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Malena Watrous…hip and quick-paced…[Goodwillie] excels at jet-black social satire in a style reminiscent of Bret Easton Ellis…[he] has created two flawed yet sympathetic main characters, with distinct and memorable voices. In Aidan's voice, he has written a scathing and hilarious indictment of our bizarre moment in time, complete with jaded socialites, quasi-celebrities and the media that feed off them and one another. And Paige is a strong and memorable female heroine, whose sincerity keeps the novel from being a farce.
—The New York Times