American Gods

American Gods

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by Neil Gaiman

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First published in 2001, American Gods became an instant classic—an intellectual and artistic benchmark from the multiple-award-winning master of innovative fiction, Neil Gaiman. Now discover the mystery and magic of American Gods in this tenth anniversary edition. Newly updated and expanded with the author’s preferred text, this

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First published in 2001, American Gods became an instant classic—an intellectual and artistic benchmark from the multiple-award-winning master of innovative fiction, Neil Gaiman. Now discover the mystery and magic of American Gods in this tenth anniversary edition. Newly updated and expanded with the author’s preferred text, this commemorative volume is a true celebration of a modern masterpiece by the one, the only, Neil Gaiman.

A storm is coming . . .

Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.

But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and rogue, Wednesday seems to know more about Shadow than Shadow does himself.

Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. Along the way Shadow will learn that the past never dies; that everyone, including his beloved Laura, harbors secrets; and that dreams, totems, legends, and myths are more real than we know. Ultimately, he will discover that beneath the placid surface of everyday life a storm is brewing—an epic war for the very soul of America—and that he is standing squarely in its path.

Relevant and prescient, American Gods has been lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Michael Dirda, Washington Post Book World) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is, quite simply, an outstanding work of literary imagination that will endure for generations.

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Editorial Reviews
The Barnes & Noble Review
In the introduction to his 1973 collection, Deathbird Stories, Harlan Ellison stated that "when belief in a god dies, the god dies," yielding, inevitably, to deities who reflect the character and obsessions of their respective eras. Twenty-eight years later, Neil Gaiman (Stardust, Neverwhere, the Sandman series) has co-opted this notion, using it as the basis for his ambitious, altogether brilliant new novel, American Gods.

Gaiman's hero is a troubled ex-convict named, appropriately, Shadow. When we first meet him, Shadow is serving a three-year sentence for aggravated assault. Just days before his parole takes effect, Shadow's wife, Laura, dies in a grotesque automobile accident. Alone and adrift, Shadow signs on as driver and bodyguard for an enigmatic grifter who calls himself, simply, Wednesday.

Wednesday, we learn, is a diminished, Americanized incarnation of the Norse god Odin. He is one of a vast pantheon of transplanted gods carried to the New World in the minds and hearts of the endless waves of immigrants. Like most of his fellow gods, Odin/Wednesday has been largely forgotten, replaced by the gods of television, technology, and other icons of a changing world. With Shadow's assistance, Wednesday takes steps to organize these displaced deities, to lead them in a war to the death with the gods of the new Millennium.

American Gods tells the story of that war, and of the hidden personal agendas that lie beneath it. It also tells the story of Shadow's discovery -- and gradual reclamation -- of his own divided soul. Part road novel, part bildungsroman, part revisionist mythology, the narrative ranges across the American landscape, from the magical roadside attraction called The House on the Rock to a Wisconsin town whose picture-perfect surface conceals an ancient, grisly secret. It also takes behind the scenes of the mundane, everyday world, and introduces a credible gallery of gods, demons, and ordinary humans, some of them living, some dead.

Like all such extravagant epics, American Gods is -- as Gaiman clearly acknowledges -- a vast, multi-colored metaphor that has much to say about our ongoing need for meaning and belief and about the astonishing creative power of the human imagination. The result is an elegant, important novel that illuminates our world -- and the various worlds that surround it -- with wit, style, and sympathetic intelligence, and stands as one of the benchmark achievements in a distinguished, constantly evolving career. (Bill Sheehan)

Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has been published by Subterranean Press.

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Chapter One

The boundaries of our country, sir? Why sir, on the north we arebounded by the Aurora Borealis, on the east we are bounded by therising sun, on the south we are bounded by the procession of theEquinoxes, and on the west by the Day of Judgment.
-- The American Joe Miller's Jest Book

Shadow had done three years in prison. He was big enough and looked don't-fuck-with-me enough that his biggest problem was killing time. So he kept himself in shape, and taught himself coin tricks, and thought a lot about how much he loved his wife.

The best thing – in Shadow's opinion, perhaps the only good thing – about being in prison was a feeling of relief. The feeling that he'd plunged as low as he could plunge and he'd hit bottom. He didn't worry that the man was going to get hurt, because the man had got him. He was no longer scared of what tomorrow might bring, because yesterday had brought it.

It did not matter, Shadow decided, if you had done what you had been convicted of or not. In his experience everyone he met in prison was aggrieved about something: there was always something the authorities had got wrong, something they said you did when you didn't – or you didn't do quite like they said you did. What was important was that they had gotten you.

He had noticed it in the first few days, when everything, from the slang to the bad food, was new. Despite the misery and the titter skin-crawling horror of incarceration, he was breathing relief.

Shadow tried not to talk too much. Somewhere around the middle of year two he mentioned his theory to Low Key Lyesmith, hiscellmate.

