Among Others

Among Others

3.4 63
by Jo Walton

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Startling, unusual, and yet irresistibly readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.

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Startling, unusual, and yet irresistibly readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.

Editorial Reviews

Elizabeth Hand
…beautifully written…More than anything else, Among Others is a love letter to the literature of the fantastic and to SF fandom.
—The Washington Post
Jeff VanderMeer
It's a brave act to write a novel that is in ­essence all aftermath, but Walton succeeds admirably. Her novel is a wonder and a joy.
—The New York Times
Publishers Weekly
World Fantasy Award–winner Walton (Tooth and Claw) turns the magical boarding school story inside out in this compelling coming-of-age tale. Welsh teen Morwenna was badly hurt, and her twin sister killed, when the two foiled their abusive mother's spell work. Seeking refuge with a father she barely knows in England, Mori is shunted off to a grim boarding school. Mori works a spell to find kindred souls and soon meets a welcoming group of science fiction readers, but she can feel her mother looking for her, and this time Mori won't be able to escape. Walton beautifully captures the outsider's yearning in Mori's earthy and thoughtful journal entries: "It doesn't matter. I have books, new books, and I can bear anything as long as there are books." Never deigning to transcend the genre to which it is clearly a love letter, this outstanding (and entirely teen-appropriate) tale draws its strength from a solid foundation of sense-of-wonder and what-if. (Jan.)
VOYA - Ruth Cox Clark
Walton, a World Fantasy Award recipient, has deftly created a realistic late 1970s setting where science fiction and fantasy meld. Readers are right next to fifteen-year-old Morwenna, peering into the woods to find the fairies (not pretty ones either) that she can communicate with. After a terrible accident brought about by her black-magic-obsessed mother who killed Morwenna's twin sister, she flees Wales to live with her estranged English father. Instead, her prim and proper aunts, who Morwenna is sure are witches, send her to an English boarding school. Crippled from the accident and grieving her sister's death, this lonely teen finds solace in books: "There are books you can fall into and pull over your head." Against her better judgment, Morwenna uses magic to find like-minded friends and shortly after, with the help of her boarding school librarian, joins a book club of fellow science fiction and fantasy lovers where she feels welcome. Morwenna returns to Wales for the holidays and the inevitable battle with her mother. Readers learn intimate details of Morwenna's past and current life via heartbreaking and starkly honest journal entries peppered with title and author references. Science fiction readers will want a notebook handy to jot them down, but they can also be skimmed by readers who are not fans of these genres. Morwenna is a complex, quirky character who readers will quickly be drawn to as they join her on her quest of self-discovery. Reviewer: Ruth Cox Clark
Children's Literature - Lois Rubin Gross
Walton is not playing fairly. She has written a book about science fiction that is not science fiction. It is a fantasy, but plays hide and seek through a fairy world. It extols the virtues of libraries and librarians and will, undoubtedly, take its place on library shelves where dedicated librarians will hand it to teenagers who feel as much like misfits as the heroine, Morwenna Phelps. In 1979, Morwenna (known as Mori) is sent away to a British boarding school to separate her from her mad mother who has caused the death of Morwenna's twin. In her Welsh home, Mori has visited with fairies and done their bidding, but in the mundane school atmosphere, Mori struggles to hold on to her magical powers and gain control over the crippling pain, a result of the same accident that killed her sister. She retreats into science fiction and gorges on the entirety of the genre written to that time. So, while this book is not itself science fiction, it will send intrigued readers scampering to the stacks for Heinlein, Zelazny, and LeGuin. Mori's life is enriched by a book group where she meets another outcast named Wim, a working class boy with whom she forms a bond, both magical and physical. It is Wim's friendship that pulls Mori back from the abyss when fairies beckon her to rejoin her sister in death. For more than half the book, readers will battle with the question of whether Mori's magic is real or imagined, but the final chapters answer the question most satisfactorily. This is a book for mature readers because it skirts the issues of teenage sex and sexuality. However, it presents some strong adult models that treat teens as equals, and is much more than the problem novels that Mori abhors. It is a book that will weave an extraordinary spell for many readers searching for a fictional soul mate. Reviewer: Lois Rubin Gross
Library Journal
World Fantasy Award winner Walton (Tooth and Claw) spins an enchanting tale filled with libraries and magic through the pages of a young woman's diary. Morwenna and her twin, Morganna, spent their childhood sur-rounded by Welsh ruins and fairies. Torn from her sister and hiding from her crazy mother, Morwenna finds herself in the care of her estranged father and his eerily controlling sisters. Surrounded by things strange and unfamiliar, she struggles to find safety and balance through protective magic, enigmatic fairies, and the pages of sf and fantasy novels. Interlibrary loan privileges, a book club at the public library, and the handsome and disreputable Wim help Morwenna manage the cruelty of classmates and evade her mother's sorcerous clutches. But even protective magic leaves a trail, and Morwenna ends up fighting for her life and everything she's come to believe.Verdict A delightful reminder of the wonder and power of books and the libraries that keep them.—Jennifer Anderson, Texas A&M Univ.-Corpus Christi

