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An Introduction to the Philosophy of Art [NOOK Book]

Overview

An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard ...
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An Introduction to the Philosophy of Art

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Overview

An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of art. He argues that the aesthetic and semantic density of the work, in inviting imaginative exploration, makes works of art cognitively, morally and socially important. This importance is further elaborated in discussions of artistic beauty, originality, imagination and criticism. His accessible study will be invaluable to students of philosophy of art and aesthetics.
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Editorial Reviews

From the Publisher
"...a lucid, nuanced, and spirited account of art theory..." Philosophy in Review
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Product Details

  • ISBN-13: 9781139862196
  • Publisher: Cambridge University Press
  • Publication date: 3/6/2014
  • Series: Cambridge Introductions to Philosophy
  • Sold by: Barnes & Noble
  • Format: eBook
  • Edition number: 2
  • File size: 846 KB

Meet the Author

Richard Eldridge is Charles and Harriett Cox McDowell Professor of Philosophy at Swarthmore College. He is the author of five books, including most recently Literature, Life, and Modernity (2008), and the editor of four volumes, including The Oxford Handbook of Philosophy and Literature (2009) and (with Bernard Rhie) Stanley Cavell and Literary Studies: Consequences of Skepticism (2011).
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Table of Contents

Preface; 1. The situation and tasks of the philosophy of art; 2. Representation, imitation, and resemblance; 3. Beauty and form; 4. Expression; 5. Originality and imagination; 6. Understanding art; 7. Identifying and evaluating art; 8. Art and emotion; 9. Art and morality; 10. Art and society: some contemporary practices of art; 11. Epilogue: the evidence of things not seen.
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