Thom Yorke's
Atoms for Peace involves longtime
Radiohead engineer/producer
Nigel Godrich (
Ultraista) and bassist
Flea (
Red Hot Chili Peppers), as well as two session veterans in drummer
Joey Waronker (
R.E.M.,
Ultraista) and percussionist
Mauro Refosco (
Forro in the Dark). For their first public performance, back in 2009, they performed
Yorke's
Godrich-assisted 2006 album
The Eraser in its entirety, as well as some fresh material. Over three years later, they've come up with this, a product of jam sessions formed -- by
Yorke and
Godrich -- into a uniform nine-track album. It sounds more like a fleshier successor to
Yorke's first solo album than it does a first step, and it's presented that way, from
Stanley Donwood's woodcut illustrations to the band's name -- the same as a track title on
The Eraser. Due to the nature of the recording process, the material is more about sounds -- rippling rhythms, more specifically -- than songs. Attempting to discern the organic from the mutated and the processed is a fool's errand yet part of the appeal. Listeners will be either unnerved or fascinated by the use of
Flea's low-throbbing lines, which add warmth, rarely propel, and are sometimes obscured beneath piles of shifting percussion. Given all the thick layering of sounds,
Yorke's words -- normally enunciated and mixed in such a way to enable transcription with only a slight headache as a reward -- tend to act as another element rather than as a focal point. The lyrics probably weren't written at the bassist's house after some drunken pool playing. They're in typical
Yorke character, consisting of vaguely conveyed altercations and conflicts: "You got me into this mess," "I couldn't care less," "But it's eating me up," "They try to jump me," "Go back to where you came from," "I'm like the wind and my anger will disperse." In other words, this is another
Thom Yorke solo album, and it sounds really nice on decent headphones. ~ Andy Kellman