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Among Others

By Jo Walton, Patrick Nielsen Hayden

Tom Doherty Associates

Copyright © 2010 Jo Walton
All rights reserved.
ISBN: 978-1-4299-9152-0


Thursday 1st May 1975

The Phurnacite factory in Abercwmboi killed all the trees for two miles around. We'd measured it on the mileometer. It looked like something from the depths of hell, black and looming with chimneys of flame, reflected in a dark pool that killed any bird or animal that drank from it. The smell was beyond description. We always wound up the car windows as tight as tight when we had to pass it, and tried to hold our breath, but Grampar said nobody could hold their breath that long, and he was right. There was sulphur in that smell, which was a hell chemical as everyone knew, and other, worse things, hot unnameable metals and rotten eggs.

My sister and I called it Mordor, and we'd never been there on our own before. We were ten years old. Even so, big as we were, as soon as we got off the bus and started looking at it we started holding hands.

It was dusk, and as we approached the factory loomed blacker and more terrible than ever. Six of the chimneys were alight; four belched out noxious smokes.

"Surely it is a device of the Enemy," I murmured.

Mor didn't want to play. "Do you really think this will work?"

"The fairies were sure of it," I said, as reassuringly as possible.

"I know, but sometimes I don't know how much they understand about the real world."

"Their world is real," I protested. "Just in a different way. At a different angle."

"Yes." She was still staring at the Phurnacite, which was getting bigger and scarier as we approached. "But I don't know how much they understand about the angle of the every day world. And this is definitely in that world. The trees are dead. There isn't a fairy for miles."

"That's why we're here," I said.

We came to the wire, three straggly strands, only the top one barbed. A sign on it read "No Unauthorised Admittance. Beware Guard Dogs." The gate was far around the other side, out of sight.

"Are there dogs?" she asked. Mor was afraid of dogs, and dogs knew it. Perfectly nice dogs who would play with me would rouse their hackles at her. My mother said it was a method people could use to tell us apart. It would have worked, too, but typically of her, it was both terrifyingly evil and just a little crazily impractical.

"No," I said.

"How do you know?"

"It would ruin everything if we go back now, after having gone to all this trouble and come this far. Besides, it's a quest, and you can't give up on a quest because you're afraid of dogs. I don't know what the fairies would say. Think of all the things people on quests have to put up with." I knew this wasn't working. I squinted forward into the deepening dusk as I spoke. Her grip on my hand had tightened. "Besides, dogs are animals. Even trained guard dogs would try to drink the water, and then they'd die. If there really were dogs, there would be at least a few dog bodies at the side of the pool, and I don't see any. They're bluffing."

We crept below the wire, taking turns holding it up. The still pool was like old unpolished pewter, reflecting the chimney flames as unfaithful wavering streaks. There were lights below them, lights the evening shift worked by.

There was no vegetation here, not even dead trees. Cinders crunched underfoot, and clinker and slag threatened to turn our ankles. There seemed to be nothing alive but us. The star-points of windows on the hill opposite seemed ridiculously out of reach. We had a school friend who lived there, we had been to a party once, and noticed the smell, even inside the house. Her father worked at the plant. I wondered if he was inside now.

At the edge of the pool we stopped. It was completely still, without even the faintest movement of natural water. I dug in my pocket for the magic flower. "Have you got yours?"

"It's a bit crushed," she said, fishing it out. I looked at them. Mine was a bit crushed too. Never had what we were doing seemed more childish and stupid than standing in the centre of that desolation by that dead pool holding a pair of crushed pimpernels the fairies had told us would kill the factory.

I couldn't think of anything appropriate to say. "Well, un, dai, tri!" I said, and on "Three" as always we cast the flowers forward into the leaden pool, where they vanished without even a ripple. Nothing whatsoever happened. Then a dog barked far away, and Mor turned and ran and I turned and pelted after her.

"Nothing happened," she said, when we were back on the road, having covered the distance back in less than a quarter of the time it had taken us as distance out.

"What did you expect?" I asked.

"The Phurnacite to fall and become a hallowed place," she said, in the most matter-of-fact tone imaginable. "Well, either that or huorns."

I hadn't thought of huorns, and I regretted them extremely. "I thought the flowers would dissolve and ripples would spread out and then it would crumble to ruin and the trees and ivy come swarming over it while we watched and the pool would become real water and a bird would come and drink from it and then the fairies would be there and thank us and take it for a palace."

