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An Introduction to Dvorák's Symphony No. 9 ("From the New World")

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Product Details

  • Release Date: 9/17/2002
  • Label: Naxos
  • UPC: 636943806524
  • Catalog Number: 8558065-66
  • Sales rank: 276,403

Tracks

Disc 1
  1. 1 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A quiet beginning, sorrow, syncopation, a - Jeremy Siepmann & Stephen Gunzenhauser (2:38)
  2. 2 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Instrumental colour as a prime element: c - Jeremy Siepmann & Stephen Gunzenhauser (0:57)
  3. 3 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The opening tune again, with different in - Jeremy Siepmann & Stephen Gunzenhauser (0:32)
  4. 4 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first big surprise: strings, shatteri - Jeremy Siepmann & Stephen Gunzenhauser (0:37)
  5. 5 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Cellos and basses take us into a new key - Jeremy Siepmann & Stephen Gunzenhauser (0:32)
  6. 6 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Horns, violas, and cellos introduce a new - Jeremy Siepmann & Stephen Gunzenhauser (0:31)
  7. 7 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail from the opening culminates - Jeremy Siepmann & Stephen Gunzenhauser (0:43)
  8. 8 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Introduction complete - Jeremy Siepmann & Stephen Gunzenhauser (2:05)
  9. 9 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A solo horn introduces the main theme, pe - Jeremy Siepmann & Stephen Gunzenhauser (0:39)
  10. 10 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The theme moves to G major; answering phr - Jeremy Siepmann & Stephen Gunzenhauser (0:33)
  11. 11 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Long crescendo, tremolo strings, back to - Jeremy Siepmann & Stephen Gunzenhauser (0:39)
  12. 12 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition to the secondary theme through - Jeremy Siepmann & Stephen Gunzenhauser (1:36)
  13. 13 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Three-bar groupings and again the use of - Jeremy Siepmann & Stephen Gunzenhauser (0:34)
  14. 14 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The sequence continues to rise, and the f - Jeremy Siepmann & Stephen Gunzenhauser (0:18)
  15. 15 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first violins start off the next phra - Jeremy Siepmann & Stephen Gunzenhauser (0:21)
  16. 16 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins fall silent; the violas and c - Jeremy Siepmann & Stephen Gunzenhauser (0:09)
  17. 17 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. So now we have a two-bar group, made up o - Jeremy Siepmann & Stephen Gunzenhauser (0:07)
  18. 18 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The same thing again (through not quite t - Jeremy Siepmann & Stephen Gunzenhauser (0:05)
  19. 19 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition complete. The secondary theme - Jeremy Siepmann & Stephen Gunzenhauser (1:00)
  20. 20 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The 'bagpipe drone' is taken over by cell - Jeremy Siepmann & Stephen Gunzenhauser (0:19)
  21. 21 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tune is taken up by cellos and double - Jeremy Siepmann & Stephen Gunzenhauser (0:57)
  22. 22 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins continue a patterns of steady - Jeremy Siepmann & Stephen Gunzenhauser (0:33)
  23. 23 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Unexpectedly, we find ourselves back with - Jeremy Siepmann & Stephen Gunzenhauser (0:26)
  24. 24 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Again we hear the shortened version of th - Jeremy Siepmann & Stephen Gunzenhauser (0:33)
  25. 25 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The suspense is heightened as everything - Jeremy Siepmann & Stephen Gunzenhauser (0:25)
  26. 26 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. This beautiful flute tune is said to rese - Jeremy Siepmann & Stephen Gunzenhauser (0:47)
  27. 27 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A big crescendo leads to a final statemen - Jeremy Siepmann & Stephen Gunzenhauser (1:16)
  28. 28 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The development section begins with a con - Jeremy Siepmann & Stephen Gunzenhauser (1:09)
  29. 29 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The beginning of the closing theme is tak - Jeremy Siepmann & Stephen Gunzenhauser (0:18)
  30. 30 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Sequential chirping from the oboes based - Jeremy Siepmann & Stephen Gunzenhauser (0:18)
  31. 31 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Much of the development comes from a dimi - Jeremy Siepmann & Stephen Gunzenhauser (0:19)
  32. 32 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail becomes a major ingredient, - Jeremy Siepmann & Stephen Gunzenhauser (0:31)
  33. 33 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Through a sequence of keys so quickly tha - Jeremy Siepmann & Stephen Gunzenhauser (0:37)
  34. 34 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The main theme from massed cellos and dou - Jeremy Siepmann & Stephen Gunzenhauser (1:46)
  35. 35 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. After that major climax, we arrive at the - Jeremy Siepmann & Stephen Gunzenhauser (1:04)
  36. 36 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Dvorák flouts tradition by setting the se - Jeremy Siepmann & Stephen Gunzenhauser (1:10)
