American Women Poets in the 21st Century: Where Lyric Meets Language / Edition 1

American Women Poets in the 21st Century: Where Lyric Meets Language / Edition 1

by Claudia Rankine
     
 

ISBN-10: 0819565474

ISBN-13: 9780819565471

Pub. Date: 08/13/2002

Publisher: Wesleyan University Press

A thought-provoking mix of poetry, creative manifesto and criticism focusing on ten major American women poets -- Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, and Harryette Mullen -- whose collective work shows an incredible range of poetic practice. Underscoring the…  See more details below

Overview

A thought-provoking mix of poetry, creative manifesto and criticism focusing on ten major American women poets -- Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, and Harryette Mullen -- whose collective work shows an incredible range of poetic practice. Underscoring the dynamic give and take between poets and the culture at large, this anthology is indispensable for anyone interested in poetry, gender, and the creative process.

Product Details

ISBN-13:
9780819565471
Publisher:
Wesleyan University Press
Publication date:
08/13/2002
Series:
Wesleyan Poetry Series
Edition description:
New Edition
Pages:
452
Sales rank:
1,427,999
Product dimensions:
6.00(w) x 9.00(h) x 1.20(d)

Table of Contents

ACKNOWLEDGMENTS
INTRODUCTION
RAE ARMANTROUT
Poems: “As We’re Told” — “The Plan” — “View” — “Up to Speed” — “Manufacturing”
Poetic Statement: Cheshire Poetics
Critical Essay: Lyricism of the Swerve: The Poetry of Rae Armantrout, by Hank Lazer
MEI-MEI BRUSSENBRUGE
Poems: From “Four Year Old Girl” — From “Kali” — From “The Retired Architect”
Poetic Statement: By Correspondence
Critical Essay: A “Sensitive Empiricism”: Berssenbrugge’s Phenomenological Investigations, by Linda Voris
LUCIE BROCK-BROIDO
Poems: “The One Thousand Days” — “Soul Keeping Company” — “Periodic Table of Ethereal Elements” — “Am Moor” — “Carrowmore”
Poetic Statement: Myself a Kangaroo Among the Beauties
Critical Essay: “Subject, Subjugate, Inthralled”: The Selves of Lucie Brock-Broido, by Stephen Burt
JORIE GRAHAM
Poems: “Exit Wound” — “Covenant” — “Prayer” — “Gulls” — “The Complex Mechanism of the Break” — “In/Silence” — “Philosopher’s Stone”
Poetic Statement: At the Border
Critical Essay: Jorie Graham and Emily Dickinson: Singing to Use the Waiting, by Thomas Gardner
BARBARA GUEST
Poems: “Valorous Time” — “If So, Tell Me” — “Confession of My Images” — “Defensive Rapture” — “An Emphasis Falls on Reality” — “The Farewell Stairway” — “Words”
Poetic Statement: The Forces of the Imagination
Critical Essay: Implacable Poet, Purple Birds: The Work of Barbara Guest, by Sara Lundquist
LYN HEJINIAN
Poems: From “Writing Is an Aid to Memory” — From “Happily”
Poetic Statement: Some Notes toward a Poetics – Critical Essay: Parting with Description, by Craig Dworkin
BRENDA HILLMAN
Poems: “A Geology”
Poetic Statement: Twelve Writings toward a Poetics of Alchemy, Dread, Inconsistency, Betweenness, and California’s Geological Syntax
Critical Essay: “Needing Syntax to Love”: Expressive Experientialism in the Work of Brenda Hillman, by Lisa Sewell
SUSAN HOWE
Poems: “From Chair”
Poetic Statement: The Leaves Are Not Enough to Crown to Cover to Crown to Cover
Critical Essay: Articulating the Inarticulate: Singularities and the Countermethod in Susan Howe, by Ming-Qian Ma
ANN LAUTERBACH
Poems: “In the Museum of the Word (Henri Matisse)” — “S T O N E S (Istanbul, Robert Smithson)”
Poetic Statement: As (It) Is: Toward a Poetics of the Whole Fragment – Critical Essay: “Enlarging the Last Lexicon of Perception” in Ann Lauterbach’s Framed Fragments, by Christine Hume
HARRYETTE MULLEN
Poems: “Wino Rhino” — “Fancy Cortex” — “Music for Homemade Instruments” — “The Anthropic Principle” — “Sleeping with the Dictionary”
Poetic Statement: Imagining the Unimagined Reader
Critical Essay: “Sleeping with the Dictionary”: Harryette Mullen’s “Recylopedia,” by Elizabeth A. Frost
CONTRIBUTORS
INDEX

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