"But nothing at all happened," she said, and sighed. "We'll have to tell them it didn't work tomorrow. Come on, are we going to walk home or wait for a bus?"

It had worked, though. The next day, the headline in the Aberdare Leader was "Phurnacite Plant Closing: Thousands of Jobs Lost."

* * *

I'm telling that part first because it's compact and concise and it makes sense, and a lot of the rest of this isn't that simple.

Think of this as a memoir. Think of it as one of those memoirs that's later discredited to everyone's horror because the writer lied and is revealed to be a different colour, gender, class and creed from the way they'd made everybody think. I have the opposite problem. I have to keep fighting to stop making myself sound more normal. Fiction's nice. Fiction lets you select and simplify. This isn't a nice story, and this isn't an easy story. But it is a story about fairies, so feel free to think of it as a fairy story. It's not like you'd believe it anyway.

WEdnesday 5th September 1979

"And how nice it'll be for you," they said, "to be in the countryside. After coming from, well, such an industrialised place. The school's right out in the country, there'll be cows and grass and healthy air." They want to get rid of me. Sending me off to boarding school would do nicely, that way they can keep on pretending I didn't exist at all. They never looked right at me. They looked past me, or they sort of squinted at me. I wasn't the sort of relative they'd have put in for if they'd had any choice. He might have been looking, I don't know. I can't look straight at him. I kept darting little sideways glances at him, taking him in, his beard, the colour of his hair. Did he look like me? I couldn't tell.

There were three of them, his older sisters. I'd seen a photograph of them, much younger but their faces exactly the same, all dressed as bridesmaids and my Auntie Teg next to them looking as brown as a berry. My mother had been in the picture too, in her horrid pink wedding dress — pink because it was December and we were born the June after and she did have some shame — but he hadn't been. She'd torn him off. She'd ripped or cut or burned him out of all the wedding pictures after he'd run off. I'd never seen a picture of him, not one. In L. M. Montgomery's Jane of Lantern Hill, a girl whose parents were divorced recognised a picture of her father in the paper without knowing it. After reading that we'd looked at some pictures, but they never did anything for us. To be honest, most of the time we hadn't thought about him much.

Even standing in his house I was almost surprised to find him real, him and his three bossy half-sisters who asked me to call them Aunt. "Not aunty," they said. "Aunty's common." So I called them Aunt. Their names are Anthea and Dorothy and Frederica, I know, as I know a lot of things, though some of them are lies. I can't trust anything my mother told me, not unless it's checked. Some things books can't check, though. It's no use my knowing their names anyway, because I can't tell them apart, so I don't call them aunt anything, just Aunt. They call me "Morwenna," very formally.

"Arlinghurst is one of the best girls' schools in the country," one of them said.

"We all went there," another chimed in.

"We had the jolliest time," the third finished. Spreading what they're saying out like that seems to be one of their habits.

I just stood there in front of the cold fireplace, looking up under my fringe and leaning on my cane. That was something else they didn't want to see. I saw pity in one of their faces when I first got out of the car. I hate that. I'd have liked to sit down, but I wasn't going to say so. I can stand up much better now. I will get better, whatever the doctors said. I want to run so much sometimes my body aches with longing more than the pain from my leg.

I turned around to distract myself and looked at the fireplace. It was marble, very elaborate, and there were branches of copper birch leaves arranged in it. Everything was very clean, but not very comfortable. "So we'll get your uniforms right away, today in Shrewsbury, and take you down there tomorrow," they said. Tomorrow. They really can't wait to get rid of me, with my ugly Welsh accent and my limp and worst of all my inconvenient existence. I don't want to be here either. The problem is that I don't have anywhere else to be. They won't let you live alone until you're sixteen; I found that out in the Home. And he is my father even if I'd never seen him before. There is a sense in which these women really are my aunts. That makes me feel lonelier and further away from home than I ever had. I miss my real family, who have let me down.

The rest of the day was shopping, with all three aunts, but without him. I didn't know if I was glad or sorry about that. The Arlinghurst uniform had to come from special shops, just like my grammar school uniform did. We'd been so proud when we passed the Eleven plus. The cream of the Valleys, they said we were. Now that's all gone, and instead they're forcing on me this posh boarding school with its strange requirements. One of the aunts had a list, and we bought everything on it. They're certainly not hesitating about spending money. I've never had this much spent on me. Pity it's all so horrible. Lots of it is special games kits. I didn't say I won't be using them any time soon, or maybe ever. I keep turning away from that thought. All my childhood we had run. We'd won races. Most of the school races we'd been racing each other, leaving the rest of the field far behind. Grampar had talked about the Olympics, just dreaming, but he had mentioned it. There had never been twins at the Olympics, he said.