  37. 37 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tumultuous convulsion of the coda bri - Jeremy Siepmann & Stephen Gunzenhauser (3:09)
  38. 38 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Humpty Dumpty: putting the bits back toge - Jeremy Siepmann & Stephen Gunzenhauser (0:20)
  39. 39 Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 1st mvt. First movement (complete) - Antonin Dvorák & Stephen Gunzenhauser (11:36)
  40. 40 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The very opening chords unmistakably hera - Jeremy Siepmann & Stephen Gunzenhauser (1:06)
  41. 41 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The role of instrumentation in setting th - Jeremy Siepmann & Stephen Gunzenhauser (1:10)
  42. 42 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt....and in enhancing the quality of one of - Jeremy Siepmann & Stephen Gunzenhauser (1:29)
  43. 43 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The cor anglais is joined by the clarinet - Jeremy Siepmann & Stephen Gunzenhauser (1:08)
  44. 44 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. For the closing part of the tune, there i - Jeremy Siepmann & Stephen Gunzenhauser (0:24)
  45. 45 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The closing bar is repeated by clarinets - Jeremy Siepmann & Stephen Gunzenhauser (0:28)
  46. 46 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back to the start to hear the whole of th - Jeremy Siepmann & Stephen Gunzenhauser (2:24)
  47. 47 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A change of scoring: the slow opening cho - Jeremy Siepmann & Stephen Gunzenhauser (1:14)
  48. 48 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The changes in scoring are just beginning - Jeremy Siepmann & Stephen Gunzenhauser (2:35)
  49. 49 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The flutes and oboes introduce a new tune - Jeremy Siepmann & Stephen Gunzenhauser (1:05)
  50. 50 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A memorable combination of continuous, as - Jeremy Siepmann & Stephen Gunzenhauser (1:28)
  51. 51 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back in that woodland glade, the light an - Jeremy Siepmann & Stephen Gunzenhauser (1:33)
  52. 52 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The next section is new and forward-looki - Jeremy Siepmann & Stephen Gunzenhauser (1:30)
  53. 53 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. An abrupt change of mood, much discussion - Jeremy Siepmann & Stephen Gunzenhauser (2:01)
  54. 54 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Subjectivity and expertise; Sourek and To - Jeremy Siepmann & Stephen Gunzenhauser (5:14)
  55. 55 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Cue to whole movement - Jeremy Siepmann & Stephen Gunzenhauser (0:10)
  56. 56 Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 2nd mvt. Second movement (complete) - Antonin Dvorák & Stephen Gunzenhauser (12:00)
Disc 2
  1. 1 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák, Beethoven and the Scherzo. Dvorák - Jeremy Siepmann & Stephen Gunzenhauser (1:54)
  2. 2 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Using a little fanfare, Dvorák further bu - Jeremy Siepmann & Stephen Gunzenhauser (0:21)
  3. 3 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. When the theme is revealed, we find that - Jeremy Siepmann & Stephen Gunzenhauser (0:36)
  4. 4 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Two little bursts of rhythm povide the se - Jeremy Siepmann & Stephen Gunzenhauser (0:24)
  5. 5 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. It is the second half of the theme that d - Jeremy Siepmann & Stephen Gunzenhauser (0:22)
  6. 6 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Back to the beginning to hear the whole o - Jeremy Siepmann & Stephen Gunzenhauser (0:48)
  7. 7 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Without ever being remotely 'academic' or - Jeremy Siepmann & Stephen Gunzenhauser (0:20)
  8. 8 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák's very Czech love of combining con - Jeremy Siepmann & Stephen Gunzenhauser (2:31)
  9. 9 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A clearly transitional passage, obsessed - Jeremy Siepmann & Stephen Gunzenhauser (0:30)
  10. 10 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Sooner than we may have expected, we seem - Jeremy Siepmann & Stephen Gunzenhauser (1:07)
  11. 11 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A new kind of tone quality sheds a subtly - Jeremy Siepmann & Stephen Gunzenhauser (0:35)
  12. 12 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The flutes and oboes now chime in with an - Jeremy Siepmann & Stephen Gunzenhauser (0:21)
  13. 13 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt...and the cellos and bassoons take up the - Jeremy Siepmann & Stephen Gunzenhauser (0:43)
  14. 14 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A false alarm: it was not the traditional - Jeremy Siepmann & Stephen Gunzenhauser (0:52)
  15. 15 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Soon, after a very rapid build, the Scher - Jeremy Siepmann & Stephen Gunzenhauser (1:13)
  16. 16 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The orchestral texture thins dramatically - Jeremy Siepmann & Stephen Gunzenhauser (1:28)
  17. 17 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The Trio section is reminiscent more of t - Jeremy Siepmann & Stephen Gunzenhauser (0:50)
  18. 18 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. In the second half of the Trio, a new tun - Jeremy Siepmann & Stephen Gunzenhauser (1:00)
