Introduction to Dvorák's Symphony No. 9 (

Introduction to Dvorák's Symphony No. 9 ("From the New World")

by Jeremy Siepmann
     
 

Product Details

Release Date:
09/17/2002
Label:
Naxos
UPC:
0636943806524
catalogNumber:
8558065-66
Rank:
311000

Related Subjects

Tracks

  1. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A quiet beginning, sorrow, syncopation, a  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  2. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Instrumental colour as a prime element: c  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  3. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The opening tune again, with different in  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  4. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first big surprise: strings, shatteri  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  5. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Cellos and basses take us into a new key  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  6. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Horns, violas, and cellos introduce a new  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  7. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail from the opening culminates  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  8. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Introduction complete  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  9. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A solo horn introduces the main theme, pe  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  10. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The theme moves to G major; answering phr  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  11. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Long crescendo, tremolo strings, back to  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  12. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition to the secondary theme through  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  13. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Three-bar groupings and again the use of  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  14. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The sequence continues to rise, and the f  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  15. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first violins start off the next phra  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  16. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins fall silent; the violas and c  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  17. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. So now we have a two-bar group, made up o  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  18. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The same thing again (through not quite t  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  19. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition complete. The secondary theme  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  20. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The 'bagpipe drone' is taken over by cell  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  21. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tune is taken up by cellos and double  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  22. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins continue a patterns of steady  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  23. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Unexpectedly, we find ourselves back with  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  24. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Again we hear the shortened version of th  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  25. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The suspense is heightened as everything  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  26. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. This beautiful flute tune is said to rese  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  27. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A big crescendo leads to a final statemen  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  28. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The development section begins with a con  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  29. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The beginning of the closing theme is tak  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  30. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Sequential chirping from the oboes based  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  31. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Much of the development comes from a dimi  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  32. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail becomes a major ingredient,  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  33. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Through a sequence of keys so quickly tha  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  34. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The main theme from massed cellos and dou  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  35. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. After that major climax, we arrive at the  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  36. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Dvorák flouts tradition by setting the se  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  37. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tumultuous convulsion of the coda bri  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  38. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Humpty Dumpty: putting the bits back toge  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  39. Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 1st mvt. First movement (complete)  - Antonin Dvorák  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  40. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The very opening chords unmistakably hera  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  41. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The role of instrumentation in setting th  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  42. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt....and in enhancing the quality of one of  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  43. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The cor anglais is joined by the clarinet  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  44. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. For the closing part of the tune, there i  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  45. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The closing bar is repeated by clarinets  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  46. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back to the start to hear the whole of th  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  47. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A change of scoring: the slow opening cho  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  48. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The changes in scoring are just beginning  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  49. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The flutes and oboes introduce a new tune  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  50. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A memorable combination of continuous, as  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  51. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back in that woodland glade, the light an  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  52. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The next section is new and forward-looki  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  53. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. An abrupt change of mood, much discussion  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  54. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Subjectivity and expertise; Sourek and To  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  55. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Cue to whole movement  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  56. Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 2nd mvt. Second movement (complete)  - Antonin Dvorák  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  57. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák, Beethoven and the Scherzo. Dvorák  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  58. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Using a little fanfare, Dvorák further bu  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  59. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. When the theme is revealed, we find that  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  60. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Two little bursts of rhythm povide the se  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  61. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. It is the second half of the theme that d  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  62. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Back to the beginning to hear the whole o  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  63. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Without ever being remotely 'academic' or  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  64. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák's very Czech love of combining con  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  65. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A clearly transitional passage, obsessed  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  66. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Sooner than we may have expected, we seem  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  67. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A new kind of tone quality sheds a subtly  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  68. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The flutes and oboes now chime in with an  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  69. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt...and the cellos and bassoons take up the  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  70. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A false alarm: it was not the traditional  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  71. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Soon, after a very rapid build, the Scher  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  72. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The orchestral texture thins dramatically  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  73. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The Trio section is reminiscent more of t  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  74. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. In the second half of the Trio, a new tun  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  75. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The main theme of the Trio returns agains  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  76. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Then it is all a matter of repeats, until  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  77. Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 3rd mvt. Third movement (complete)  - Antonin Dvorák  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  78. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Like the first movement, the fourth begin  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  79. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme: an imposing march, introd  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  80. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme, part two. A codetta-like  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  81. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'transitional' theme, while outwardly  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  82. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A point of future obsession  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  83. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The second half of this 'transitional' th  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  84. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'obsession' takes root, with a ten-fo  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  85. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The hidden traps in sonata-form terminolo  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  86. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The unexpected entry and subsequent ubiqu  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  87. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We meet the mice again, now in the cellos  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  88. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. More 'Three Blind Mice' material  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  89. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice return to the basement, where th  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  90. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Next, they are back with the clarinets, n  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  91. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now they return to the high winds, delica  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  92. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Relief, at last: the mice back off, makin  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  93. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice yield to woodpeckers (clarinets)  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  94. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The triplets of the 'transitional' theme  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  95. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Reminders of past movements begin to fly  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  96. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. In fact there are three bits of quotation  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  97. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The violas react every time the 'Goin' Ho  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  98. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The rhythm of the opening of the 'Goin' H  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  99. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The march theme reappears as a Mendelssoh  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  100. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We reach an interesing point: have we hea  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  101. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Perhaps this is it? Back for a reminder o  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  102. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Tovey places the start of the recapitulat  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  103. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme recast in pathetic rather  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  104. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. This unexpected crisis in confidence play  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  105. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme returns - not complete, bu  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  106. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A glorious thematic stew; high drama, a p  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  107. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The dramatic highpoint of the movement, a  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  108. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The same chords again, this time blasted  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  109. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now we are into the finishing stretch, bu  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  110. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Summary, context, and cue into the whole  - Jeremy Siepmann  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra
  111. Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 4th mvt. Fourth movement (complete)  - Antonin Dvorák  - Stephen Gunzenhauser  - Jeremy Siepmann  -  Slovak Philharmonic Orchestra

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