family and its struggles to assimilate into American culture.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted March 12, 2012

    Very perceptively written. A very unusual coming-of-age book, d

    Very perceptively written. A very unusual coming-of-age book, dealing with issues of immigrants and their American-born children; the religiously observant and the skeptics, and the extremes found among both; anti-Semitic factions and Muslims who believe adamantly in the subjugation of women, and the women who are torn between fighting for their own self-worth and independence, and following the faith in which they were raised.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 14, 2012

    Beautiful book

    This was a wonderful book. It is an interesting look at a young American boy's experiences with his faith. I found the characters of both his mother and father to be intruiging. Highly recomment this book.

    1 out of 1 people found this review helpful.

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  • Posted January 19, 2012

    check

    GOOD!

    1 out of 1 people found this review helpful.

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  • Posted December 29, 2012

    more from this reviewer

    I was sucked into this from the first chapter. I tend to enjoy t

    I was sucked into this from the first chapter. I tend to enjoy these “coming of age” stories and especially where we are dealing with an individual trying to straddle two different cultures. I really think the author did a wonderful job laying out this story. I know there have been some critics that complained he “told” the story more than he let it reveal itself. I disagree because I personally don’t have a problem being “told” a story if the context makes sense and it is done appropriately.

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  • Posted November 23, 2012

    I Also Recommend:

    I did not want this book to end--I fell in love with it after th

    I did not want this book to end--I fell in love with it after the first few chapters. I love learning about the Islamic tradition and this book has been on the top of my reading list. I found the coming-of-age story to be emotional and engaging, and Akhtar's writing is very honest, which solidifies this as one of my favorite books now! I highly recommend Censoring an Iranian Love Story--it has been my #1 favorite since it came out. I look forward to reading more from Akhtar.

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  • Anonymous

    Posted September 22, 2012

    Highly Recommended

    In light of world events, I believe this is a must read to get a feel of the various views of the Islamic community of the U s.

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  • Posted August 24, 2012

    my book group is reading this and we are loving it.

    The many voices of Islam are expressed through very real family member's and their extended community. The parallel's that come up in my Torah study classes, within my Jewish community are startling in similarity. The story is engaging and well written.

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  • Anonymous

    Posted August 22, 2012

    I couldn't put it down! I loved it. It reminds me of Jhumpa Lahi

    I couldn't put it down! I loved it. It reminds me of Jhumpa Lahiri's
    fiction in that it is told from the point of view of American children
    of immigrants. I found the story absorbing and well written. Read it!

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  • Anonymous

    Posted May 24, 2012

    An honest look at a Muslim family

    There are many American dysfunctional families but to read how Islam dictates family requirements is eye-opening. I highly recommend this book about a young boy, his beautiful aunt from Pakistan and his parents. I understand this is a first novel. The characters are very well drawn out and the plot builds. It's great!

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  • Posted April 11, 2012

    I really enjoyed the story, and didn't want the book to end. I

    I really enjoyed the story, and didn't want the book to end. I am hoping there will be a continuation, as I really want to know how Hayat's life and his parents lives, and Mina's kids end up.

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  • Posted April 6, 2012

    I was so incredibly disappointed after reading this book. It por

    I was so incredibly disappointed after reading this book. It portrays Muslims as angry and extremist monsters. This book did a great disservice to the large amounts of Muslims that live in North America peacefully. I wish Ayyad Akhter would have used his talents in a better way.

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  • Anonymous

    Posted March 24, 2012

    Anonymous

    We see through a child's eyes, trying to make sense of adult conflicts, hypocrisy and senseless hatred, finally coming to terms with and embracing the freedom of uncertainty. A wonderful read.

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  • Anonymous

    Posted March 18, 2012

    Awesome

    I want mire

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 26, 2012

    Highly recommend

    Love, love, loved this book...Could not put it down!

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  • Anonymous

    Posted February 16, 2012

    Great book!

    I really enjoyed this book. It's a fast read. Keeps you interested.

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  • Anonymous

    Posted January 21, 2012

    Sooo good

    Get this i loved it

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  • Anonymous

    Posted February 9, 2012

    No text was provided for this review.

  • Anonymous

    Posted February 26, 2012

    No text was provided for this review.

  • Anonymous

    Posted May 19, 2012

    No text was provided for this review.

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