  19. 19 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The main theme of the Trio returns agains - Jeremy Siepmann & Stephen Gunzenhauser (0:36)
  20. 20 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Then it is all a matter of repeats, until - Jeremy Siepmann & Stephen Gunzenhauser (1:15)
  21. 21 Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 3rd mvt. Third movement (complete) - Antonin Dvorák & Stephen Gunzenhauser (8:07)
  22. 22 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Like the first movement, the fourth begin - Jeremy Siepmann & Stephen Gunzenhauser (0:47)
  23. 23 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme: an imposing march, introd - Jeremy Siepmann & Stephen Gunzenhauser (0:48)
  24. 24 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme, part two. A codetta-like - Jeremy Siepmann & Stephen Gunzenhauser (1:01)
  25. 25 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'transitional' theme, while outwardly - Jeremy Siepmann & Stephen Gunzenhauser (0:53)
  26. 26 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A point of future obsession - Jeremy Siepmann & Stephen Gunzenhauser (0:16)
  27. 27 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The second half of this 'transitional' th - Jeremy Siepmann & Stephen Gunzenhauser (0:16)
  28. 28 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'obsession' takes root, with a ten-fo - Jeremy Siepmann & Stephen Gunzenhauser (0:57)
  29. 29 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The hidden traps in sonata-form terminolo - Jeremy Siepmann & Stephen Gunzenhauser (2:31)
  30. 30 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The unexpected entry and subsequent ubiqu - Jeremy Siepmann & Stephen Gunzenhauser (1:23)
  31. 31 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We meet the mice again, now in the cellos - Jeremy Siepmann & Stephen Gunzenhauser (0:36)
  32. 32 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. More 'Three Blind Mice' material - Jeremy Siepmann & Stephen Gunzenhauser (0:30)
  33. 33 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice return to the basement, where th - Jeremy Siepmann & Stephen Gunzenhauser (0:19)
  34. 34 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Next, they are back with the clarinets, n - Jeremy Siepmann & Stephen Gunzenhauser (0:18)
  35. 35 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now they return to the high winds, delica - Jeremy Siepmann & Stephen Gunzenhauser (0:15)
  36. 36 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Relief, at last: the mice back off, makin - Jeremy Siepmann & Stephen Gunzenhauser (0:34)
  37. 37 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice yield to woodpeckers (clarinets) - Jeremy Siepmann & Stephen Gunzenhauser (1:07)
  38. 38 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The triplets of the 'transitional' theme - Jeremy Siepmann & Stephen Gunzenhauser (0:23)
  39. 39 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Reminders of past movements begin to fly - Jeremy Siepmann & Stephen Gunzenhauser (0:28)
  40. 40 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. In fact there are three bits of quotation - Jeremy Siepmann & Stephen Gunzenhauser (0:23)
  41. 41 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The violas react every time the 'Goin' Ho - Jeremy Siepmann & Stephen Gunzenhauser (0:13)
  42. 42 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The rhythm of the opening of the 'Goin' H - Jeremy Siepmann & Stephen Gunzenhauser (0:35)
  43. 43 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The march theme reappears as a Mendelssoh - Jeremy Siepmann & Stephen Gunzenhauser (1:55)
  44. 44 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We reach an interesing point: have we hea - Jeremy Siepmann & Stephen Gunzenhauser (1:05)
  45. 45 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Perhaps this is it? Back for a reminder o - Jeremy Siepmann & Stephen Gunzenhauser (1:41)
  46. 46 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Tovey places the start of the recapitulat - Jeremy Siepmann & Stephen Gunzenhauser (1:27)
  47. 47 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme recast in pathetic rather - Jeremy Siepmann & Stephen Gunzenhauser (1:51)
  48. 48 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. This unexpected crisis in confidence play - Jeremy Siepmann & Stephen Gunzenhauser (1:49)
  49. 49 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme returns - not complete, bu - Jeremy Siepmann & Stephen Gunzenhauser (1:30)
  50. 50 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A glorious thematic stew; high drama, a p - Jeremy Siepmann & Stephen Gunzenhauser (0:56)
  51. 51 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The dramatic highpoint of the movement, a - Jeremy Siepmann & Stephen Gunzenhauser (1:26)
  52. 52 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The same chords again, this time blasted - Jeremy Siepmann & Stephen Gunzenhauser (1:09)
  53. 53 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now we are into the finishing stretch, bu - Jeremy Siepmann & Stephen Gunzenhauser (1:42)
  54. 54 An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Summary, context, and cue into the whole - Jeremy Siepmann & Stephen Gunzenhauser (1:05)
  55. 55 Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 4th mvt. Fourth movement (complete) - Antonin Dvorák & Stephen Gunzenhauser (11:05)
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Jeremy Siepmann Primary Artist
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