American Paintings of the Nineteenth Century, Part II / Edition 1

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Hardcover New 0894682547. TWO VOLUMES, PARTS 1 and 2-Corresponds to ISBN: 0-89468-254-7. FLAWLESS COPY, BRAND NEW, NEVER OPENED-PART 1: In the age of Darwin and John Ruskin, ... nineteenth-century American artists sought to imitate the truths of nature. Works such as Albert Bierstadt's Lake Lucerne, Frederic Edwin Church's Morning in the Tropics, Thomas Cole's Voyage of Life series, and Asher B. Durand's Forest in the Morning Light are examples the certainty of vision and faith in the nation's destiny that prevailed during this period of great expansion America. Winslow Homer's Breezing Up (A Fair Wind), one of nine paintings by the artist in the Gallery's collection, is discussed, as are several works by Thomas Eakins, including The Biglin Brothers Racing, which inspired by the first pair-oared race in America. --PART 2: In this, the second of two volumes devoted to the Gallery's holdings of nineteenth-century American paintings, more than 100 works are catalogued. Distinguished in part by the concentration Read more Show Less

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Hardcover New 0894682547. FLAWLESS COPY, BRAND NEW, NEVER OPENED-PART 1: In the age of Darwin and John Ruskin, nineteenth-century American artists sought to imitate the truths ... of nature. Works such as Albert Bierstadt's Lake Lucerne, Frederic Edwin Church's Morning in the Tropics, Thomas Cole's Voyage of Life series, and Asher B. Durand's Forest in the Morning Light are examples the certainty of vision and faith in the nation's destiny that prevailed during this period of great expansion America. Winslow Homer's Breezing Up (A Fair Wind), one of nine paintings by the artist in the Gallery's collection, is discussed, as are several works by Thomas Eakins, including The Biglin Brothers Racing, which inspired by the first pair-oared race in America. --PART 2: In this, the second of two volumes devoted to the Gallery's holdings of nineteenth-century American paintings, more than 100 works are catalogued. Distinguished in part by the concentration of works by three prominent artists, Thomas Sully, John Singer Read more Show Less

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Overview

More than one hundred works are catalogued in the second of two volumes devoted to the National Gallery of Art's holdings of nineteenth-century American paintings, including virtually all of the important portraits in the collection. Distinguished in part by the concentration of works by three preeminent artists, Thomas Sully, John Singer Sargent, and James McNeill Whistler, this collection also includes John Quidor's The Return of Rip van Winkle, Albert Pinkham Ryder's Siegfried and the Rhine Maidens, and Rembrandt Peale's Rubens Peale with a Geranium. The author has skillfully untangled the misattributions, misidentifications, and inaccurate provenances surrounding many of the paintings.

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