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An American Triptych: Anne Bradstreet, Emily Dickinson, and Adrienne Rich / Edition 1

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1984-01-16 Trade Paperback Good Trade paperback (US). Glued binding. 282 p.

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The University of North Carolina Press, 01/16/1984, Paperback, Good condition. Lightly Dampstained.

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1984 Paperback Good Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not ... include cd-rom or access codes. Customer service is our top priority! Read more Show Less

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1984 Paperback Very Good 272 pages.

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Chapel Hill, N.C. 1984 Soft cover Good Book A bright, tight paperback edition. Wraps are colorful; some soil on front panel; binding firm; light rubbing to corners. Soil marks ... on textbox edge; pages are clean & unmarked. Read more Show Less

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1984 Trade paperback New. Trade paperback (US). Glued binding. 282 p. Audience: General/trade. Oversized softcover trade paperback, Fine Condition (Brand new book! ), Backroom.

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2nd printing. A large trade paperback. Near fine in illustrated wrappers (spine sunned. ) A study of 3 women poets and how each expresses their personal visions and experiences ... in the context of their historical moment. Trade paperback, 272 pgs including notes, index. Read more Show Less

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Chapel Hill 1984 Softcover 272 pages. Softcover. Good condition. Back cover has been cut off. Library discard. LITERARY CRITICISM. (Key Words: Emily Dickinson, Anne Bradstreet).

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Overview

Anne Bradstreet, Emily Dickinson, and Adrienne Rich share nationality, gender, and an aesthetic tradition, but each expresses these experiences in the context of her own historical moment. Puritanism imposed stringent demands on Bradstreet, romanticism both inspired and restricted Dickinson, and feminism challenged as well as liberated Rich. Nevertheless, each poet succeeded in forming a personal vision that counters traditional male poetics. Their poetry celebrates daily life, demonstrates their commitment to nurturance rather than dominance, shows their resistance to the control of both their earthly and heavenly fathers, and affirms their experience in a world that has often denied women a voice.

Wendy Martin recreates the textures of these women's lives, showing how they parallel the shifts in the status of American women from private companion to participant in a wider public life. The three portraits examine in detail the life and work of the Puritan wife of a colonial magistrate, the white-robed, reclusive New England seer, and the modern feminist and lesbian activist. Their poetry, Martin argues, tells us much about the evolution of feminist and patriarchal perspectives, from Bradstreet's resigned acceptance of traditional religion, to Dickinson's private rebellion, to Rich's public criticism of traditional masculine culture. Together, these portraits compose the panels of an American triptych.

Beyond the dramatic contrasts between the Puritan and feminist vision, Martin finds striking parallels in form. An ideal of a new world, whether it be the city on the hill or a supportive community of women, inspires both. Like the commonwealth of saints, this concept of a female collectivity, which all three poets embrace, is a profoundly political phenomenon based on a pattern of protest and reform that is deeply rooted in American life. Martin suggests that, through their belief in regeneration and renewal, Bradstreet Dickinson, and Rich are part of a larger political as well as literary tradition. An American Triptych both enhances our understanding of the poets' work as part of the web of American experience and suggests the outlines of an American female poetic.

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Editorial Reviews

From the Publisher
What this book provides, then, is a 'portrait of three faces of feminism, three phases of poetic form,' as well as an analysis of the complex relationship of women to the Puritan tradition that has shaped this country's cultural identity. . . . An American Triptych insightfully illustrates how three American female poets made themselves, in Dickinson's phrase, 'At Home—in Paradise.'
—Susan Gubar, New York Times Book Review

Wendy Martin brings together the insights of recent feminist criticism with broad historical learning and a fine aesthetic sensibility; and she does so in a lucid, engaging way. This careful study of three important American women poets is a contribution to the entire field of American literature and cultural studies.
—Sacvan Bercovitch, Harvard University

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Product Details

  • ISBN-13: 9780807841129
  • Publisher: The University of North Carolina Press
  • Publication date: 1/16/1984
  • Edition description: 1
  • Edition number: 1
  • Pages: 282
  • Product dimensions: 0.64 (w) x 6.00 (h) x 9.00 (d)

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