Low Key, who was a grifter from Minnesota, smiled his scarred smile. "Yeah," he said. "That's true. It's even better when you've been sentenced to death. That's when you remember the jokes about the guys who kicked their boots off as the noose flipped around their necks, because their friends always told them they'd die with their boots on."

"Is that a joke?" asked Shadow.

"Damn right. Gallows humor. Best kind there is."

"When did they last hang a man in this state?" asked Shadow.

"How the hell should I know?" Lyesmith kept his orange-blond hair pretty much shaved. You could see the lines of his skull. "Tell you what, though. This country started going to bell when they stopped hanging folks. No gallows dirt. No gallows deals."

Shadow shrugged. He could see nothing romantic in a death sentence.

If you didn't have a death sentence, he decided, then prison was, at best, only a temporary reprieve from life, for two reasons. First, life creeps back into prison. There are always places to go further down. Life goes on. And second, if you just hang in there, someday they're going to have to let you out.

In the beginning it was too far away for Shadow to focus on. Then it became a distant beam of hope, and he learned how to tell himself "this too shall pass" when the prison shit went down, as prison shit always did. One day the magic door would open and he'd walk through it. So he marked off the days on his Songbirds of North America calendar, which was the only calendar they sold in the prison commissary, and the sun went down and he didn't see it and the sun came up and he didn't see it. He practiced coin tricks from a book lie found in the wasteland of the prison library; and lie worked out; and he made lists in his head of what he'd do when he got out of prison.

Shadow's lists got shorter and shorter. After two years he had it down to three things.

First, he was going to take a bath. A real, long, serious soak, in a tub with bubbles. Maybe read the paper, maybe not. Some days he thought one way, some days the other.

Second he was going to towel himself off, put on a robe. Maybe slippers. He liked the idea of slippers. If he smoked he would be smoking a pipe about now, but he didn't smoke. He would pick up his wife in his arms ("Puppy," she would squeal in mock horror and real delight, "what are you doing?"). He would carry her into the bedroom, and close the door. They'd call out for pizzas if they got hungry.

Third, after he and Laura had come out of the bedroom, maybe a couple of days later, he was going to keep his head down and stay out of trouble for the rest of his life.

"And then you'll be happy?" asked Low Key Lyesmith. That day they were working in the prison shop, assembling bird feeders, which was barely more interesting than stamping out license plates.

"Call no man happy," said Shadow, "until he is dead."

"Herodotus," said Low Key. "Hey. You're learning."

"Who the fuck's Herodotus?" asked the Iceman, slotting together the sides of a bird feeder and passing it to Shadow, who bolted and screwed it tight.

"Dead Greek," said Shadow.

"My last girlfriend was Greek," said the Iceman. "The shit her family ate. You would not believe. Like rice wrapped in leaves. Shit like that."

The Iceman was the same size and shape as a Coke machine, with blue eyes and hair so blond it was almost white. He had beaten the crap out of some guy who had made the mistake of copping a feel off his girlfriend in the bar where she danced and the Iceman bounced. The guy's friends had called the police, who arrested the Iceman and ran a check on him which revealed that the Iceman had walked from a work-release program...

American Gods. Copyright © by Neil Gaiman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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What People are saying about this

Peter Straub
Here we have . . . a real emotional richness and grandeur that emerge from masterful storytelling.
Jane Lindskold
American Gods is like a fast run downhill through a maze — both exhilarating and twisted.
Jonathan Carroll
Gaiman has managed to tell the tallest of tales in the most believable fashion. An important, essential book.
William Gibson
Neil Gaiman, a writer of rare perception and endless imagination . . . is . . . an American treasure.
Patrick Rothfuss
“Gaiman understands the shape of stories.”
Tim Powers
A magical modern Adventures of Huckleberry Finn — this book will astonish you on ever page.
Teller (Penn & Teller)
American Gods is sexy, thrilling, dark, funny and poetic.
George R. R. Martin
“Original, engrossing, and endlessly inventive; a picaresque journey across America where the travelers are even stranger than the roadside attractions.”