When it came to shoes, there was a problem. I let them buy hockey shoes and running shoes and daps, for gym, because either I can use them or not. But when it comes to the uniform shoes, for every day, I had to stop them. "I have a special shoe," I said, not looking at them. "It has a special sole. They have to be made, at the orthopaedic. I can't just buy them."

The shop assistant confirmed that we can't just buy them in the school pattern. She held up a school shoe. It was ugly, and not very different from the clumpy shoes I have. "Couldn't you walk in these?" one of the aunts asked.

I took the school shoe in my hands and looked at it. "No," I said, turning it over. "There's a heel, look." It was inarguable, though the school probably thinks the heel is the minimum any self-respecting teenage girl will wear.

They didn't mean to totally humiliate me as they clucked over the shoes and me and my built-up sole. I had to remind myself of that as I stood there like a rock, a little painful half-smile on my face. They wanted to ask what's wrong with my leg, but I outfaced them and they didn't quite dare. This, and seeing it, cheered me up a little. They gave in on the shoes, and said the school would just have to understand. "It's not as if my shoes were red and glamorous," I said.

That was a mistake, because then they all stared at my shoes. They are cripple shoes. I had a choice of one pattern of ladies' cripple shoes, black or brown, and they are black. My cane's wooden. It used to belong to Grampar, who is still alive, who is in hospital, who is trying to get better. If he gets better, I might be able to go home. It's not likely, considering everything, but it's all the hope I have. I have my wooden key ring dangling from the zip of my cardigan. It's a slice of tree, with bark, it came from Pembrokeshire. I've had it since before. I touched it, to touch wood, and I saw them looking. I saw what they saw, a funny little spiky crippled teenager with a piece of tatty wood. But what they ought to see is two glowing confident children. I know what happened, but they don't, and they'd never understand it.

"You're very English," I said.

They smiled. Where I come from, "Saes" is an insult, a terrible fighting word, the worst thing you can possibly call someone. It means "English." But I am in England now.

We ate dinner around a table that would have been small for sixteen, but with a fifth place laid awkwardly for me. Everything matched, the tablemats, the napkins, the plates. It couldn't be more different from home. The food was, as I'd expected, terrible — leathery meat and watery potatoes and some kind of green spear-shaped vegetable that tastes of grass. People have told me all my life that English food is awful, and it's reassuring that they were right. They talked about boarding schools, which they all went to. I know all about them. Not for nothing have I read Greyfriars and Malory Towers and the complete works of Angela Brazil.

After dinner, he asked me into his study. The aunts didn't look happy about it, but they didn't say anything. The study was a complete surprise, because it's full of books. From the rest of the house, I'd have expected neat old leatherbound editions of Dickens and Trollope and Hardy (Gramma loved Hardy), but instead the shelves are chockablock with paperbacks, and masses of them are SF. I actually relaxed for the first time in this house, for the first time in his presence, because if there are books perhaps it won't be all that bad.

There were other things in the room — chairs, a fireplace, a drinks tray, a record player — but I ignored or avoided them and walked as fast as I clumsily could to the SF shelf.

There was a whole load of Poul Anderson I haven't read. Stuffed on the top of the As there was Anne McCaffrey's Dragonquest, which looks as if it's the sequel to "Weyr Search" which I read in an anthology. On the shelf below there was a John Brunner I haven't read. Better than that, two John Brunners, no, three John Brunners I haven't read. I felt my eyes start to swim.

I spent the summer practically bookless, with only what I took with me when I ran away from my mother — the three-volume paperback Lord of the Rings, of course, Ursula Le Guin's The Wind's Twelve Quarters, Volume 2, which I will defend against all comers as the best single author short story collection of all time, ever, and John Boyd's The Last Starship from Earth, which I'd been in the middle of at the time and which hadn't stood up to re-reading as much as one might hope. I have read, though I didn't bring it with me, Judith Kerr's When Hitler Stole Pink Rabbit, and the comparison between Anna bringing a new toy instead of the loved Pink Rabbit when they left the Third Reich has been uncomfortably with me whenever I've looked at the Boyd recently.

"Can I —" I started to ask.

"You can borrow any books you want, just take care of them and bring them back," he said. I snatched the Anderson, the McCaffrey, the Brunners. "What have you got?" he asked. I turned and showed him. We both looked at the books, not at each other.

"Have you read the first of these?" he asked, tapping the McCaffrey.

"Out of the library," I said. I have read the entire science fiction and fantasy collection of Aberdare library, from Anderson's Ensign Flandry to Roger Zelazny's Creatures of Light and Darkness, an odd thing to end on, and one I'm still not certain about.

"Have you read any Delany?" he asked. He poured himself a whisky and sipped it. It smelled weird, horrible.


Excerpted from Among Others by Jo Walton, Patrick Nielsen Hayden. Copyright © 2010 Jo Walton. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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