The Washington Post - Emily Raboteau
What's as American as the invention of race? Self-invention. So we are reminded by Chimamanda Ngozi Adichie's engaging third novel…Americanah is social satire masquerading as romantic comedy. There is mocking, but not without love…beyond race, the book is about the immigrant's quest: self-invention, which is the American subject. Americanah is unique among the booming canon of immigrant literature of the last generation…Its ultimate concern isn't the challenge of becoming American or the hyphenation that requires, but the challenge of going back home.
The New York Times Book Review - Mike Peed
Adichie…is an extraordinarily self-aware thinker and writer, possessing the ability to lambaste society without sneering or patronizing or polemicizing. For her, it seems no great feat to balance high-literary intentions with broad social critique. Americanah examines blackness in America, Nigeria and Britain, but it's also a steady-handed dissection of the universal human experiencea platitude made fresh by the accuracy of Adichie's observations…Americanah is witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us. It never feels false.
From the Publisher
National Book Critics Circle Award Winner • One of the New York Times Book Review's Best Books of the Year • A PARADE BEST BOOK OF ALL TIME
One of the Best Books of the Year:
The New York Times • NPR • Chicago Tribune • The Washington Post • The Seattle Times • Entertainment Weekly • Newsday • Goodreads
One of Time's 10 Best Fiction Books of the year
“Dazzling. . . . Funny and defiant, and simultaneously so wise. . . . Brilliant.” —San Francisco Chronicle
“A very funny, very warm and moving intergenerational epic that confirms Adichie’s virtuosity, boundless empathy and searing social acuity.” —Dave Eggers, author of A Hologram for the King
“Masterful. . . . An expansive, epic love story. . . . Pulls no punches with regard to race, class and the high-risk, heart-tearing struggle for belonging in a fractured world.” —O, The Oprah Magazine
“[A] knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color. . . . A marvel.” —NPR
“A cerebral and utterly transfixing epic. . . . Americanah is superlative at making clear just how isolating it can be to live far away from home. . . . Unforgettable.” —The Boston Globe
“Witheringly trenchant and hugely empathetic . . . a novel that holds the discomfiting realities of our times fearlessly before us. . . . A steady-handed dissection of the universal human experience.” —The New York Times Book Review
“Adichie is uniquely positioned to compare racial hierarchies in the United States to social striving in her native Nigeria. She does so in this new work with a ruthless honesty about the ugly and beautiful sides of both nations.” —The Washington Post
“Gorgeous. . . . A bright, bold book with unforgettable swagger that proves it sometimes takes a newcomer to show Americans to ourselves.” —The Dallas Morning News
“Americanah tackles the U.S. race complex with a directness and brio no U.S. writer of any color would risk.” —The Philadelphia Inquirer
“So smart about so many subjects that to call it a novel about being black in the 21st century doesn’t even begin to convey its luxurious heft and scope. . . . Capacious, absorbing and original.” —Jennifer Reese, NPR
“Superb . . . Americanah is that rare thing in contemporary literary fiction: a lush, big-hearted love story that also happens to be a piercingly funny social critique.” —Vogue
“A near-flawless novel.” —The Seattle Times
Kirkus Reviews
A sensitive portrayal of distant love, broken affinities and culture clash by Nigerian novelist Adichie (Purple Hibiscus, 2003, etc.). Absence makes the heart grow fonder, it's said--but as often it makes the heart grow forgetful. Ifemelu, beautiful and naturally aristocratic, has the good fortune to escape Nigeria during a time of military dictatorship. It is a place and a society where, as a vivacious "aunty" remarks, "[t]he problem is that there are many qualified people who are not where they are supposed to be because they won't lick anybody's ass, or they don't know which ass to lick or they don't even know how to lick an ass." Ifemelu's high school sweetheart, Obinze, is too proud for any of that; smart and scholarly, he has been denied a visa to enter post-9/11 America (says his mother, "[t]he Americans are now averse to foreign young men"), and now he is living illegally in London, delivering refrigerators and looking for a way to find his beloved. The years pass, and the world changes: In the America where Ifemelu is increasingly at home, "postracial" is a fond hope, but everyone seems just a little bewildered at how to get there, and meanwhile, Ifemelu has to leave the safe, sheltered confines of Princeton to go to Trenton if she's to get her hair done properly. The years pass, and Ifemelu is involved in the usual entanglements, making a reunion with Obinze all the more complicated. Will true love win out? Can things be fixed and contempt disarmed? All that remains to be seen, but for the moment, think of Adichie's elegantly written, emotionally believable novel as a kind of update of Terry McMillan's Waiting to Exhale. Soap-operatic in spots, but a fine adult love story with locations both exotic and familiar.