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American Gods The Tenth Anniversary Edition 4 out of 5 based on 0 ratings. 459 reviews.
Anonymous More than 1 year ago
This book turned me over completely to Neil Gaiman and made me drooly and ga-ga for his writing like a Twilight fangirl on too much fairy dust. I've read a few of Gaiman's works before ( The Sandman Vol. 1: Preludes and Nocturnes, Neverwhere, Anansi Boys, and Stardust), but none have blown me so completely out of the boiling seas like American Gods. American Gods is one of the quirkiest books on American culture and belief that I've read. Told from the perspective of a particularly insightful non-American, American Gods takes a long, hard look at how cultures and religions mesh, change, and fade in the states. How do Americans define and create faith? What gods does a godless nation--or maybe an excessively god-full nation--have with not even 300 years of national existence under its belt? With ghosts, murders, gods (both forgotten and barely worshipped), Naiman weaves a tale that suspends previous conceptions of the American psyche, turns it up on its head, and makes you question, Who really is that homeless crazy in the subway station calling himself Mr. Wednesday? Like the questions it poses, the story is not straightforward. Rather, it's a meandering road trip that takes numerous pit stops at creepy carnivals and random road-side attractions. Only, you have old worn-out gods and cranky demons for company.
cellardoor623 More than 1 year ago
I was unsure if this was my kind of book, but was intrigued by the title and therefore decided to give it a shot. After finishing the book, it wasn't at all what I expected before starting the book--it was better. I'll admit that when I first read reviews of American Gods, I didn't exactly understand what the book was about, or what I'd be getting myself into. I now understand that the reason that the synopsis were so vague, was because there is no way to describe the plot without it sounding slightly absurd. The only way to know and understand what it is about is to read it. The tone of this book reflected the mood and feelings of the protagonist. Therefore, the language was a little crude at times. This is only natural and quite realistic in this modern day. This might bother some people, but if they get even a few chapters through the book, they will immediately see how amazing this book is. *To get a better idea of whether or not you will like this book, the story and type of journey somewhat reminded me of Windupbird Chronicle by Murakamai. If you liked that book, you will definitely enjoy this book.
Anonymous More than 1 year ago
This is one of my favorite books, and it was great to see it available as an e-book. If you like a sophisticated fantasy set in the modern world, American Gods is for you.
Anonymous More than 1 year ago
Really great read. Engaging story and characters. I had no idea where this story was going to end up. Loved it.
Anonymous More than 1 year ago
Throughout my 45years of life, whenever I was asked what my favorite book was, I would ponder and think. Without fail, I would never be able to come up with a favorite, although I had read many, many wonderful books. I can now say without a doubt that I have finally found my favorite book.
Thomas Todd More than 1 year ago
A great read and hugely engrossing although impossible to describe. Read this. You'll be glad you did.
Anonymous More than 1 year ago
A new look at the idea of Gods. Do you believe in one God or more Gods? Have you wondered about past civilizations and their Gods? What happens to the Gods of old, when they become irrelevant? This book was an interesting read.
Anonymous More than 1 year ago
I loved this book. The basic premise of gods brought to America and then abandoned is a neat one and lends itself to many interesting plot lines. I also found a new place to add to my wish list to visit; the House on the Rock. Weird place, but actually real.
Nicole Earl More than 1 year ago
This is one of the best books I've ever read. Neil gaimen is my faviorite author and he will be for a very long time. Everyone should read his books,expessially this one. I assure you, you won't be disapointed.
AymTru More than 1 year ago
Somewhere in the afterword, Mr. Gaiman apologizes for his audacity in taking on and writing about what makes "America" tick. No apologies necessary, Mr. Gaiman. Well, done. Especially the Carousel Room at the House on the Rock. I think I may have had similar thoughts when I was in that Quonset Hut so many, many years ago. Many thanks for putting that bizarrely magical place (and other places) down in print.
StuGold4star More than 1 year ago
This is a fun book, very entertaining and is worth the time. Neil Gaiman is an exceptuional writer.
Anonymous More than 1 year ago
This book took me a little longer than most to get through; i found it a bit stale in the middle. Turns out the middle is important though and I'm glad i read the whole book. Fascinating idea for book! A tale of survival, mystery, sacrifice, love, and wonder. I recommend everyone read it. P.s. what is with all the fake reviews... very annoying!
Anonymous More than 1 year ago
Buy it and read it. Hands-down one of the greatest books of the past few decades.
Anonymous More than 1 year ago
This was a very interesting book and not at all what I was expecting. It weaves the tales of many people and the spirit of the book was quite enjoyable.
illiall More than 1 year ago
I've spent 30 minutes trying to find something to say about this book, and the best i can come up with is it's creative. The writing didn't grab me. The story didn't hold me. Based on the reviews i forced myself to finish it, and i turned the last page, thinking to myself ... "so what??"
Anonymous More than 1 year ago
As a current writer, few weave tales like Neil Gamain. American Gods is a redeeming road trip tale full of unforgettable characters. You are pulled from page to page as the story touches on religions old and new.
Declan Graham More than 1 year ago
Awsome. Just awsome.
Michielle Miles More than 1 year ago
It was hard to put this book down. Then again its hard to put any of his books down.
Anonymous More than 1 year ago
I loved this book and I think you're all being really disrespectful to the author by using it as a chat room. How would YOU like it if you wrote a book and saw these reviews? Please use more respect in the future.
Anonymous 19 days ago
Very good. Has some sexy prts in it
Anonymous More than 1 year ago
Good read
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Anonymous More than 1 year ago
Great mash up of old and new gods trying to survive in the.. "New World."
Anonymous More than 1 year ago