An Evening with Belafonte/Makeba

Editorial Reviews

All Music Guide - William Ruhlmann
Since Harry Belafonte and Miriam Makeba had appeared together in concert frequently in the early '60s, customers spying an LP called Evening With Belafonte/Makeba might reasonably have assumed that the record would contain a joint live performance by the two, and that might help explain why this album charted in the Top 100 despite its challenging material. To begin with, it is not a live album, but rather a studio recording. And it isn't so much a duo album, for the most part, as a joint album; Belafonte and Makeba perform together on only two tracks, "Train Song" and "Cannon." Otherwise, they split up the selections, each appearing on five. The real point of this ...
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Editorial Reviews

All Music Guide - William Ruhlmann
Since Harry Belafonte and Miriam Makeba had appeared together in concert frequently in the early '60s, customers spying an LP called Evening With Belafonte/Makeba might reasonably have assumed that the record would contain a joint live performance by the two, and that might help explain why this album charted in the Top 100 despite its challenging material. To begin with, it is not a live album, but rather a studio recording. And it isn't so much a duo album, for the most part, as a joint album; Belafonte and Makeba perform together on only two tracks, "Train Song" and "Cannon." Otherwise, they split up the selections, each appearing on five. The real point of this album is to present a group of South African songs in more or less authentic fashion. They are sung mostly in either Xhosa or Zulu, with one song in Sotho and another in Swahili. Despite the English song titles with the original titles following in parenthesis, there is only one moment on the album when the English language is spoken; that is when Makeba explains the meaning of "Khawuleza" the Xhosa title of "Hurry, Mama, Hurry!" as referring to situations in which children alert their mothers that the authorities are coming. Both Belafonte and Makeba are frequently accompanied by a choir for some wonderful effects. This is a powerful album of traditional South African music, and anyone buying it realizing that will be well satisfied. Just don't think the disc is what it appears to be from the title.
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Product Details

  • Release Date: 7/22/2008
  • Label: Drg
  • UPC: 021471150025
  • Catalog Number: 19500
  • Sales rank: 179,606

Tracks

Disc 1
  1. 1 Train Song - Miriam Makeba (3:13)
  2. 2 Kwazulu (In the Land of the Zulus) - Miriam Makeba (2:34)
  3. 3 Hush, Hush (3:07)
  4. 4 To Those We Love - Miriam Makeba (2:19)
  5. 5 Give Us Our Land (Mbayéké) (2:27)
  6. 6 Beware, Verwoerd! - Miriam Makeba (2:06)
  7. 7 Gone Are My Children (Bailé Banaké) (2:54)
  8. 8 Hurry, Mama, Hurry! - Miriam Makeba (3:28)
  9. 9 My Angel - Miriam Makeba (3:16)
  10. 10 Cannon - Miriam Makeba (2:50)
  11. 11 Lullaby (2:48)
  12. 12 Show Me the Way, My Brother (3:12)
  13. 13 My Brother
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Album Credits

Performance Credits
Harry Belafonte Primary Artist, Vocals
Miriam Makeba Vocals
Solomon Ilori Percussion
Jay Berliner Guitar
Ralph MacDonald Percussion
Chief Bey Percussion
Percy Brice Percussion
Sam Brown Guitar
Ernie Calabria Guitar
John Cartwright Violin (Bass)
Eddie Diehl Guitar
William Salter Violin (Bass)
Jonas Gwangwa Conductor
Technical Credits
Harry Belafonte Executive Producer
Miriam Makeba Arranger, Composer, Adaptation
Dorothy Masuka Composer
Hugh Fordin Reissue Producer
Alan Silverman Mastering
Bob Simpson Engineer
Jonas Gwangwa Adaptation, Orchestral Arrangements, Choir Arrangement
Alice Butts Art Direction
Traditional Composer
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